WHAT BOOK CLUBS SHOULD KNOW ABOUT SCOOTER NATION

While researching book clubs for a panel I’ll be moderating, I came across lists of club questions members use to facilitate meaningful discussions about the books they select. If Scooter Nation was a choice, it would be pitted against queries such as:

 

Is the book plot or character driven?

Are the characters relatable?

Can the story be set elsewhere?

and—here’s the trick question—What genre is it?

 

Scooter Nation is a darkly bent romp centered around a cadre of eccentric funeral directors struggling under great threat. What does that mean? Is it a comedy? Thriller? Mystery? and if so, is it a cozy?

 

There’s the rub.

 

Since releasing Scooter, I’ve had the privilege of receiving first-hand accounts from readers detailing what the book is about, what it essentially means, and what genre it conveniently fits into. Some found it “hilarious” while others found it “chilling.” Characters were deemed “not always sympathetic” or “morally elastic” and with goals ranging from “altruistic” to “self-serving.” Others saw it as “irreverent,” “heartbreaking,” “ground-breaking” and “well-worthy of a second read.”

 

All instructive, but not helpful when trying to boil the book down to one thing: genre.

 

The story begins with a vengeful harridan plotting and scheming from her second-floor office in the funeral home where she works. As the illegitimate and unacknowledged daughter of the larger than life patriarch who is long dead and has inconveniently left behind two singly unworthy sons to inherit the lot, she has much to chew over. Add to the mix, a collection of decades-long funeral directors dedicated to the establishment as only long-serving employees can be, and the reader winds up in the middle of a perfect storm of death, regret, self-entitlement, and fear of the unknown.

 

On one level, Scooter Nation is a love story with the weather-beaten funeral home as a forlorn and threadbare heroine-protagonist. Standing her ground on a street that has outgrown her, she is threatened by the shiny new high rises that grow up around her and the people who embrace ferociously the change that modernity is sure to bring. With her faded awnings and peeling paint, the building is a symbol of death, decay and esoteric practice that happier times have left behind. But inside, she is history; a living, breathing record of people past and present. Mistakes, triumphs and above all, tradition, live here, supported by the curators who have seen much, suppress more, and struggle to keep alive the one thing that gives meaning to their lives: history.

 

In that sense, Scooter Nation is a journey story, with its funeral director hobbits laboring their way from the basement to the summit of Mount Doom—the top floor, and the woman who presumes to take by force what is hers and then rule from lofty heights. As villain, the heir presumptive will remodel, reface, redo, and do all but tear their beloved funeral home down.

 

Enter then, the elements of revenge and murder. How far will the staff go to protect their livelihoods and the community that has grown from them? The funeral home, more than just a ladylove of a building, is also an anchor that holds in place like-minded people. Rightly or wrongly, they will do just about anything to stop the scourge that threatens them, even if it means aligning with persons more dubious than the woman who tries to control and change them.

 

Innocence and the loss of it over many decades also figure prominently, and while the historical references do not make Scooter a work of historical fiction, it lays the groundwork for the next novel that actually is. Poor Undertaker, Scooter’s follow-up, takes the reader back to 1947, where the grand old building is at her zenith, the profession she houses is held reverently, and the staff operating behind closed doors burst with pride under their pristine English-style morning suits.

 

As a comedy, Scooter Nation longs for the good old days every bit as much as it pooh-poohs faux window treatments and LED lighting. Yet there is poignancy too. People die in Scooter Nation not because they invited it, but because they must so that the story can move forward. There is no mystery here, only sadness followed by revelations leading to a blissed-out ending.

 

Scooter Nation relies heavily on its characters to deliver the emotional wallops needed to elicit varying responses from those who pick up the book. Whether readers are looking for laughs or knowledge about what morticians do behind locked doors, they will find in this read something removed from pure genre.

 

–A.B. Funkhauser

 

To learn more, please visit the author’s Amazon page, Goodreads reviews, and this site.

 

Facebook author page 2019

 

Toronto born author A.B. Funkhauser is a blended genre novelist who has won both humor and horror prizes for the same work. Her next novel Poor Undertaker examines the life and times of staff at Weibigand Brothers Funeral Home CE 1947.

 

Follow her on Twitter and Facebook.

 

Posted by Literary Titan

Scooter Nation eBook Cover Amazon XL

 

 

 

 

 

 

five stars

Scooter and Carla have to deal with lots of drama and backstabbing behind the scenes. They face off with Jocasta Binns. On the other hand, there is also a scooter bound gang led by a silver haired goon wreaking havoc on the gardens in the most contemptuous way. The Funeral Service is saddled with tension between the “siblings”.

The author has weaved quite the hilarious tale set in a funeral service establishment. The story highlights the inner workings of managing such an establishment which, it turns out, is like any other family business. The story is so vividly narrated that the reader cannot help but join the world.

The plot is well developed and fast paced and the characters are multi-dimensional. This makes it easy for the reader to visualize them and get acquainted. It is particularly interesting how Jocasta is introduced to the reader. She is introduced with her crackling fingers and her scandalous origin. She is not fazed by her old age and remains stoic and a force to be reckoned with. The Jocastrator can withstand anything and anyone. She inspires the kind of admiration that is mixed with fear. Then there is Scooter, who seems very sweet and charming. He is like the sunshine that peeks through the curtains in the morning. Then Charlie, the poor old man who has been turned into a mere informant for the brothers. Every character has a backstory and their uniqueness shines through regardless of their role in the story. This is one of the biggest strengths of this book.

Scooter Nation contains all the elements of a great novel. Thoughts and ideas flow seamlessly while moments of laugh out loud humor keep you engaged in a story that is surprising at every page turn.

This is a book I can see myself reading again because the characters, incontinent though some may be, make you want too keep coming back. It has managed to surpass expectations which were already high from the first installment in the series. A perfect book for a good chuckle.

Pages: 196 | ASIN:  B07RQ92W83

 

Proud Supporter

 

 

 

 

 

 

OUTSIDE THE LINES: MARIE LAVENDER

 

Marie LavenderPlease welcome back to the blog, crowd-pleaser Marie Lavender. With a shiny new release out, Marie takes a pause to answer some questions about multi-genre writing and staying outside the box. Oh! And she has a WIP on the go too. Hey, Marie.

 

1.

With so many sub-genres to choose from, romance fans are truly fortunate. How do you define your work? Are you a traditional romance writer?

 

UYL promo - AI actually prefer to define myself as a multi-genre author because I’m truly all over the place when it comes to the type of books I write. After releasing a children’s fantasy in 2015, I took a hard look at my works-in-progress, and then realized I needed to make a change instead of just calling myself a romance author. Some of the stories I have planned are dystopian or have time travel themes. I’ve even tried my hand at horror. Compared to some of the romance stories I’ve written, it was just easier to term my work as multi-genre.

As for what types of romance I write, I never like to box myself in. If I can cross different genres, it’s all for the better. Case in point, book two of the Blood at First Sight Series, Blood Instincts, which I’m currently editing, is more detailed than the first book in the trilogy. It’s a paranormal romance/urban fantasy with a futuristic angle. Also, the book I just sent off to beta readers, titled Directions of the Heart, is a modern romantic drama collection. Don’t get me wrong; I’ll always have a soft spot for romance. But I see no reason not to break the mold with genres now and then. Even Upon Your Love is a family saga as well as a historical romance.

Ed. – I love mixing it up too. There are more surprises for the reader and the writer, I think.

 

2.

The challenges the protagonists face in UPON YOUR LOVE are not time sensitive: work vs. family; personal goals vs. self-sacrifice. When thinking about the near past, how do these challenges differ in a contemporary setting?

 

I think they are universal themes. Even today, parents struggle to raise their children UYL promo - C - Adrienne and Christian1while balancing careers. And who hasn’t accepted a not so great job just to make ends meet? Obviously, some of the challenges Adrienne faces as a woman in Victorian New Orleans aren’t quite as relevant, but I think readers will quickly see she is a formidable character, and will appreciate that she knows what she wants. Shouldn’t we all be so self-aware? Besides, she quickly became a female quite out of her time as I grew to understand her during the writing process. I believe the audience can easily picture the heroine in the present day, making her own mark on the world.

 

3.

What would Scarlett O’Hara think?

 

Are you kidding? Scarlett would be appalled at Adrienne’s behavior, like most of her contemporaries. Perhaps Ms. O’Hara could even take a page from Adrienne’s book. She’s rather admirable.

Ed. – Well, fiddle-dee-dee. lol.

 

4.

What are the greatest villains in romance: persons, places or things? How do you co-opt these in your own work?

 

UYL promo - C - Adrienne and Christian6I always gauge these things based on the character’s strengths and fears, things deep in his or her background which can influence what happens. The plot forms from there. For one, I believe society usually interferes with the HEA (or, Happily Ever After) in romance. That especially occurs with historical romance. Modern settings are a different animal entirely. Secondly, events or yes, villains often prevent the characters from finding their happiness. To me, every story is different. Every character is different too, so it all depends upon the subtle nuances you discover as the tale progresses.

 

5.

Strong female leads always rule. Which of your three characters in UPON YOUR LOVE are the strongest? Weakest? Is this deliberate, or did they emerge that way as you wrote?

 

Am I biased if I say I believe they’re all strong, at least in their own ways? Of course,UYL promo - C - Adrienne and Christian8 conflict Adrienne is the one rated most likely to be stubborn and act as unladylike as possible, to forge her own path, in a sense. But I do not think any of them are weak. If a reader reads the series from the beginning to the end of the trilogy, he or she will notice how these characters grow as capable women in a time when females don’t have much power at all. I even admire the ones that aren’t mentioned in the blurb; Claudette Giroux has a quiet kind of strength, which, of course, appeals to Eric Caron.

Ed. – Not biased at all, more like a true believer, which is essential to reader belief, yes?

 

6.

Romance is alive and well, yet so many stories end tragically. Categorically, this may not be romance in a true sense (no happily ever after). Where do you think the demand for tragedy comes from?

 

Ah, you thought you’d catch me in a spoiler, didn’t you? Did I say there was no HEA in this book? Well, I would never categorize it as a historical romance without one. As for tragedy, I think personal tragedies hit us all at some point in our lives. My stories tend to have some drama here and there. And my loyal fans know I enjoy torturing my characters for a while before they can have what they want.

 

7.

What can readers take away from UPON YOUR LOVE after the last page is turned?

 

I think a key lesson is that we’re all human, capable of flaws and strengths, and you’ll often see that nowhere else but close to home, within your own families. One takeaway here is how important family is, and how strong they can make us once they band together.

 

8.

Last words?

 

Check out the book! Upon Your Love will be a pleasant surprise, I promise. Emotion-filled, yes, but entirely worth it. You can find out more about me and my work via my website, as well as my monthly author newsletter. Follow me on Amazon, Facebook, Twitter and Google+ for other updates. Also, I host three blogs if you’re interested; Writing in the Modern Age, the MLB blog and the I Love Romance Blog.

As always, happy reading! Thanks for hanging out with me for a bit! 🙂

And thank you so much, A.B. You’re a great friend and such a talented author!

 

Why, thank you! It’s always a pleasure dreaming up new questions to tease out your authorly insights. Congrats, again, on the release!

UPON YOUR LOVE released February 26th, and is available through most booksellers online.

 

Read This

 

Upon your love-final coverThe Hill family saga concludes as loyalties are questioned, faiths will be tested and undying love may come at a terrible cost…

Fara Hill, mother and faithful wife, is torn between her family at home and her urge to be at sea. Soon, she learns some disturbing truths. Was the past a fairy tale instead of reality?

Chloe Hill, loving wife and young mother, questions her faith when her husband sets an ultimatum she cannot meet. Will she be able to keep her marriage from falling apart?

Adrienne Bellamont Hill, born of a valiant captain and a fiery redhead, is untamed to her core and will bow to no man. Then Christian du Plessis enters her life with an offer she can’t refuse. Discovering the man behind the polished gentleman, she is drawn to him in many ways. Holding out for love is a family tradition, but can she resist the temptation of passion?

Christian finds this young woman to be a fascinating challenge, and is torn between keeping his distance from her and succumbing to her charms. A fierce battle of wills ensues as he sees she is much more than he ever imagined.

But danger lurks, threatening to destroy everything…

Can these two strong-willed individuals unite in the cause before time runs out?

 

See the Trailer

Marie Youtube art.png

 

Excerpt

The neigh of a horse brought her out of her reverie and she looked over, but her mare stood quietly beside the stream. Adrienne’s instincts nagged at her and she stood up, her ears on alert. The clomp of hoof beats came to her on the swift afternoon breeze. Was the rider coming from the estate or perhaps it was simply a stranger? In any case, a sense of unease grew in the pit of her stomach and she reached down to unearth a small dagger Gabriel had gifted to her two summers ago. She kept it in a sheath around her thigh. Gabe had always said that if she didn’t have a sword on hand, it was best to have something. And she couldn’t agree more.

She clucked her tongue to alert Persephone and led her quickly by the reins under the cover of the trees. The rider was closer now and her mare shifted uneasily, blowing a breath out of her nose. She must have heard the approaching horse as well. “Shh. It’s all right,” Adrienne whispered, stroking her neck. She tied the reins to a tree and waited.

When the rider appeared from the forest, she couldn’t see him clearly. It was a man—that much she was certain—but the lapels of his dark coat and the thicket of limbs brushing her face kept her from placing his identity. He had dark hair and was tall, his body lean and muscled. She watched as he got down from a fine, black stallion and led it to the stream for a rest. The man took a drink from his cupped hands. He wiped the remnants of the water from his chin, and then seemed to search the area nearby. She shivered. Was it possible the man had been tracking her? If that was the case, her dagger would certainly come in handy. Adrienne crouched on alert, spying through her vantage point in the trees. From behind, she observed as the tension eased from his shoulders and he sighed.

A frisson of unease ran through her again. Taking it as a sign, she confirmed he was still faced away before she quietly eased out of her haven. Stepping up behind him, she lifted her dagger to his throat. A smile of grim determination danced over her lips as he stiffened.

“Who are you? Why are you here? Are you following me?”

“What if I was?”

Fine shivers moved along the surface of her skin, caused by the deep timbre of his voice.

“I would have to ask for your reasons, Monsieur.”

“I haven’t come to kidnap you, if that’s what you’re worried about,” he sighed. “I didn’t expect you’d be prepared. I commend the effort, of course.”

She frowned. The compliment threw her for a moment, but she then brushed it off. Surely, he ridiculed her, and thought he could overtake her somehow. She shook her head. He would be gravely disappointed.

“You will state your reasons for your presence and your identity, sir.”

“And if I don’t?”

“You will regret it, of course.”

“Indeed? Do you intend to harm an unarmed man?”

She scoffed. “Unarmed? No, I doubt that. With the way you appeared to be tracking me, I am sure you’re quite armed.”

“Right again. What will you do about it?”

She shrugged. “This is Bellamont land. You’ve clearly trespassed. If I must, I will drag you straight back to the house. You know, I believe the foreman has a Winchester sporting rifle. He can be quite formidable when he puts his mind to the task.”

“I’m sure,” he murmured.

“What say you then?”

“I say, Mademoiselle, that you have no idea who you’re dealing with.”

Before she could open her mouth to take him to task, she felt a blow to her arm and the numbing pain caused her to drop the knife. Everything else happened in a blur. As he turned, he caught her leg, which caused her to collapse. But, before she landed, he grasped her up in his arms. He was too close, she thought. Panic threatened inside of her, but she fought it by degrees. She was a fighter, not some idiot who would succumb to a man’s power. Gabriel had taught her many tricks, as had her father. She forced herself to go limp so that he’d pull her closer. She let her eyes drift closed and pretended to have swooned.

Mon Dieu,” he whispered.

Then she unmanned him with a swift rise of her knee. He coughed out a grunted response, releasing her.

She retreated from him, intent on finding her dagger, but did not see it. The leaves in the grass crunched beneath her hands and knees as she struggled to her feet. She would have to rely on the resources of the forest to save her if he pursued further. Somehow, she doubted he’d be able to. She turned and her mouth dropped open as she looked at her attacker.

His dark hair had fallen over one eye and he was hardly doubled over in pain. No, he scowled at her now and he seemed quite well. She’d missed her target, she realized. His identity shocked her further. She felt quite stupid for not recognizing him, even from behind. But, why had Christian tried to attack her?

 “How…,” she whispered.

“You are not as fast as I, Mademoiselle.” Then he laughed, but there was no mirth in his expression. His eyes seemed darker suddenly. “You little brat,” he bit out. “You almost had me.”

She sucked in a breath and, when she saw him advance, she backed away. But, it UYL promo - C - Adrienne and Christian3.jpgeffectively put her back right up against a nearby tree. She cursed. Christian closed in, blocking her in with his arms as he braced his hands on the tree trunk. Her breaths came out in harsh pants and her stomach had fallen somewhere at her feet. Dear God, what would he do? She jerked her arms out to break his hold, but his muscles were like the ratlines between the shrouds of a mast in a ship’s rigging. Solid. Struggling with his obvious intimidation of her, she managed, “Why are you trying to kidnap me?”

Some of the arrogance left his face. “I’m not. I thought we already established that.”

“Then why… this?” she asked, weakly. And why couldn’t she breathe? His clean, male scent caused her to feel lightheaded. No, she thought. That just had to be terror.

“I wanted to get you alone so that we could continue our plans. I didn’t mean for you to see me as a threat. I certainly didn’t expect a dagger at my throat.” He reached out and cupped her face, stroking the line of her jaw gently with his thumb.

Adrienne gazed into his nearly black eyes. She thought she saw a hint of admiration and something more, perhaps desire, in his gaze.

“P… plans?” she stammered, annoyed with the hypnotic effect he had on her. And what was that strange, but wonderful scent coming off him? She detected cologne which contained a hint of fresh pine. But then, she’d smelled it before, both in her room and at the Broussard’s engagement party. Even though the fragrance was pleasant, she tried to ignore it.

“Our matchmaking endeavor, chére.”

“Oh. That.”

“Yes, that. Did you forget?”

She cleared her throat. “No, of course not.” Her resolve returned in full force then. She slapped his hand aside and sidestepped him. Stalking away to locate Persephone, she unearthed her mare from the brush in no time. When she returned, he still stood there, watching her. She shivered again.

Mon Dieu, she thought. Why was this happening to her? Why did the man tie her in knots?

 

About the Author

Bestselling multi-genre author of UPON YOUR RETURN and 21 other books. March 2016 Empress of the Universe title – winner of the “Broken Heart” themed contest and the “I Love You” themed contest on Poetry Universe. SECOND CHANCE HEART and A LITTLE MAGICK placed in the TOP 10 on the 2015 P&E Readers’ Poll. Nominated in the TRR Readers’ Choice Awards for Winter 2015. Poetry winner of the 2015 PnPAuthors Contest. The Versatile Blogger Award for 2015. Honorable Mention in the 2014 BTS Red Carpet Book Awards. Finalist and Runner-up in the 2014 MARSocial’s Author of the Year Competition. Honorable mention in the January 2014 Reader’s Choice Award. Liebster Blogger Award for 2013 and 2014. Top 10 Authors on AuthorsDB.com. Winner of the Great One Liners Contest on the Directory of Published Authors.

Marie Lavender lives in the Midwest with her family and three cats. She has been writing for a little over twenty-five years. She has more works in progress than she can count on two hands. Since 2010, Marie has published 22 books in the genres of historical romance, contemporary romance, romantic suspense, paranormal romance, fantasy, science fiction, mystery/thriller, dramatic fiction, literary fiction and poetry. She has also contributed to several multi-author anthologies. Her current series are The Heiresses in Love Series, The Magick Series, The Blood at First Sight Series and The Code of Endhivar Series.

 

Links

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