AUTHOR! AUTHOR! THE JOYS AND CHALLENGES OF EDITING

My third novel is ‘done,’ but not really, because after I typed “THE END,” I went right back to the beginning and started editing. Was that the right thing to do, or should I have waited a week or two? Cooled off? Got some distance? I put the question to my friend, the writing genius and all-around great person Lexi Miles. Lexi knows of what she speaks. She writes, she blogs, she promotes, all with an energy that I wish she’d bottle and sell.

Lexi not only weighed in on matters of editing, but she inspired an idea: Why not do a Q & A double-header? Two writers. Two edits. Plenty of questions…and selfies too!

Voila!

1.

When you sit down to edit, how do you begin your process?

green shirt elfLexi Miles: The first thing that I do is to make sure that I am editing in a space that is free of distractions. My preference is for it to be quiet when I settle in to edit. After that, like a beta reader, I just read through it looking for the big issues. I try to find anything that jumps out at me: errors (ex: spelling, etc.), holes in plotting, loose ends, my personal favorite all names are correct (Giggles. I have swapped a few characters a time or two.), and all other major issues. In the first sweep, I also look for points that may need clarification and enhance points to strengthen the outcome of events in later chapters.

2017A.B. Funkhauser: My mind must be absolutely clear, which means I can’t have anything out there that’s been left undone. So, if the lawn needs raking, I rake it. If the kids need a hand with a big study project, I’m there. When all’s done, it’s me and the book, and that’s the way it pretty much is until it’s done! 😀

2.

What is one of the most rewarding and joyful aspects of editing?

bagelAB: My writing gets better with each outing, and that comes from doing, doing, doing. That’s what I see in the editing. There are fewer missteps and errors, and when I do find something, it’s glaring. No second-guessing because I’ve been there before. Best of all, I’m getting a better handle on the fixes. It took three books, but I can finally ‘see’ the problems fast and, even faster, get them fixed because I know how. That’s satisfaction in editing.

hair up white tank carLM: One aspect that I find to be the most rewarding is that I have a chance to sit down and read what I have written. I love being able to enjoy it as a reader.

3.

What are some of the challenging aspects of editing?

head rocked upstairsLM: It can be tedious. In addition to that, between us, I am someone that likes to deliver a high standard of excellence in anything that I do. So, one of the hardest realities for me to accept is that no matter how many times or how many eyes are upon the novel there are going to be a few things that slip through. It is just the process of publishing a novel.

bimmerAB: First and foremost, you have got to be well-rested when tackling this. If three great days are followed by an hour or two of sheer grind, then something’s up. It usually means my attitude is skewed either because I’m tired or my mind is wrapped up in something else. When the grind hits, I walk away for a few hours or days and then go back with fresh eyes. Makes a huge difference.

4.

Have you over-edited a part of your novel and it turned into a disaster? If so, how did you go about fixing it?

CampNaNoWriMo2016AB: Ha! See above. In the beginning, yes. This was mostly because I didn’t know how to spot an indulgence, and when I did, didn’t have the heart to ‘kill my darling.’ This improved thanks to the hashtag games on Twitter. There’s nothing more exhilarating than taking an overwrought beauty, chopping it down to 140 characters, and then finding that it’s…BETTER!

But now as then, I always save the full MS at the end of each day as insurance. That way, nothing’s lost and anything can be restored.

impish smile insideLM: (Laughs) Oh yes. I have done this. Unfortunately, the first time that I did it I completely messed it up. I ended up hating that part so much that I removed it and had to try my best to rewrite the original from memory. It was such a heartbreaking experience. The process taught me a few new tricks. So what I have learned is to edit on a copy of the book and not the original. That way, if I tinker too much with a certain part, I can copy that section from the original and begin again. Adding to that, I limit the size of my edit. I will not write more than a certain amount of words. I find this minimization restricts me from altering the original idea beyond what I loved about it as well as makes me construct my words in a way in which I have to make my words concise, powerful, and count. It helps me to keep focused and continue to drive the story forward at a great pace.

5.

Can you please share what techniques you find helpful to identify or catch issues in your work? (ex: know favorite words that get overused, favorite words to misspell or misuse, other issues that you’ve spotted that you now look for, any helpful tips that are you go-to, etc.)

looking over sunglassesLM: For me, there are several things. The first, I know my overused words or favorite to misuse. I look for them. The second, I use a checklist similar to the helpful links included at the end. Another, I read out loud. It helps me to catch things that I might miss in my head. And finally, the best tips that I can offer you is to make notes about what past editors/betas have caught and always look for new editing tips resources that can help you.

CanadaAB: Scene for scene, I will read each one aloud after an edit session to listen for the clunkers that can so easily be missed in quiet reading. Then I move on to the next. The next day, I go back and reread the previous day’s work before beginning new sections. I always find more to trim!

Reading aloud also helps me identify my favorite repeaters: ‘at once’ ‘surely not’ ‘outrageous’. When I hear them, I make a note of them and then do a universal search at the end to prune them out.

My very first manuscript years ago had over 200 cuss words. Lol. I was able to cut them to 5 very essential oaths. I was proud of that!

Dropped words are a constant. “Do you have cat?” instead of “Do you have a cat?” I’m always on the lookout for dropped words. Hyphens and em/en dashes are also a bane. I either over-use them, or don’t use them enough. I’m working on this too. Lol.

6.

In what ways have you improved your editing? (Time efficiency, Using Deadlines, Sticking to Specific Steps, Checklist, Betas, other, etc.)

cat christmasAB: Beta readers are crucial, but to help them out, I work very hard to deliver the cleanest possible draft I can. I also parse out assignments so that no one is overwhelmed. Some betas look for the aforementioned dropped words, repeaters and spelling, while others check for continuity, credulity and pacing.

I’ve also learned that editing, like novel writing, cannot be done in a week. It’s a slow, lengthy process if you want to get it right. I’ve worked hard to make a friend of it. Atmosphere, background music and regular breaks help, along with very understanding family members that don’t mind pizza three times a week. lol

pole paint .jpgLM: I stick to specific steps on my sweeps (editing passes) and follow them in order. To give you more insight as to what I am referring to, I start edits as I am writing the novel. I edit at the end of each chapter. Then on the first read through of the full length written novel, I don’t attempt to edit the numerous issues all at once. I address the sizable/noticeable issues then progress to the more intricate or detailed issues. Following that, I move to my next steps to address grammar, pace, dropped [missing] words, punctuation variation, vocabulary enhancement, and so on.

I also use a loose deadline process (to account for creativity and details in editing) for editing chapters to help my time efficiency. If not, I may never put a book out. (Giggles.) I found that I work great with deadlines; accordingly, they keep me focused.

In addition to those elements, Betas [for clarification and several other critical elements of editing] and Checklist have improved my editing in spades!

7.

What is something that you stay away from while editing?

tight shot grayLM: Although I use deadlines, I do not rush. I STAY AWAY FROM RUSHING and take my time. Like a painter, a chef, or any other creative soul, take the time to create a work of art.

 

 

 

12747980_583865931760413_6710413406243198729_o (1)AB: My other novels! I’ll read the news before I go back to something already done. It would confuse me.

8.

How many passes do you take through the manuscript?

At the beachAB: Usually three passes and then another two after the betas weigh in.

 

 

pole paintLM: Honestly, as many as it takes. I usually find that number to be about four times through (not including my daily end of chapter edits as I write).

9.

When is the best time for you personally to do edits? (by chapter, start of day, completed manuscript, all of the above, other, etc.)

ponytail pinkLM: [While writing] I perform edits at the start of each day as a great help to get back into the groove. [Once the book is written] I do my editing at the top of my day or in a moment where it is quiet with minimal interruptions. As far as frequency, I do edits at all points of the novel construction process. As I progress, the focus of the editing will evolve as needed. I think it is critical to do edits at the end of each chapter, an in-depth scrubbing at the completion of the fully written manuscript, and any other edits that the book requires to make it polished and sparkle with life! Again, I edit at all points so that the book, at the completion, is the book I sat down to write!

doggie doggieAB: I prefer the morning, although multiple competing schedules don’t always allow for this. I treat editing the way I do my writing: if I work at it a little bit each day, I’ll get it done…and I do!

10.

When editing, do you edit for a set amount of time, set daily chapter goals, or do you go until you are tired, etc.?

EAR CUFFAB: I leave it to my moods, though I have certain deadlines in mind. There is usually a contest deadline lurking ahead that drives me to finish. I also like to have the book ready for publication in advance of NaNoWriMo so that I’m free and clear to begin the next novel.

 

rustic house backdropLM: I set a certain amount of time daily, and I also have a daily chapter goal. I set both of those so that I am completely fresh when I am editing. If I finish the daily chapter or the allotted time passes, I will call it. I do not go over the time I have blocked out in my schedule to avoid missing anything.

11.

What are a few editing resources that you use?

smiling pinkLM: I like to utilize a checklist, editing programs, Beta Readers, Professional Editors, thesauruses, grammar websites, Google, grammar reference texts/books, Youtube, my dusty college educated brain (Giggles), blogs, other Authors, and the list continues. (That is code for see below for more resources.)

 

 

Fall ColorsAB: I constantly refer to the rules of punctuation, which remain fixed in spite of conventional use changes. e.g. the ‘war’ on the semi-colon. The more I blog, the more I ‘unlearn’ the rules, so when it comes time to dig into a 60, 70 or 80K manuscript, I study up. Always, I ask: Oxford comma, or not?

Lexi’s Awesome Editing Resource List*

*We are not affiliated with these sites in any way. The links are helpful for editing.

Jerry Jenkins (21 things Checklist)

http://www.jerryjenkins.com/self-editing/

Creative Penn (Editing Questions Answered by Professional Editor/Author Jen Blood)

http://www.thecreativepenn.com/2014/08/11/editing-writing-craft-tips/

Grammar Girl (Editing Checklist)

http://www.quickanddirtytips.com/education/grammar/grammar-girls-editing-checklist

Mike Nappa (4 steps to Edit Book)

http://www.writersdigest.com/editor-blogs/there-are-no-rules/how-to-edit-your-book-in-4-steps

25 Tips for Tightening your Copy

http://thewritelife.com/edit-your-copy

10 Simple Ways To Edit Your Books

https://thewritelife.com/self-editing-basics

KM Edits (Not for Blog)

http://www.helpingwritersbecomeauthors.com/how-i-self-edit-my-novels-15-steps-from/#

12.

A lot of us jump into edits ‘boots first’ right after typing ‘THE END.’ What are the advantages/disadvantages of moving fast?

fat man bluesAB: The advantage for me is that I’m super keen. The pistons are firing and I know exactly where all the characters are and what motivates them. This makes inconsistencies a lot easier to spot. The disadvantage is that I’m too close to the work, and so I’m more apt to miss dropped words, and issues of clarity. Stepping away from ‘THE END’ strips a lot of that away. Distance really draws out what could be clearer or what scenes really don’t need to be there at all.

tight shot grayLM: The advantage to jumping right back in is that the story is in the forefront of your mind. The disadvantage is that your eyes aren’t so fresh and you tend to miss issues/mistakes that you will most likely catch when you have stepped away from a project. That is code for I tend to favor NOT jumping right back in. My golden rule is to step away from the full-length written novel for a bare minimum of two weeks before I return to it for the first full book edit pass. That way I can see it fresh as if I am reading it for the first time.

13.

The publishing world is evolving as never before. Do you agree/disagree with the current trend toward ‘sensitivity’ editing in the modern age?

upstairs sunglassesLM: First let me say some people are vile. And you have to write them accordingly. There is no sensitive way around that. If the story’s essence is rooted in that fact, has a purpose for writing a character a certain way, or a mirroring element is there to strengthen the storytelling. That is the story that must be told.

Now, having said that, as far as my writing in general, I tend to write with a certain level of ‘sensitivity’ anyway with respect for people being people. I don’t buy into people being different. Long before I studied the discipline of Cultural Anthropology[Human Behavioral Studies], I felt, which was confirmed by my studies, that we are all the same at our core. What I am saying is, my writing is written in a way so that anyone can sit down, read the books, and with minimal effort be able to see themselves or elements of themselves inside of the story. The hope is that anyone can connect to it. So, I agree with sensitivity editing because it is writing a story free of stereotyping. To me, that is an enjoyable read. Unlike some may argue, I don’t think it dilutes a story, but quite the opposite. I think that it enriches it and tells a better story. It is a story that is closer to life. As a romance writer, I am not a fan of the girl looking for someone to rescue them. Rather, I write from the unique perspective in the romance genre of a girl looking to share a new chapter of her life with the love of her life as they face realistic challenges. Also, I don’t write a man that can’t access his emotions. Those stories, in my opinion, also are the pits [weak writing]. Unless of course, there is a quality backstory there and there is a purpose [not an overused idea]. I think not writing with the crutches of false ideas gives an author the chance to step up their writing and enhance what they write with depth/substance that everyone can say huh, that’s an important challenge I am facing, and am benefiting as I read this material. I think it forces new dimensions and robust layering. You don’t fall back on comfortable elements of the past but are called to create new dimensions in a written work. You are forced to dive a bit deeper and to peel back the layers of emotion that the other method of storytelling glosses over or allows the reader to remain at a safe distance. That is limitless and something thrilling for the mind to savor, chew on, digest, and evolve to a new level of awareness. I love that!

finishing heuerAB: I think it depends on genre, non-fiction in particular. In non-fiction, as in journalism, balance is critical to accuracy. Information is conveyed in a manner that should allow readers to debate and then draw their own conclusions. Whereas in fiction, art, character and mood are apt to take the front seat to big-time tells and balance. Villains are villains because they are nasty. They say and do things outside of what the reader finds acceptable in law and culture, which is precisely the point. The insensitivity and cruelty we see in certain characters drive the action driving the protagonist to the big fix (if a ‘happy ending’ is what you’re going for). I don’t see how sensitivity editing would make it better.

14.

Which brings us to the subject of self-censorship. ‎ To what degree is editing for the market beneficial?

first bookAB: There are so many guidelines out there geared to writing success. Whether these guidelines lead to ‘self-censorship’ or are an invaluable metric to publishing success is between writers and their agents/publishers. I like to think that the moment I start tempering my words is also the moment where I need to take a break. I write fiction and I write morally challenged characters, so I have to take care not to make them too nice. 😀

yellow sunglasses smileLM: I think that as long as the true essence of the story is not altered then editing for the market is extremely beneficial. I feel this way because due to the editing the work falls into a clearer defined market. As a result, a larger number of people will have access to as well as have an opportunity to connect with the book’s material. Without that mild/targeted editing, readers might not have had the chance to meet up with the story.

15.

Self-publishing can cut out entire layers including ‘professional’ editing. Does this lend to greater artistic freedom, or heart-wrenching do-overs after the first run?

hair up white tank carLM: I have taken part in both styles of publishing. Despite my style of publishing, I ALWAYS utilize a professional editor as well as a professional editing program. I do not self-edit alone; however, over time I have learned from personal as well as other professionally conversational/documented resources outside of myself, even with the most skilled eyes professionally editing your book every book will have the occasional typo. As a writer, as I stated previously, you have to understand that some typos never get caught. Even the most experienced, well-known, or traditionally published authors release new editions with modified content. So, to answer the question above, any time you have to make a detailed alteration to a written work it can be heart-wrenching as well as tedious. That’s my way of saying it is not fun no matter what style of publishing.

Now to address the portion of the question about creative freedom when Indie Publishing versus Traditionally Publishing. I’d have to say for the most part it is close to the same, but in some ways, it is more restrictive to traditionally publish. I will briefly elaborate. There are some cases when you may want to write something that you have experienced within your life, but a publisher may deem it too harsh of a depiction, and the content may be too intense for the publisher’s audience. Another example of a restriction of freedom with a publisher may be a descriptive word while voicing something within a conversation. In very specific cases, saying that someone whispered something versus whimpered would shift the book from mainstream romance to erotic. Sometimes that can diminish the intensity of a moment.

Closing out what I am saying here is, to maintain your creative voice while working with an editor or publishing house it is important to find the right one. I am fortunate on both fronts my editors and publisher respects my voice, and they give me the final say. I feel the story you get when picking up my novel is the one I wanted to tell or at least very close to it.

floridaAB: Self-publishing, like the writing journey, is not necessarily something done in a vacuum. As writers, we have access to all kinds of writing services staffed by accredited professionals who can make our books better. The decision to use these services are personal ones governed by many things; craft uncertainty and budget are two. I’m lucky in that I belong to a highly-accomplished writing group that strives to excel. I’ve learned a great deal from them while keeping the creative drive alive. I think I try new things on in writing to see how they’ll react. Their critiques, 9 times out of 10, have proven correct.

16.

Speaking of editing, which books have your attention at the moment and when will you be sharing them with everyone? Care to give us a peek at the covers (or at the most recent book you have released)?

Cat MommyAB:  I’m hoping to get SHELL GAME out there in the next couple of months or so (depending on how the editing goes!). I’m really excited about this one in that it’s a departure from the first two novels. Rather than anchor the piece in a funeral home, I decided to take it outside into a fictionalized neighborhood that isn’t everything that it appears to be. As the title implies, everyone concerned plays a kind of SHELL GAME with neighbors, colleagues and even family members.

The thing I love most about this one is that the main protagonist is a tabby cat with a lot of insight. By being present, he makes things happen for good and for ill. There is still plenty of gonzo and revenge of the type readers have come to expect from HEUER LOST AND FOUND and SCOOTER NATION, but there are more insights, bigger laughs with a dollop of darkness on the side. i.e. One of the central questions is: What is that sausage really made of? 😉

A cat’s-eye view of the human soap opera

coverCarlos the Wonder Cat lives free, traveling from house to house in a quiet suburban neighborhood. Known by everyone, his idyllic existence is threatened when a snarky letter from animal control threatens to punish kitty owners who fail to keep their pets indoors. The $5,000 fine / loss of kitty to THE MAN is draconian and mean, but before Team Carlos can take steps, he is kidnapped by a feline fetishist sex cult obsessed with the films of eccentric Pilsen Güdderammerüng. Stakes are high. Even if Carlos escapes their clutches, can he ever go home?

https://abfunkhauser.com/wip-shell-game/

 

And Lexi?

impish smile insideLM: There are three that are in the forefront.

The first is WILDFIRE (coming May 2017), hybrid poetry collection with a short bonus romance accompaniment SOME LIKE IT HOT. SOME LIKE IT HOT is a firehouse romance about an unexpected night of events for Bella and Lt. Xander Garten that changes everything.

The second is a romance about a psychiatrist, Lila, who goes on vacation in Vegas and runs into a sexy familiar face, Clark, she really should not become romantically involved with entitled OUR SECRET (coming Summer 2017).

And finally, PRIVATE LESSONS (coming Summer 2017). A romance-suspense about a recently divorced professional woman, Ryan, who gets much-needed lessons in self-defense and love from her alarmingly sexy private instructor Jimmy.

My most recent release is The Order of Moonlight. A vampire love story about a young woman, Clair, and a mysterious stranger G that invites her to a masquerade ball as well as into his magical world. Is Clair ready for all she will learn about his world?

 

The Order of Moonlight

cover Order of the Moonlight - CopyClair De Lune a young woman, who works at a small town café in the middle of nowhere, likes to live her life off of the radar.  One afternoon that all changes when a wildly handsome mysterious suit wearing gentleman walks into her café.  Intrigued to know more about the gorgeous enigmatic stranger, when he extends an invite to the masquerade ball later that night, she decides to meet him.  Soon Clair finds that there just might be more to him than meets the human eye.  Is Clair ready to step into his magical world of passion?

 

See the Trailer

 

Get it Here:  

https://www.amazon.com/dp/B01MXH3QDL )

Coming Soon

Private Lessons

aweb privatelessons - CopyRyan DeVain, a travel agent, gets tricked into taking much needed self-defense classes by her best friend Piper.  She is apprehensive, even given the looming threat of her past, until she meets the ultra-sexy brown haired instructor Jimmy Jalin.  Will there be sexy benefits included with his training?

Our Secret

cover our secret - CopyLila, a psychiatrist, hops on a plane to Vegas with her recently divorced best friend. They have a fun girls’ night out, but when Lila retires to her room she can’t sleep. Instead she has the same haunting thoughts that keep her up every night. Knowing that sleep is not going to happen that night, she goes out on a walk to clear her head. While out, she encounters the every so sexy Clark who just so happens to be off-limits because he’s a client of hers. Will she be able to deny what she feels for him or will they keep Vegas their little secret?

Wildfire Poetry Collection

cover wildfire - CopyLove in many ways is a wildfire that goes nuts within the heart. The poetry within this romantic collection gets the pulse racing and the heart fluttering. If you are in love, have been in love, or dream to be in love this sweet and sexy collection is for you. Fall in love with Wildfire and you’ll be happy that you did!

 

Some Like It Hot (Bonus Story In Wildfire)

Bella, a computer tech, just so happens to love that Fire House 34 is one of her assignments. It has everything to do with the fact that she gets to see the ever so sexy Lt. Xander Garten daily. But what’s not to like about him; he’s a tall, muscular, and madly heroic firefighter. No wonder Bella has developed an attraction to him. One day after work, Bella’s roommate Janine convinces her to go out for a much needed girls’ night. When Bella’s evening takes a turn for the worst, will a chance meeting with Xander heat things up between them and end up making it the best night of her life?

 

Ed. – Wow! You’ve got a busy summer ahead! Congrats!!!! ❤

17.

Writing the book is a great achievement. Editing it well, even more so. Do you agree?

looking over sunglassesLM: I am going to keep this answer simple, YES!

 

 

 

 

funky meAB: Yes, yes, and yes. Here’s my golden rule:

DON’T RUSH IT! You spend months or years putting something together that has meaning. Rushing the edits doesn’t serve it. Read it, say it, LISTEN to it. Spelling and grammar usage are as important as continuity, credulity and pacing. Get it right and you’ll love it forever. Your readers will too!

 

Thank you for stopping in to share a moment with A.B. Funkhauser and Lexi Miles. We hope that you enjoyed what we had to share. Feel free to drop a friendly comment below with your thoughts and other editing tips that have helped you.

Keep laughing. Keep smiling. Keep writing.

xo

About the Authors

A.B. Funkhauser

author 2017Toronto born author A.B. Funkhauser is a funeral director, classic car nut and wildlife enthusiast living in Ontario, Canada. Like most funeral directors, she is governed by a strong sense of altruism fueled by the belief that life chooses us, not we it.

Her debut novel Heuer Lost and Found, released in April 2015, examines the day to day workings of a funeral home and the people who staff it. Winner of the Preditors & Editors Reader’s Poll for Best Horror 2015, and the New Apple EBook Award 2016 for Horror, Heuer Lost and Found is the first installment in Funkhauser’s Unapologetic Lives series. Her sophomore effort, Scooter Nation, released March 11, 2016 through Solstice Publishing. Winner of the New Apple Ebook Award 2016 for Humor, and Winner Best Humor Summer Indie Book Awards 2016, Metamorph Publishing, Scooter picks up where Heuer left off, this time with the lens on the funeral home as it falls into the hands of a woeful sybarite.

A devotee of the gonzo style pioneered by the late Hunter S. Thompson, Funkhauser attempts to shine a light on difficult subjects by aid of humorous storytelling. “In gonzo, characters operate without filters which means they say and do the kinds of things we cannot in an ordered society. Results are often comic but, hopefully, instructive.”

Funkhauser is currently editing SHELL GAME, a psycho-social cat dramady with death and laughs.

Lexi Miles

author pic black and whiteLexi is currently living in California, has one sister named Cat, and is a proud pup mom of 2 mischievous Yorkies. Tropical warm spots and out of the way ranches are Lexi’s favorite escapes. Lexi loves to giggle. She’s a huge fan of positivity, and she is delighted when she can help someone else smile. Lexi loves a good Netflix binge. She also enjoys music (all genres), baseball, bubble baths, cooking, and long walks on the treadmill (aka working out). As far as writing, she fell in love with it from when she was a kid, and she still finds that she falls more in love with it every day. Lexi is growing a cult following for both her poetry and romance novels and believes that love—all forms—is the most precious gift that we are given in life. She is thrilled to pen romance, and all of that comes with it on paper! To find out more about Lexi, please go to www.LexiMilesAuthor.com!

Contact:

Lexi’s Links

Website: www.leximilesauthor.com

Amazon: https://www.amazon.com/Lexi-Miles/e/B0196OSLBU

Newsletter: http://eepurl.com/bVg6xj

Email: leximiles.author@gmail.com

Lexi Rom Readers: https://www.facebook.com/groups/1746560782284851

Twitter: www.twitter.com/leximilesbooks

Facebook: www.facebook.com/LexiMilesAuthor

 

A.B.’s Links

Geo Buy Link: http://myBook.to/ScooterNation

Geo Buy Link: http://myBook.to/heuerlostandfound

Walmart:  http://www.walmart.com/ip/Scooter-Nation/53281677

Website: www.abfunkhauser.com

Amazon Author Page: www.amazon.com/author/abfunkhauser

Twitter: https://twitter.com/iamfunkhauser

Facebook: www.facebook.com/heuerlostandfound

Instagram: https://www.instagram.com/funkhausera/

YouTube:  https://www.youtube.com/channel/UC0Ztg_M3NvIJV4hDzyXdf9g

Google Plus: https://plus.google.com/u/0/118051627869017397678

Publisher: http://solsticepublishing.com/

Goodreads: http://bit.ly/1FPJXcO

FAQ’s: https://abfunkhauser.com/faqs/

HOPE THOMPSON ON HER DEBUT NOVEL & THE NOIR THAT DRIVES HER

Don’t you just love those moments when you hear written work read aloud by the authors themselves and everything just clicks? It happened to me not long ago at Noir at the Bar–Toronto, where a funky group of criminally-minded writers and readers gathered over snacks and drinkies to hear the latest from artists north and south of the border.

Imagine my joy at finding a Toronto-based novelist, filmmaker and playwright–that’s P-L-A-Y-W-R-I-G-H-T–at a nearby table prepping a selection from her debut novel. Poised, polished, personable, Hope Thompson calmed my fear of performing for the first time in front of this august group and then went on to WOW! me with HER words…

…and her resume.

This woman’s done a lot.

And she’s super cool too.

HELLO, Hope!

 

 

1.

I have the greatest respect for live performance. As a playwright, do you physically walk-through your scenes as you compose, or do you leave that to the actors to work out?

 

Yes, there is nothing like a live performance, which is one of the reasons I love working 5_Stiff1.jpgin theatre so much. To answer your question, I don’t so much “walk through” the scenes as “talk through” them—and that makes it a bit awkward to write in public because I need to say the lines out loud and in the voice of the character—and with all their gestures. My strategy is that if I can act out the scene and it feels right to me then it hopefully will work for the actors, too.

 

2.

You have written a number of plays, eight of which have been produced for the stage. To what extent were you a part of the collaborative effort? Care to share an anecdote?

 

1_lovecrimes-21.jpgIn a lot of my theatrical experience, I’ve been producing as well as writing, and because of that, I’ve been a part of everything—from casting, to hiring crew, running props around—even onstage in the darkness helping with the set pieces between scenes. But yes, I like to be as much a part of the production as possible. Some playwrights do not attend rehearsals but I like to be there to watch the play come alive, to follow the director’s work with the actors and to talk out issues that arise, changes to the text, etc., that come up during rehearsal. In my last production in Toronto, I got sick and couldn’t attend any more than the first few rehearsals. I had the feeling the cast and director were actually happier without me there; they could make their own line changes. But if I’m allowed to be, I like to be a part of the entire process. Hearing your own words come alive on stage is such a rare and thrilling experience that I don’t like to miss anything. I even attend every performance.

 

3.

For Torontonians, it is virtually impossible not to know about Buddies in Bad Times. For our international readers, can you describe the theatre, its history, and successes?

 

Fear and desire poster.png

Sure! Buddies in Bad Times Theatre is North America’s—and quite possibly the world’s—oldest and largest queer theatre. Sky Gilbert was one of the founders back in 1978 and in the role of Artistic Director, he was the driving force behind the theatre for its first 18 years. In terms of successes, so many of Canada’s greatest theatrical talents have gotten their start there—from Ann Marie MacDonald, Gavin Crawford, Diane Flacks to Daniel MacIvor, Kawa Ada and Brad Fraser, just to name a few. Buddies is also home to the Rhubarb Festival of New Work, which was where my first play, GREEN, was produced. And by the way, “rhubarb”, refers to the word actors say, silently, when they are on stage but in the background—and pretending to have a conversation.

 

4.

And you write for the screen too. Was this an organic segue from live performance?

 

It was actually the other way around. I started writing short film scripts and directing and producing them. When I was living in Pittsburgh for a few years, I wrote a short film script and sent it to a friend in Toronto to get her thoughts on it. She decided it would make a better play than film as all the action took place in one room. This was GREEN – a parlour room comedy with a criminal twist. She was also working at Buddies in Bad Times Theatre and suggested I enter the script into the Rhubarb festival. A few months later, the play was produced. That was back in 2004. I loved the experience and my writing career took a turn towards theatre from that point forward.

 

5.

You’ve lived and worked in a few of places. What stokes your creative drive? Is it physical space?

 

In terms of physical space, I write mostly in libraries and at the Toronto Writers Centre. It can be hard to carve out time to work but I have a pretty good schedule right now. Once I am in the chair and writing I can get lost in it. And that’s when the creative drive is really firing. Another thing to stoke it is deadlines. They really help!

 

6.

Playwrite? Or playwright? I must know.

 

I believe it’s playwright, and that’s the spelling I prefer. It feels essential and hardworking, like millwright.

Ed. – Makes sense to me! 😀

 

7.

Tell me about The Blonde, your queer noir WIP?

 

6 reliant.pngThe Blonde is a queer crime story set in 1984 Toronto and it introduces lesbian private detective, Sidney Lake. This is her first murder case and the victim is a beautiful blonde who Sid just happens to be in love with. In this novel I am trying to invoke both a Chandleresque and pulpy noir quality to the story.

 

8.

Do blondes get killed more than brunettes? Why / Why not?

 

Well, they have more fun. Maybe there’s a price? There’s something very retro about calling someone a “blonde” and I wanted Lake, my heroine, to be able to do that, hence the pulpy feel.

Ed. – I think I’ll leave the peroxide bottle in the cupboard. lol.

 

9.

Your noir inspirations go way back to the ‘40s and ‘50s. Can you describe these for our readers and explain how you make them fresh for the time we live in.

 

I would define noir as urban despair. The main character is often on a lonely journey 2_stills-24_PhotoCredit_D-Haweand struggling against forces that seem fated against him or her. Noir stories are usually set at night and include long shadows that metaphorically function like the fingers of fate reaching for the hero, or bars of shadow cast by a venetian blind that suggest the bars of a prison, trapping the hero. Another key ingredient is a femme fatale character—a woman that the male hero is drawn to but who will ultimately cause his demise. Some classic noir films are Double Indemnity, The Big Sleep and even Blade Runner. Cornell Woolrich is one of my favourite writers. I’m a little obsessed with him and am writing a feature theatrical script based on a night in his life. He is considered the father of noir.

 

10.

Have I forgotten anything?

 

The Blonde will be published… soon! Please check back to www.hopethompson.net for details. I’ll have details about the Woolrich play’s development there as well. Thanks!

Thanks so much for taking time out of your busy schedule to talk to us, Hope. Good luck with the book and the new play. Visit again, soon!

— AB

 

About the Author

 

Hope is a Canadian playwright, filmmaker and crime writer. She is obsessed with mystery, film noir, camp and comedy and has written and directed several award-winning short films (It Happened In The Stacks, Switch) and one-act plays (She Walks The Line, Stiff, Trapped!)  in these genres. Her film, Switch, premiered at the Toronto International Film Festival and her recent play, Trapped! is being published this year in a Playwrights Canada Press anthology. Hope is currently at work on her first novel, The Blonde and a new theatre project. www.hopethompson.net

 

Links

 

WEB: http://www.hopethompson.net/

TWITTER: @HopeThompson70

BUDDIES http://buddiesinbadtimes.com/

BOLDY GOING OUT IN SEARCH OF JILL PRESSER

 

Slaving away over edits hasn’t taken me completely out of the loop, although a double-whammy Easter certainly did. Picture two belief systems coinciding on the same day, and then add food and drink and what do you get? Enough food energy to power fresh writing and a restless muse.

Which brings me to the whole ‘getting out and about’ thing that many folks ‘in the know’ insist every writer must pursue. I tend to agree. Getting out can’t hurt, especially when I bring to mind a Hollywood wonk who, many years ago, spoke unkindly of an accomplished character actor whom, he believed, would “go to the opening of an envelope” if there was any appreciable benefit to be derived.

Benefit? Let’s see: the actor is still working and the wonk is long gone. I can’t even put a name to the quip.

Leaving the house, aka pushing away from the keyboard, helps my edits because I get the benefit of distance: what’s in front of my face, and, so, gets over-looked because of it, hits me like Thor’s hammer after a few hours off.

So, I’m going out Thursday night, not only to get some distance, but to also check out a singly fascinating criminal defense lawyer named Jill Presser. Jill not only educates, but she INSPIRES by putting her arguments out front and up top in front of the Supreme Court of Canada no less.

That impresses me.

And it might just speed up my work.

Wishing good #writing. Good #editing!

Adult, unapologetic and wholly cognizant,

I am

FUNKHAUSER SIGNATURE

April 18, 2017

 

MARINA BLACK: BIKERS, BADASSES & A LITTLE ROMANCE

It’s my great pleasure to welcome #GuessWrite winner for March 2017 Marina Black. Marina is a practicing registered nurse and multi-published romance author with a taste for bikers and happy endings. Now seeking representation, she is currently pitching her work on today’s #pitmad pitch party on Twitter. Join me in wishing her luck!

 

1.

Welcome, Marina. Your work designation suggests medical thrillers, yet you write badass bikers. Tell us how you got there.

Thanks for having me! I often get this question and the answer is two-fold. When I’m not 51pogTvnjZL._UY250_at work, I like to keep my thoughts separate from my occupation. On a daily basis I deal with the critically ill, distraught, and dying. Coming home, I write romance to escape and as a coping mechanism. It’s a really great way to unwind! The second reason I prefer not to focus my writing on medicine is: as a nurse, if you didn’t chart it, it didn’t happen. I find myself compelled to write in gritty detail of each and every assessment my patient—character—might encounter. I have a very lovely beta reader who reads everything and tells me when I’ve gone too far into detail. Trust me, it’s quite often!

Ed. – The temptation to share specialty knowledge is huge. I get where you’re coming from. 😀

 

2.

So you write romantic thrillers?

51z-VpfYWxL._UY250_I write contemporary romances. It just so happens that I also enjoy the suspense elements sprinkled in with my romance; it gives my novels some extra pizazz! My Badass Bikers series and upcoming novel Bargaining for Blood have a mystery, dramatic storyline that runs parallel to the romance. For Unintentionally Yours, there is no mystery or suspense involved—unless you’re wondering if they will or won’t live happily ever after!

 

 

3.

I noted recently that a lot of modern ‘romances’ end badly. What, in your opinion, accounts for tragic endings? Is this a trend in romance writing?

Tragedy in romance is all well and good, however this is not something you’ll find in my 51uS9RwPAJL._UY250_work. I see enough heartbreak, violence and bloodshed in my day-to-day life—I’m not looking for that when I’m reading or writing! Certainly ‘happily ever after’ eventually will come to an end for one reason or another, but you won’t find it in my work. I’m a big fan of the ‘happily ever after’.

Ed. – It’s nice when things work out!

 

4.

Your current protagonist (from the new novel BARGAINING FOR BLOOD) Adeline is charged with rescuing the one she loves, yet she makes an interesting compact that reminds me of 1,001 Nights. Do you like to blend the ‘good’ and the ‘bad’ in your characters, or do you prefer to keep them behind their own lines?

I love to strike the balance between good and evil in all of my characters for sure. Each and every one of us has a ‘line’ and I like my characters to flirt with it on the regular! Adeline in particular learns a lot about herself in BARGAINING FOR BLOOD and, as the story progresses, begins to see that things are not always black and white.

 

5.

What feeds a series? As the writer, do you find this exhausting, exhilarating or just plain psychotic? (last part said tongue-in-cheek! lol)

Characters are the drivers for me. In DEALING WITH THE DEVIL, I introduced four distinct 51PCLDICpLL._UY250_Motorcycle Clubs and a set of characters. After the book came out and people were reading I kept getting readers asking me about Cecelia and Danny and if their story was next. So, as an author I started thinking about them and that’s when SINNING WITH LOS SANTOS came into play.

 

6.

What are you watching on T.V. right now?

I’m a huge DC junkie so the entire Flash, Arrow, and Legends of Tomorrow lineup is my jam. The 100 is absolutely fantastic—and my drug of choice. I’ve also been greatly enjoying Superstore—my guilty pleasure show!

 

7.

Have I forgotten anything?

BARGAINING FOR BLOOD is coming soon! I’m also seeking representation, and that’s very exciting. Here’s an excerpt from CHAPTER ONE:

 

Bargaining for Blood COMING SOON

 

“Ms. McGinnis?” Malcolm Savage lurked in the shadows like a panther stalking his prey. Adeline straightened her spine, coppery hair spilling from its bun and framing her cherubic face. Her steely eyes were wet and her cheeks were flushed; she stormed past him like a vengeful angel and his palms itched with the need to touch her. “Adeline,” he growled, more sharply this time, and she stilled.

“How did you get in here?” she demanded. “Mr. Savage—”

Malcolm,” he corrected, narrowing inky black eyes at her. Their gazes caught and held, the electricity palpable in the air as he grasped her arm. “You and I are well enough acquainted by now, wouldn’t you say?”

Her body seemed to contract and she wrenched away from him like a caged animal, snarling and sneering. “Get away from me!”

If he was perturbed by her outburst, it didn’t show on his face. “I’m not here to hurt you, if that’s your fear. Frankly, I’m not even angry. Color me impressed.” She was wound tight enough to snap and he didn’t blame her. Adeline had always clung to her moral values; turning down the lucrative lifestyle he offered took guts. He may not have understood it on a fundamental level but he certainly respected the hell out of her gumption. For her to go and do something like this…it was out of character and out of desperation.

“We need to talk. We can do it quietly amongst ourselves…or we can do it at the police station. What would you prefer?”

 

Other Books by Marina Black

41GtbqG7cLL._UY250_Losing Charlotte left a deep chasm within Bellamy Blake. It was the kind of hole that could only be filled by Clarke Griffin. This story chronicles the soul-binding love of two people who are destined to be lovers and leaders, despite the odds.

 

 

 

 

51pogTvnjZL._UY250_Lucy was born to ride. Three generations of Harding men have pledged their loyalties—and their lives—to the Devil’s Own Motorcycle Club. The club is her legacy, its blood runs in her veins, and she’ll be damned if she lets them exclude her. Lucy Harding will stop at nothing to take her place among the Devils and prove her worth once and for all.

 

 

 

51PCLDICpLL._UY250_Cecelia Santos was born for greater things. As a brilliant electrical engineer and a member of Los Santos Motorcycle Club, she’s always been regarded as a force to be reckoned with…but that doesn’t mean she’s had it easy in life. Cece has always been a fighter and now that she’s home after being kidnapped by a rival gang, she’s harder and tougher than ever. When a new threat rears its ugly head in her hometown of La Verdad, she vows to crush it all by herself. She doesn’t need help…especially not from the redheaded menace she’s trying to deny her feelings for.

Daniel Harding knows all too well how difficult Cecelia can be. He’s not only seen her as a warrior on the battlefield but as a woman warm in his bed. Although she’s made it clear he doesn’t stand a chance, he can’t back down. Los Santos are outclassed, outmanned, and outgunned; if they fall prey to Los Lobos, it won’t just be Cece’s family that’s in danger. For the good of everyone he loves, he has to make sacrifices…even if it means stepping on a few toes.

Tensions run high, blood runs hot, and the stakes get higher…will they be able to protect La Verdad or will they be damned for good?

 

41QDCieq24L._UY250_The battle for control rages deep within the heart of New Orleans. While Hayley seeks to comprehend what it finally means to have a family, Niklaus must fight a thousand years of darkness to find a shred of humanity. The bond of blood runs deep…family, love, loyalty. All will be tested as two unlikely lovers come together. Will they find happiness or destroy one another?

 

 

 

51z-VpfYWxL._UY250_When Mona Gallo finds herself accidentally pregnant, the life she worked so hard to build begins crumbling around her. Although she’s determined to raise the baby on her own, she finds herself inexplicably drawn to her sexy boss despite his rakish ways. Maybe it’s just hormones but Mona can’t seem to help herself when it comes to Reno. She should know better, of course. She’s been a stripper for half her life and seen first hand how letting down her guard only leads to heartache.

Vincent “Reno” O’Keefe’s life is falling apart. He lives three thousand miles away from his family, dates all the wrong women, is a terrible Catholic, and his fortieth birthday is around the corner. Now, his little sister has announced her engagement and he can’t bear to go to the wedding alone. Asking Mona seems like the perfect solution. She’s newly single, gorgeous, and in desperate need of a vacation.

Mona is eager to see Boston and enjoy one last trip before the baby comes. She can hide a pregnancy for a week, right?

Besides, what’s the worst that could happen…?

 

518KHIkIpKL._UY250_The treatise between the Grounders and the Sky People is a tenuous one. Danger lurks around every corner and war is imminent. Against all odds, Murphy befriends a young orphan and catches the eye of the Commander. For the good of their people, sacrifices must be made…the choice was almost too easy.

 

 

 

 

51uS9RwPAJL._UY250_Harper’s life hangs in the balance as she rests in the depths of Mount Weather. Past, present, and future collide as Harper fights against the experiments the Mountain Men are doing on her. The only thing she’s sure of is that there’s only one sick, broken man who can save her…Harper has no choice but to put her faith in Cage Wallace.

 

 

 

51K+piwqNNL._UY250_The road to perdition is fraught with violence, anger and heartache. The way back to redemption is twice as bad. John Murphy lost his way in the world long ago. He vowed to numb the pain with bloody revenge. But she was the only one who wasn’t there to watch him hang for a crime he didn’t commit. Hurting her was never an option…

 

 

 

All Titles Available Through the Author’s Amazon Page

https://www.amazon.com/Marina-Black/e/B00W4C05E8

About the Author

Marina BlackMarina Black was born in the state of Connecticut. She is a busy registered nurse who works at a bustling inner city hospital. By night (and the occasional weekend), she is a prolific writer who has penned many short stories and works of fiction over the years. Dealing with the Devil (August 2015) was her debut original novel and Book 1 of the Badass Bikers series. Unintentionally Yours (November 2015) is a fan favorite! Sinning with Los Santos: Book 2 of the Badass Bikers series is on sale now! For author updates, follow Ms. Marina Black on Amazon, Facebook, and Twitter!

 

Amazon.com: Marina Black: Books, Biography, Blog

Twitter: @MarinaBlack99

Facebook: https://www.facebook.com/authorMarinaBlack/

 

OUTSIDE THE LINES: MARIE LAVENDER

 

Marie LavenderPlease welcome back to the blog, crowd-pleaser Marie Lavender. With a shiny new release out, Marie takes a pause to answer some questions about multi-genre writing and staying outside the box. Oh! And she has a WIP on the go too. Hey, Marie.

 

1.

With so many sub-genres to choose from, romance fans are truly fortunate. How do you define your work? Are you a traditional romance writer?

 

UYL promo - AI actually prefer to define myself as a multi-genre author because I’m truly all over the place when it comes to the type of books I write. After releasing a children’s fantasy in 2015, I took a hard look at my works-in-progress, and then realized I needed to make a change instead of just calling myself a romance author. Some of the stories I have planned are dystopian or have time travel themes. I’ve even tried my hand at horror. Compared to some of the romance stories I’ve written, it was just easier to term my work as multi-genre.

As for what types of romance I write, I never like to box myself in. If I can cross different genres, it’s all for the better. Case in point, book two of the Blood at First Sight Series, Blood Instincts, which I’m currently editing, is more detailed than the first book in the trilogy. It’s a paranormal romance/urban fantasy with a futuristic angle. Also, the book I just sent off to beta readers, titled Directions of the Heart, is a modern romantic drama collection. Don’t get me wrong; I’ll always have a soft spot for romance. But I see no reason not to break the mold with genres now and then. Even Upon Your Love is a family saga as well as a historical romance.

Ed. – I love mixing it up too. There are more surprises for the reader and the writer, I think.

 

2.

The challenges the protagonists face in UPON YOUR LOVE are not time sensitive: work vs. family; personal goals vs. self-sacrifice. When thinking about the near past, how do these challenges differ in a contemporary setting?

 

I think they are universal themes. Even today, parents struggle to raise their children UYL promo - C - Adrienne and Christian1while balancing careers. And who hasn’t accepted a not so great job just to make ends meet? Obviously, some of the challenges Adrienne faces as a woman in Victorian New Orleans aren’t quite as relevant, but I think readers will quickly see she is a formidable character, and will appreciate that she knows what she wants. Shouldn’t we all be so self-aware? Besides, she quickly became a female quite out of her time as I grew to understand her during the writing process. I believe the audience can easily picture the heroine in the present day, making her own mark on the world.

 

3.

What would Scarlett O’Hara think?

 

Are you kidding? Scarlett would be appalled at Adrienne’s behavior, like most of her contemporaries. Perhaps Ms. O’Hara could even take a page from Adrienne’s book. She’s rather admirable.

Ed. – Well, fiddle-dee-dee. lol.

 

4.

What are the greatest villains in romance: persons, places or things? How do you co-opt these in your own work?

 

UYL promo - C - Adrienne and Christian6I always gauge these things based on the character’s strengths and fears, things deep in his or her background which can influence what happens. The plot forms from there. For one, I believe society usually interferes with the HEA (or, Happily Ever After) in romance. That especially occurs with historical romance. Modern settings are a different animal entirely. Secondly, events or yes, villains often prevent the characters from finding their happiness. To me, every story is different. Every character is different too, so it all depends upon the subtle nuances you discover as the tale progresses.

 

5.

Strong female leads always rule. Which of your three characters in UPON YOUR LOVE are the strongest? Weakest? Is this deliberate, or did they emerge that way as you wrote?

 

Am I biased if I say I believe they’re all strong, at least in their own ways? Of course,UYL promo - C - Adrienne and Christian8 conflict Adrienne is the one rated most likely to be stubborn and act as unladylike as possible, to forge her own path, in a sense. But I do not think any of them are weak. If a reader reads the series from the beginning to the end of the trilogy, he or she will notice how these characters grow as capable women in a time when females don’t have much power at all. I even admire the ones that aren’t mentioned in the blurb; Claudette Giroux has a quiet kind of strength, which, of course, appeals to Eric Caron.

Ed. – Not biased at all, more like a true believer, which is essential to reader belief, yes?

 

6.

Romance is alive and well, yet so many stories end tragically. Categorically, this may not be romance in a true sense (no happily ever after). Where do you think the demand for tragedy comes from?

 

Ah, you thought you’d catch me in a spoiler, didn’t you? Did I say there was no HEA in this book? Well, I would never categorize it as a historical romance without one. As for tragedy, I think personal tragedies hit us all at some point in our lives. My stories tend to have some drama here and there. And my loyal fans know I enjoy torturing my characters for a while before they can have what they want.

 

7.

What can readers take away from UPON YOUR LOVE after the last page is turned?

 

I think a key lesson is that we’re all human, capable of flaws and strengths, and you’ll often see that nowhere else but close to home, within your own families. One takeaway here is how important family is, and how strong they can make us once they band together.

 

8.

Last words?

 

Check out the book! Upon Your Love will be a pleasant surprise, I promise. Emotion-filled, yes, but entirely worth it. You can find out more about me and my work via my website, as well as my monthly author newsletter. Follow me on Amazon, Facebook, Twitter and Google+ for other updates. Also, I host three blogs if you’re interested; Writing in the Modern Age, the MLB blog and the I Love Romance Blog.

As always, happy reading! Thanks for hanging out with me for a bit! 🙂

And thank you so much, A.B. You’re a great friend and such a talented author!

 

Why, thank you! It’s always a pleasure dreaming up new questions to tease out your authorly insights. Congrats, again, on the release!

UPON YOUR LOVE released February 26th, and is available through most booksellers online.

 

Read This

 

Upon your love-final coverThe Hill family saga concludes as loyalties are questioned, faiths will be tested and undying love may come at a terrible cost…

Fara Hill, mother and faithful wife, is torn between her family at home and her urge to be at sea. Soon, she learns some disturbing truths. Was the past a fairy tale instead of reality?

Chloe Hill, loving wife and young mother, questions her faith when her husband sets an ultimatum she cannot meet. Will she be able to keep her marriage from falling apart?

Adrienne Bellamont Hill, born of a valiant captain and a fiery redhead, is untamed to her core and will bow to no man. Then Christian du Plessis enters her life with an offer she can’t refuse. Discovering the man behind the polished gentleman, she is drawn to him in many ways. Holding out for love is a family tradition, but can she resist the temptation of passion?

Christian finds this young woman to be a fascinating challenge, and is torn between keeping his distance from her and succumbing to her charms. A fierce battle of wills ensues as he sees she is much more than he ever imagined.

But danger lurks, threatening to destroy everything…

Can these two strong-willed individuals unite in the cause before time runs out?

 

See the Trailer

Marie Youtube art.png

 

Excerpt

The neigh of a horse brought her out of her reverie and she looked over, but her mare stood quietly beside the stream. Adrienne’s instincts nagged at her and she stood up, her ears on alert. The clomp of hoof beats came to her on the swift afternoon breeze. Was the rider coming from the estate or perhaps it was simply a stranger? In any case, a sense of unease grew in the pit of her stomach and she reached down to unearth a small dagger Gabriel had gifted to her two summers ago. She kept it in a sheath around her thigh. Gabe had always said that if she didn’t have a sword on hand, it was best to have something. And she couldn’t agree more.

She clucked her tongue to alert Persephone and led her quickly by the reins under the cover of the trees. The rider was closer now and her mare shifted uneasily, blowing a breath out of her nose. She must have heard the approaching horse as well. “Shh. It’s all right,” Adrienne whispered, stroking her neck. She tied the reins to a tree and waited.

When the rider appeared from the forest, she couldn’t see him clearly. It was a man—that much she was certain—but the lapels of his dark coat and the thicket of limbs brushing her face kept her from placing his identity. He had dark hair and was tall, his body lean and muscled. She watched as he got down from a fine, black stallion and led it to the stream for a rest. The man took a drink from his cupped hands. He wiped the remnants of the water from his chin, and then seemed to search the area nearby. She shivered. Was it possible the man had been tracking her? If that was the case, her dagger would certainly come in handy. Adrienne crouched on alert, spying through her vantage point in the trees. From behind, she observed as the tension eased from his shoulders and he sighed.

A frisson of unease ran through her again. Taking it as a sign, she confirmed he was still faced away before she quietly eased out of her haven. Stepping up behind him, she lifted her dagger to his throat. A smile of grim determination danced over her lips as he stiffened.

“Who are you? Why are you here? Are you following me?”

“What if I was?”

Fine shivers moved along the surface of her skin, caused by the deep timbre of his voice.

“I would have to ask for your reasons, Monsieur.”

“I haven’t come to kidnap you, if that’s what you’re worried about,” he sighed. “I didn’t expect you’d be prepared. I commend the effort, of course.”

She frowned. The compliment threw her for a moment, but she then brushed it off. Surely, he ridiculed her, and thought he could overtake her somehow. She shook her head. He would be gravely disappointed.

“You will state your reasons for your presence and your identity, sir.”

“And if I don’t?”

“You will regret it, of course.”

“Indeed? Do you intend to harm an unarmed man?”

She scoffed. “Unarmed? No, I doubt that. With the way you appeared to be tracking me, I am sure you’re quite armed.”

“Right again. What will you do about it?”

She shrugged. “This is Bellamont land. You’ve clearly trespassed. If I must, I will drag you straight back to the house. You know, I believe the foreman has a Winchester sporting rifle. He can be quite formidable when he puts his mind to the task.”

“I’m sure,” he murmured.

“What say you then?”

“I say, Mademoiselle, that you have no idea who you’re dealing with.”

Before she could open her mouth to take him to task, she felt a blow to her arm and the numbing pain caused her to drop the knife. Everything else happened in a blur. As he turned, he caught her leg, which caused her to collapse. But, before she landed, he grasped her up in his arms. He was too close, she thought. Panic threatened inside of her, but she fought it by degrees. She was a fighter, not some idiot who would succumb to a man’s power. Gabriel had taught her many tricks, as had her father. She forced herself to go limp so that he’d pull her closer. She let her eyes drift closed and pretended to have swooned.

Mon Dieu,” he whispered.

Then she unmanned him with a swift rise of her knee. He coughed out a grunted response, releasing her.

She retreated from him, intent on finding her dagger, but did not see it. The leaves in the grass crunched beneath her hands and knees as she struggled to her feet. She would have to rely on the resources of the forest to save her if he pursued further. Somehow, she doubted he’d be able to. She turned and her mouth dropped open as she looked at her attacker.

His dark hair had fallen over one eye and he was hardly doubled over in pain. No, he scowled at her now and he seemed quite well. She’d missed her target, she realized. His identity shocked her further. She felt quite stupid for not recognizing him, even from behind. But, why had Christian tried to attack her?

 “How…,” she whispered.

“You are not as fast as I, Mademoiselle.” Then he laughed, but there was no mirth in his expression. His eyes seemed darker suddenly. “You little brat,” he bit out. “You almost had me.”

She sucked in a breath and, when she saw him advance, she backed away. But, it UYL promo - C - Adrienne and Christian3.jpgeffectively put her back right up against a nearby tree. She cursed. Christian closed in, blocking her in with his arms as he braced his hands on the tree trunk. Her breaths came out in harsh pants and her stomach had fallen somewhere at her feet. Dear God, what would he do? She jerked her arms out to break his hold, but his muscles were like the ratlines between the shrouds of a mast in a ship’s rigging. Solid. Struggling with his obvious intimidation of her, she managed, “Why are you trying to kidnap me?”

Some of the arrogance left his face. “I’m not. I thought we already established that.”

“Then why… this?” she asked, weakly. And why couldn’t she breathe? His clean, male scent caused her to feel lightheaded. No, she thought. That just had to be terror.

“I wanted to get you alone so that we could continue our plans. I didn’t mean for you to see me as a threat. I certainly didn’t expect a dagger at my throat.” He reached out and cupped her face, stroking the line of her jaw gently with his thumb.

Adrienne gazed into his nearly black eyes. She thought she saw a hint of admiration and something more, perhaps desire, in his gaze.

“P… plans?” she stammered, annoyed with the hypnotic effect he had on her. And what was that strange, but wonderful scent coming off him? She detected cologne which contained a hint of fresh pine. But then, she’d smelled it before, both in her room and at the Broussard’s engagement party. Even though the fragrance was pleasant, she tried to ignore it.

“Our matchmaking endeavor, chére.”

“Oh. That.”

“Yes, that. Did you forget?”

She cleared her throat. “No, of course not.” Her resolve returned in full force then. She slapped his hand aside and sidestepped him. Stalking away to locate Persephone, she unearthed her mare from the brush in no time. When she returned, he still stood there, watching her. She shivered again.

Mon Dieu, she thought. Why was this happening to her? Why did the man tie her in knots?

 

About the Author

Bestselling multi-genre author of UPON YOUR RETURN and 21 other books. March 2016 Empress of the Universe title – winner of the “Broken Heart” themed contest and the “I Love You” themed contest on Poetry Universe. SECOND CHANCE HEART and A LITTLE MAGICK placed in the TOP 10 on the 2015 P&E Readers’ Poll. Nominated in the TRR Readers’ Choice Awards for Winter 2015. Poetry winner of the 2015 PnPAuthors Contest. The Versatile Blogger Award for 2015. Honorable Mention in the 2014 BTS Red Carpet Book Awards. Finalist and Runner-up in the 2014 MARSocial’s Author of the Year Competition. Honorable mention in the January 2014 Reader’s Choice Award. Liebster Blogger Award for 2013 and 2014. Top 10 Authors on AuthorsDB.com. Winner of the Great One Liners Contest on the Directory of Published Authors.

Marie Lavender lives in the Midwest with her family and three cats. She has been writing for a little over twenty-five years. She has more works in progress than she can count on two hands. Since 2010, Marie has published 22 books in the genres of historical romance, contemporary romance, romantic suspense, paranormal romance, fantasy, science fiction, mystery/thriller, dramatic fiction, literary fiction and poetry. She has also contributed to several multi-author anthologies. Her current series are The Heiresses in Love Series, The Magick Series, The Blood at First Sight Series and The Code of Endhivar Series.

 

Links

http://marielavender.com/
http://iloveromanceblog.wordpress.com/
http://marielavenderbooks.blogspot.com/
http://marielavender.blogspot.com/
http://www.ambrosiainnovations.com/
https://www.facebook.com/marie.lavender.58
https://www.facebook.com/MarieAnnLavender
https://twitter.com/marielavender1
https://plus.google.com/u/0/+MarieLavender/posts

http://www.linkedin.com/pub/marie-lavender/27/187/10a
Amazon author page: Author.to/MarieLavender
https://www.goodreads.com/author/show/6938764.Marie_Lavender

http://marielavender1.allauthor.com/
http://authorsdb.com/authors-directory/1578-marie-lavender
http://www.pw.org/content/marie_lavender
http://manicreaders.com/marielavender/
https://www.youtube.com/channel/UCJu8HjRVYCFOqcIoX6ZxdqQ/videos 

Amazon Universal link:  https://bookgoodies.com/a/B06XBPVS7D

myBook.to/UYL

Publisher:  http://solsticepublishing.com/upon-your-love/

Barnes & Noble: http://www.barnesandnoble.com/w/upon-your-love-marie-lavender/1125931721

Books-A-Million:  http://www.booksamillion.com/p/Upon-Your-Love/Marie-Lavender/9781625265401?id=6842447479054

CreateSpace link:  https://www.createspace.com/6969887

 

RICHARD WALL ON MUSIC, MYTH AND THE CROSSROADS

My friend across the ocean has been at it again, writing, writing, writing about the things he loves most: music, myth, the ties that bind and, my favorite, the crossroads. Do you know what it means to journey to the crossroads? Richard Wall will tell you. Welcome Richard.

1.

As a funeral director and artist, I have long been fascinated by the story of the crossroads. For the untutored, can you give us a rundown on what the myth entails, and share with us your attraction to it?

 

In folk magic and mythology, crossroads represent a location “between the worlds”, a site where supernatural spirits / demons may be summoned in order to broker a supernatural deal. When bluesman Robert Johnson started out playing, his mentor, legendary bluesman, Son House, said Johnson had very little musical talent. The story goes that RJ “disappeared” for a year, and when he returned his playing had improved immensely. Son House said that Robert Johnson sold his soul at the crossroads, in return for musical talent – a cynic might say that twelve months of practice would achieve the same result, but why spoil a decent story with the truth…?

For a writer, the crossroads theme is a superb device for portraying all manner of human emotions. I mean, how desperate must you be to sell your soul? And how much of a bad guy must you be to trade for it? This is the premise of Fat Man Blues, supply and demand.

 

2.

You’ve got to be a musician. Right?

 

I wish! When I begin singing, deaf people stop lip-reading. I play delta blues tunes on a shiny resonator guitar (the one on the cover of Fat Man Blues) but only for myself or one or two close friends.

 

Ed. – I hear you! There was a time when I could belt out opera…but NEVER in public. lol

 

3.

You love the Blues. Do you love the past too?

 

I do indeed. And listening to old school delta blues music is like opening a door to the past. What I enjoy most from scratchy old recordings from the 1930s, apart from the rawness of the music, are the ad-libs and background detail you can sometimes hear – be it Charley Patton’s spoken asides, Robert Johnson’s bottleneck clattering against the frets of his guitar, or the sound of a steam train going past the hotel where Son House was being recorded.

 

4.

Which brings me to Fat Man Blues. Give us the broad strokes and then tell us if you saw yourself in Hobo John.

 

OK, in broad strokes, a blues nut from England visits present-day Mississippi, and is offered the chance to see the blues being played as it was in the 1930s. Naturally this comes at a price, but it’s an offer that he can’t refuse. Did I see myself in Hobo John? Absolutely I did! The opening chapter is based on a real life conversation that I had in a juke-joint in Clarksdale, Mississippi. Any white blues nut worth his or her salt would willingly sell their soul to see the delta blues as it was.

 

5.

You come face to face with the devil. What happens next?

 

I’d ask him if he wanted to sell me his soul… 🙂

 

Ed. – Clever!

 

If I did meet him, her, or it I would love for it to go the same way as the song “Conversation with the Devil” by Ray Wylie Hubbard: https://youtu.be/8qX5TSmTyHc

 

6.

The love that went into this work is on every page. Where did you write and how long did it take?

 

Thank you. I wrote it whenever I had free time outside of my day job, usually in the study at home. From start to finish it took me three years, but as a blues nut it was a labour of love.

 

7.

That new Rolling Stones album is out. Should we all race out and buy it?

 

I would say yes, go for it. Not only to hear the Stones going back to their roots and demonstrating that first and foremost they are the best kickass blues band on the planet, but also to get acquainted with some wonderful songs. The track “Commit a Crime”, originally sung by Howling Wolf, is magnificent.

 

Ed. – I’m on it.

 

8.

Have you ever been on a Blues holiday? Rubbish or worthwhile?

 

I once did a slide guitar weekend workshop, sitting in an arts centre with a dozen other white, middle-class, Charley Patton wannabes. I really enjoyed being in the company of like-minded anoraks, and my guitar playing skills rocketed from Terrible to Mediocre… 🙂

I think like everything in life, you get out what you put in.

 

9.

What do you do in your spare time? How do you fuel the creative beast?

 

I listen to music a lot, and I read a lot, both of which fuel the creative beast with tidbits of inspiration or ideas. I also take part in blog interviews…

 

Ed. – 🙂

 

10.

And you have a new work out, a short story. Tease us with a wee bit please?

 

I do indeed! Hank Williams’ Cadillac, out now on Amazon:

It was my buddy, Stu, who came up with the idea.

My name’s Vince, and when this story began, Stu and me, we were 19 year-old high-school drop-outs and occasionally reformed stoners sharing a broke-down, drunk-leaning, leaky old double-wide on a third-world trailer-park in a small town in Nowhere, Texas. 
Sometimes in life you don’t know where you’re headed until you reach that point where you lift your head, take a look around, and then have to decide if that’s really where you want to be. 
Somehow Stu and me ended up in entry-level jobs at Walmart. That was two years ago. 
Need I say more?
Notwithstanding our ongoing education from life and the internet – majoring in popular culture and low animal cunning – two years of the real world made us realise that maybe we should’ve made more of an effort at school.
As a fat man once said, “It is what it is.” 
It was late one Sunday evening, both of us dreading the prospect of another year-long week at the nowhere branch of a multinational retailing corporation, when Stu experienced a bong-inspired epiphany that he and I would join the US Marines. All we had to do, he said, was serve long enough to qualify for a college education, get ourselves a degree and then all our dreams would come true.
“Well, hell,” I said. “That’s pretty random, let’s do it.”
We had nothing to leave behind, Stu’s mom was dead, and mine was in jail, partly for dealing in meth-amphetamines and Oxycontin, but mostly for trying to kill me (but that’s a story for another day), and so we were raring to go, both of us excited to embark on this next stage of our lives.

 

 11.

Any last words?

 

Thanks for allowing me space on your blog, and to everyone reading this, go in peace, and play nicely.

 

Ed. – Amen, brother.

 

Novels and Short Stories by Richard Wall

 

Evil KineivalEvel Knievel and the Fat Elvis Diner: In this short story, an Englishman in Oklahoma is watching a storm approaching when he receives an email on his phone. As he waits for the email to download, it causes him to reflect on his childhood in 1970’s England, his relationship with his father and the journey that brought him to the USA.

 

 

 

Five Pairs of ShortsFive Pairs of Shorts is a collection of ten, 1000-word stories inspired in part by the weekly prompts of a small writing group somewhere in England.

 

 

 

 

 

Fat Man BluesFat Man Blues: “Hobo John” is an English blues enthusiast on a pilgrimage to present-day Mississippi. One night in Clarksdale he meets the mysterious Fat Man, who offers him the chance to see the real blues of the 1930s. Unable to refuse, Hobo John embarks on a journey through the afterlife in the company of Travellin’ Man, an old blues guitarist who shows him the sights, sounds and everyday life in the Mississippi Delta. Along the way, the Englishman discovers the harsh realities behind his romantic notion of the music he loves and the true price of the deal that he has made.

 

My Review of Fat Man Blues

Review Fat Man Blues

CadillacHank Williams’ Cadillac – Vince and Stu’s road trip through Texas is cut short when Stu’s ancient Honda breaks down in the quiet town of Rambling. Nearby is Bubba’s used-car lot, containing a collection of classic American cars. Following a bizarre encounter with a talking crow, and a deal signed in blood, Stu trades in his Honda for a powder-blue 1952 Cadillac convertible. Back on the road, the two buddies continue their journey in style, until a series of Burma Shave road signs and an encounter in a cemetery changes things forever.

 

All titles available through the author’s Amazon author page

About the Author

Author Richard WallRichard Wall was born in England in 1962, and grew up in a small market town in rural Herefordshire before joining the Royal Navy.

After 22 years in the submarine service and having traveled extensively, Richard now lives in Worcestershire where he works as a freelance Technical Author. Having a keen interest in writing since childhood, Richard joined Malvern Writers’ Circle in 2003 and since then has had poems published in magazines and newspapers and has appeared several times at Ledbury Poetry Festival.

His first stab at prose writing produced the short story, “Evel Knievel and The Fat Elvis Diner” (available on Kindle), followed by “Five Pairs of Shorts” a collection of ten short stories.

A self-confessed Delta Blues music anorak, Richard embarked on a pilgrimage to the USA to visit the Deep South, where a bizarre encounter in Clarksdale, Mississippi inspired him to write his début novel, Fat Man Blues.

Completed in 2015, Fat Man Blues has attracted acclaim on Amazon, together with a surprisingly wide cross-section of readership. Fat Man Blues has also caught the attention of an independent film-maker in New York City, who is interested in adapting the novel to a movie.

 

Richard blogs occasionally at http://rawall.wordpress.com.

 

Thank you for dropping by, Richard. Keep us posted on the movie! — ABF

TURKISH DELIGHT

As a writer, it makes sense to me to ferret out arcs, plot and character in unlikely places if only to knock loose that most elusive of creatures: the impish muse. And so, it was to that end that I began binging in earnest eclectic series on Netflix, Crave and the now defunct and sorely-missed Shomi platforms.

What an odyssey! Binging not only allowed this student to pick out problems with continuity, pacing, character cred and sagging middles (season four of almost anything) to name a few, but it also sling-shotted back the fixes that, I think, really make a story groove.

mag-century-1

It is to this point that I’m delighted to highlight a story-telling gem that I cannot get enough of, the incomparable Turkish period soap MAGNIFICENT CENTURY (available on Netflix Canada and other adventurous steaming outlets). Debuting in 2011, this 16th century historical romance details the triumphs and travails of Crimean-born Alexandra aka Roxelana aka Hürrem Sultan who turned the house of Sultan Suleiman upside down at a time when Ottoman rule was mounting an ambitious and often ill-fated sweep into Europe.

Maybe it’s a visual thing?

mag-century-sadSold into the harem by her Tatar kidnappers, 15-year-old Alexandra not only wins the favor of the Sultan (after much soul searching—she is the daughter of an Orthodox priest) but goes on to marry and live with her volatile spouse for the entire span of her life.

Those who know a little about Ottoman history grumpy-suleimanknow how uncommon a move like this actually was, given that sultans typically packed off their concubines with the princes they produced once the ‘young lions’ turned 16 and were deemed old enough to govern a principality of their own.

Hürrem, famously captured by the artist Titian (another first), took no prisoners when it mag-century-4came to protecting herself, her off-spring and even her sultan. Against tradition, she became the legal wife of a king in a royal house that did not have queens, bore five sons and a daughter against the one son per concubine policy, and was laid to rest in a tomb far grander than her spouse’s and immediately adjacent to him in the Süleymaniye Mosque.

A reinterpretation of history for art’s sake? No.

That this ‘character’ was actually real and pulled these rabbits out of her magical hat will be the subject of further personal study.

pargalaHistory, without question, drew me to this story. But what keeps me there (humorous subtitles notwithstanding) is the inane and highly unusual circumstances major and minor characters alike find themselves in. What, for example, distinguishes a major execution from a minor one? How far can second concubine push her agenda when the Haseki (1st concubine) and Valide (sultan’s mom) precede her and really, really don’t like her? And how does one remove a greedy grand vizier from the picture when his friendship with the sultan borders on a bromance to end all others?

The show runners of HBO’s excellent ROME series remind us that a lot of what the mag-century-schemeingcharacters feel and do in this type of genre is governed by a culture and belief system that so totally predate everything we know in the current CE that we at times question the credulity of the plot. We shouldn’t. Duking it out over who sits under the canopy is normal. Hürrem Sultan would rather commit suicide than allow a new Russian concubine into the harem and tells her sultan so with flourishing soundtrack to back her up. And she’d do it were it not for the fact that she knows him so well!

Melodrama at its best!

hurrems-ringsWith the soap genre allowing for glacial pacing (finding the stolen ring happened over a three-episode arc) the story still grooves, thanks to ambitious characters, raucous political and personal agendas, and costuming that, frankly, thrills.

The art direction, too, is luxe and adventurous, at times using painted murals (a la the old Sinbad movies of the Sixties) and digital gaming CGI that we know is ‘fake’ but is no less satisfying and entertaining. (Note: watch for the same flying bird patterns over the Vatican, the Buda palace of King Louis of Hungary and the Topkapi palace in Constantinople.)

Over the top and fast forward, even at snail’s pace, may not be new, but if MAGNIFICENT CENTURY is any indication, it somehow works and might be a grand fix for many things writerly.

What I could do if I could bring kitsch und vroom to the page. Maybe I’ll give it a try.

Stay tuned.

Adult, unapologetic and wholly cognizant,

I am

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#amwriting #amwatching #magnificentcentury #writerslife

#GUESSWRITE WINNER TANYA CHRIS TALKS RELATIONSHIPS & FORGIVENESS WITH HER NEW M/M COMING-OF-AGE ROMANCE

Welcome to the blog, Tanya!

1.

Tell us about you.

fred-the-catI live in the northeastern United States with my boyfriend and my cat. I’m going to allow my boyfriend his privacy, but the cat’s name is Fred. Here’s a picture of him dressed up for Christmas. You can see how much he enjoyed that. Fred’s favorite things are pats and food. If you aren’t feeding him, you should be patting him, and if you aren’t patting him, you’re useless and must die.

Oh, you said tell you about me. My favorite things are chocolate and good reviews. Don’t make me kill you.

Ed.- You got me at hello 😉

 

2.

Optimist or pessimist?

Optimism and pessimism are different filters through which we try to predict the future. I’ve given up on trying to predict the future. Whatever will be, will be, and it’ll be all right, even if it doesn’t feel that way right now. So, that sounds somewhat optimistic.

 

3.

You have a lot of themes at play in WHEN IT ALL FALLS DOWN. Without giving spoilers, what underlying message do you hope to convey through the work?

The primary theme in When It All Falls Down is that relationships (people) are all that matter but that in order to make our relationships work, we have to be forgiving of each other.

 

4.

Are we better off as a society today? What, in your opinion, is the biggest lesson learned from our past?

We really are. I know it doesn’t feel that way in the US right now, but progress has never been linear. The overall trend, if you look at the history of civilization, has always been towards a more inclusive rendering of “liberty and justice for all” and I don’t think anyone can stop that upward trend for long, even if they manage to set back the clock temporarily.

 

5.

Growing up is tough. Growing old, maybe tougher. What does the raging success of the 50 Shades series say about adult readership?  Are they missing the point?

I haven’t read 50 Shades, so I can’t render an opinion on the series itself, but it’s an example of the billionaire trope which is enjoying popularity right now. Women today are required to be very strong, very adult, and so the temptation is there to escape into a world where someone (a man, for those who are heterosexual) takes over the adulting. That doesn’t mean those women want to abdicate control in real life, but at the end of a day of juggling work, family, and cultural expectations, they’re tired and sometimes overwhelmed and they deserve whatever fantasy brings them relief and joy.

 

6.

The definitions of family and gender are changing. Is it legislative or evolutionary?

I don’t think the compositions of family or gender are changing, just our ability to recognize the legitimacy of those various compositions thanks to social evolution. Legislation then slowly catches up to understanding.

 

7.

What are you working on now?

My next release will be Aftercare, which is a M/M BDSM romance. It features a Muslim immigrant (a very urbane, but somewhat, reluctant Dom) and the attorney who’s handling his brother’s murder case. I’ll be releasing that hopefully in April if I can get the editing finished! In the meantime, I’m writing a dystopia like everyone else in the US.

 

8.

Any last words?

I just want to put in a plug for the #guesswrite competition on Twitter. Any writer who’s trying to break in to self-publishing can definitely benefit from this prize package. I’m grateful to all the people who came before me, like the hosts of #guesswrite, for their guidance and example. I’ve made friends through Twitter and through NaNoWriMo who’ve critiqued my manuscripts, shared their lessons-learned, and been a source of inspiration and motivation. Remember: relationships are everything.

Ed. – Amen, sista!

 

When It All Falls Down

by Tanya Chris
Published by Tanya Chris Publishing (self-published)

M/M contemporary, coming-of-age romance, 64K words

Available 2/2/17 from Amazon in paperback and on Kindle. Eligible for Kindle Unlimited.

http://mybook.to/WIAFD

 

Blurb:

wiafd-cover-75dpiMaybe Charlie should have waited until he graduated high school before coming out, because since that revelation there’s been a growing distance between him and his friends. Charlie’s tough, though. He doesn’t mind eating lunch alone or watching his former gang interact with their new best buddy. What he does mind is seeing Drew Lavoitt suffer the same fate.

Drew didn’t come out. As far as he, or anyone else knows, he’s straight. What Drew did is accidentally hit and kill a little girl. Now the boy who was voted Most Popular, and who Charlie has maybe had a crush on since eighth grade, faces financial ruin, expulsion, and the fear that if he’s not everything, he’s not enough.

Popularity, wealth, acclaim—these things are easily lost. In each other’s arms, Drew and Charlie find something that can’t be taken from them. Together the two build a foundation on which they can re-create their lives.

 

Excerpt:

“Drew, I’m not your boyfriend.”

“At school, you said yes.”

“I can be your boyfriend at school, if that makes it easier for you to be at school, but I’m not your real boyfriend. Are you really expecting me to be … faithful to you?”

“I came out to my parents for you.”

“I don’t understand that part either. I don’t understand any of this.”

“What’s so hard to understand, Charlie? I want to be your boyfriend. Not just at school. All the time. But if you don’t want me—”

“Come on,” I said, cutting him off, “don’t start the drama up. You’ve got to know how much I want you.”

“Then we don’t have a problem.” He snuggled deeper into my side until he was rubbing his cheek along mine, our faces pressed right up together. Drew might not have a problem, but I did. My problem was that I wanted to turn my face into his and kiss him—not a quick brush of lips like what he’d given me in the hallway yesterday but the real thing. And then I decided, fuck it. I’d show him that being my boyfriend wasn’t what he wanted.

He was startled when I did it—when I brought my hand up to cup the back of his head and hold him still so I could really get my mouth against his, my tongue between those softly parted lips. Like he hadn’t been expecting it, like he hadn’t known that this was what happened when you rubbed your almost-too-skinny boy body up against a gay guy. He gasped, which opened him further up to me, and his body got stiff where it had been pliant, and I thought you see? and then that thought vanished beneath a whole bunch of oh my God because once he got past that initial shock, he kissed me back.

Praise for When It All Falls Down

“Read this faster than I’ve read anything in ages. Bittersweet, and strangely addictive.”

“Lately, books have seemed almost boring…and then I read this one.”

“Drew and Charlie are instantly shippable, love these boys to pieces.”

 

About the Author

tanyachrisTanya writes in a variety of romantic and erotic genres, being an avid follower of many of these genres herself. Some of her favorites are M/M romance, MFM threesomes, and BDSM with male submissives.

Tanya lives in New England with her boyfriend and her cat and has participated in many of the activities about which she writes, but not all of them. It’s left to the reader to decide which are which.

http://www.tanyachris.com
Twitter: @tanyachrs
Facebook: https://www.facebook.com/tanyachrispublishing/ Goodreads: https://www.goodreads.com/author/show/15067939.Tanya_Chris

 

Thanks for dropping by, Tanya. See you around the Twitterverse! — A.B.

 

COMING OFF HIATUS

With just two chapters — that’s right — TWO chapters — left on the WIP, I though it was time to come out of #amwriting hiding to fire up the blog.

teaser-2So much has happened since the start of the year, beginning with the home stretch gallop for SHELL GAME, my third in the Unapologetic Lives Series. What began as a reaction to an aggressive letter from city hall has turned into a novel journey that examines relationships through the eyes of a feral tabby cat.

Equal parts dark and humorous, SHELL GAME  didn’t reveal it’s true self until the tag lines started teasing their way off of the pages.

It’s to all those amazing Twitter hashtag games geared to writers that I owe a debt for knocking the subtext loose:

#amwriting Psycho-social #cat #dramady with death and laughs #Thurds Words #ShareWrit

#SHELLGAME This time, the cat wins #2bitTues

A pastoral community tweaks when it crosses the black #cat #humor #wip #wipjoy #GuessWrite

This proves again what I have always known about art: ready or not, it finds you. And in this vein, I’m pleased to share two things, beginning with this chestnut:

Writing is one part of the author journey. Getting up and performing is another.

There’s no way to sugar coat performance: it’s tough. Even the most accomplished veterans, the late Sir Laurence Olivier most famously, suffered from mighty stage fright. Canada’s own Gord Downie from The Tragically Hip, I recently learned, is another. But reading the work is critical to getting the word out that writers are alive and well and writing. Believe me, the reading out loud gets easier with practice, and I proved it again just the other night.

compositeBack in 2013, a group of crime-loving authors came together and launched NOIR AT THE BAR, an event that has spread across the country and south of the border too. The February 16 event in Toronto provided a golden opportunity to get up and read from the WIP. Was I nervous? You bet! Am I glad I did it? Absolutely! Writers Rob Brunet, Jennifer Soosar, Tanis Mallow, Hope Thompson, Ian Hamilton, and Howard Shrier shared their dark work with aplomb, along with Noir img_2340Founding Father Peter Rozovsky, who came all the way up from Philly to do so.

That I found myself in such august company was in large part due to hard work (the writing) but also finding the wherewithall to bravely get out to as many events as I could so that I could talk up what I was getting up to (the writing). The invitation to read at Noir followed.

Which leads to the second chestnut:

Talking about your work is well and good as long as you pass on the good karma by talking about the work of others.

paintnet-guess-writeThe incredible power of february-9the Twitter hashtag game cannot be stressed enough. For while the Twitterverse is huge, it lends itself to lasting relationships forged through shares, one line at a time.

Case in point: A group of us recently got together and pooled our hashtag games under the umbrella of #GuessWrite. Each month, game hosts like yours truly, offer up a different theme that acts as a clue to a single, larger #GuessWrite theme. The lucky tanyachrisparticipant(s) that guess the theme share in a prize pack offered up by the hosts. It is through this that I am able to share this space with February 2017 #GuessWrite winner Tanya Chris. Tanya and I have crossed paths many times through #2bitTues #1lineWed #ThruLineThurs, #Thurds Words and many, many more. Yet it is through the shared resources of participating writer gamers that I have the honor to feature her work here.

I can feel the good Karma, already. Can you?

And so it is, without further ado, that I sign off here and get to work on Tanya’s feature post, which will go live later today.

Such joy to be back here in the Blogosphere!

Adult, unapologetic and wholly cognizant,

I am
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#amwriting #amblogging #amreading #amsharing #writerslife

February 17, 2017