BOLDY GOING OUT IN SEARCH OF JILL PRESSER

 

Slaving away over edits hasn’t taken me completely out of the loop, although a double-whammy Easter certainly did. Picture two belief systems coinciding on the same day, and then add food and drink and what do you get? Enough food energy to power fresh writing and a restless muse.

Which brings me to the whole ‘getting out and about’ thing that many folks ‘in the know’ insist every writer must pursue. I tend to agree. Getting out can’t hurt, especially when I bring to mind a Hollywood wonk who, many years ago, spoke unkindly of an accomplished character actor whom, he believed, would “go to the opening of an envelope” if there was any appreciable benefit to be derived.

Benefit? Let’s see: the actor is still working and the wonk is long gone. I can’t even put a name to the quip.

Leaving the house, aka pushing away from the keyboard, helps my edits because I get the benefit of distance: what’s in front of my face, and, so, gets over-looked because of it, hits me like Thor’s hammer after a few hours off.

So, I’m going out Thursday night, not only to get some distance, but to also check out a singly fascinating criminal defense lawyer named Jill Presser. Jill not only educates, but she INSPIRES by putting her arguments out front and up top in front of the Supreme Court of Canada no less.

That impresses me.

And it might just speed up my work.

Wishing good #writing. Good #editing!

Adult, unapologetic and wholly cognizant,

I am

FUNKHAUSER SIGNATURE

April 18, 2017

 

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FUNERAL DIRECTOR AS WRITER

It was my great honor recently to address the Sisters in Crime­ – Toronto Chapter at their monthly meeting this past April. Not only did the experience tease me out of the relative safety of my writing vault, but it also, as a newcomer to the mystery scene, afforded me the opportunity to examine the challenges faced by funeral directors like me who endeavor to write.

It’s an exciting time for funeral directors in Ontario. Legislative changes in force since JulyBAO 1, 2012 continue to filter through the industry; the most recent realized April 1 with the creation of the new Bereavement Authority of Ontario. What this new body will mean for service providers and the client families they serve can only be determined through anecdotal experience. Let these be positive as the spirit behind the changes intend. What it means for me—a purveyor of gonzo, paranormal, mortuary, fiction—is how important it is to tell the story of the industry in a way that is accessible without compromising my duty to protect the deceased person and family he/she leaves behind.

A lot of what a funeral director sees and, indeed, does remains confidential for obvious reasons. Human beings do not stop being human beings with the cessation of breath. In fact, their humanity is heightened, given that their ability to protect themselves from harm is now taken from them. Dignity, privacy and integrity of the individual falls under the purview of the funeral service professionals charged with their care. This is the funeral director’s oath and the writer’s oath as well.

loved one movieIt is not surprising then that confidentiality as a mainstay of funeral service lends itself to broad artistic interpretation. As I revealed at the April 21 Sisters in Crime meeting, it is easy to lampoon/throw rocks at something that cannot defend itself. And yet, examination from unusual quarters can only strengthen the dialogue. There’s a lot of fine satire out there to drive the discussion; some older, but classic pieces like Evelyn Waugh’s THE LOVED ONE and the newer gothic horror AFTER.LIFE whet the public’s appetite to ‘know’ what really goes on.

after.life poster 1

Which is why I turned to gonzo as my genre vehicle of choice when I chose to weigh in not as expose—because I love my industry—but as a spotlight to inform and, yes, entertain those who rarely, if ever, set foot inside a funeral establishment.

Gonzo, as I’ve said before in previous articles, is a kind of first person journalism created and perfected by the late great Hunter S. Thompson of ROLLING STONE fame. Taken off road into fiction, it is both a humorous and slightly subversive means of drawing attention to difficult subjects and making them whole.

Later this month, I will attend professional development seminars at my alma mater. There, I will be brought up to date on the latest innovations in an industry undergoing constant change. I’m looking forward to it. Where there is education, there is dialogue; where there is discussion, there is growth.

Such is the stuff of the journey in both life and art.

Adult, unapologetic and wholly cognizant, I am

FUNKHAUSER SIGNATURE

 

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