THANK YOU!

Thrilled to announce that my three day giveaway on Amazon.com and .ca was an amazing success. I made it to top 10 (Satire) for about two hours, but stayed in the top 20 for three days on .com. Further, I made it to #271 over all for Canada on .ca. That’s a lot of downloads. Now, if 1% actually reads and likes it, maybe, maybe, maybe they’ll buy the others? Who knows.
Anyway, I’d just like to thank everyone here for downloading the beastie/spreading the word to others. It really, really worked.
Round of applause. You deserve it.
—A.B.
Honorable mention to KateMarie Collins for setting it up, Kathi Sprayberry for doing all the things she does, and always Melissa Miller for founding a wonderful community. Solstice, more than just a publisher! TYSM.

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SAY WHAT? BEST SELLING AUTHOR CRYSSA BAZOS GRILLS FUNKHAUSER ON SHELL GAME

I’ve known A.B. Funkhauser for many years, and to say that she’s as gonzo as her characters is to get it wrong. Sure, she gravitates to larger than life characters on the page and in the public eye, but she appreciates the contemplative too. Claiming to be an “introverted extrovert” she relies on her characters to do all the heavy lifting, to do the things she’d never dream of doing in real life. Her latest work, SHELL GAME, is no exception. Here, characters stay behind closed doors, preferring to spy on one another through windows under cover of night. Interaction appears limited, but is it really? When they aren’t questioning themselves and the motivations of others, they take cues from a black cat that may or may not have real supernatural abilities. Everything is subjective, including what the omniscient narrator chooses to share when and where.

A.B., let’s talk about SHELL GAME, shall we?

 

 

Cryssa Bazos:

Since your publishing date was announced, you’ve been all over social media. Do you love it, or hate it?

 

A. B. Funkhauser:

I hear writers talking about promotions a lot; how it sparks their creative juices, how it saps their energy, how it calls them out and maybe forces them to be more “in your face” than they would normally like to be. And I agree. But promotion goes hand in glove with writing ‘The Book,’ and so it’s a must. There’s a great deal of competition in the writing world. There’s a lot of competition in anything that’s worthwhile. For me, chatting up SHELL GAME is equal parts excitement and self-interest; exciting for me because I’ve completed another project successfully and delivered it to market; self-interest because who else will know about it if I don’t say so?

 

C.B.:

I also notice you tagging yourself as a multi-genre author. What’s up with that? You turning in your gonzo badge?

 

A.B.:

No! Never. But the characters ultimately set the tone, and the people of SHELL GAME are conniving, dastardly, sympathetic and very often contrite. They can’t help it, really. That’s why they need the cats. My hero Carlos is renowned for his quiet, stolid ability to be where he needs to be, affecting certain outcomes because of it. He’s quite brilliant.

Poonam 2 w Cover for Twitter

At the same time, this piece tilts more in the direction of satire and social commentary in the sense that while the humans are behaving outside of the usual boundaries assigned western society, there is still a moral conscience at play that makes them question their actions. This makes them a little less mendacious than the characters in SCOOTER NATION, for example. They are still capable of doing harm, but this time they feel really bad about it.

 

C.B.:

Where did that come from?

 

A.B.:

An event in real time, actually. I hadn’t intended to write a cat book and I’ve gone on about that on this blog and others. I wanted to tuck into the prequel to HEUER LOST AND FOUND, which currently sits at a tantalizing 89,000 words with no end in sight. (I did figure out the ending half way through SHELL GAME, and if I can pull it off it will be quite diabolical.) But like the opening paragraphs of SHELL GAME, I did receive a snarky letter from Animal Control that specifically mentioned the street I live on. I wasn’t the only person on the street to get it—it was a blind drop—but I did take it very personally. The cat I share with a neighbor had brought so much joy into my life and the lives of my family that the faceless person(s) behind the letter threatening his freedom and my pocketbook just infuriated me. The $5,000 fine for not keeping the kitty inside was either a deterrent or tax grab—popular where I live—and the intrusion could only be answered through a ragin’ fiction that sees the cats win for a change. Of course, I can see both sides to the argument for keeping cats indoors in urban areas, and I’m happy to report that my shared kitty spends far more time indoors. But that’s owing to his age and the natural order of things, not from some crummy letter from a human in an office.

 

C.B.:

And SHELL GAME, like SCOOTER NATION, features characters from many different ethnicities. Is this your response to the current debate on cultural appropriation?

 

A.B.:

Ha! That’s a minefield and I’m not stepping into it until I have all the information. From the gonzo side of the street, my read of the issue is that writers should keep to their own pasture so as to be authentic. If that’s true, then all I can really write about are past middle-aged straight white human females and that would be a shame. It would be boring for me to write, and boring for anyone else to read.

Bronagh Character Reveal

But, research, foreknowledge, personal history and cumulative story-telling must play a big part in any writing project if the characters are to ring true and shine. To know what we’re on about—that’s our job—and that’s pretty much all I can say about this topic until I learn more.

 

C.B.:

So, what’s SHELL GAME about?

 

A.B.:

Oh, that. Lol. Well, I always say that I don’t really know for sure until some reviews come in and I get a few interviews under my belt. The best I can say right now is that it’s about a cat, a community, unwanted change, and the mechanisms employed to cope with this change that result in positive and negative resolutions. Change, I believe, cannot be stopped, but it can be messed with, and with these characters you will see activities that are silly AND life threatening. That’s the gonzo element. But there’s a love element to it as well. And of course, the cats are at the center of things, calling the plays, controlling things, just like they’ve done for millennia.

Mr know it all

FOR MORE INFORMATION:

Twitter https://twitter.com/iamfunkhauser

Facebook  http://www.facebook.com/heuerlostandfound

And this website

 

 

BUY LINK AND FREE DAYS:

SHELL GAME COVER 1As a ‘thank you’ to everyone who ever  believed in my crazy plan to quit work and write full time, I’m offering SHELL GAME for FREE for the first three days of it’s release. THANK YOU, THANK YOU, THANK YOU! ❤

A. B.

GET IT HERE

IMG_20160411_121457About the Author

Toronto born author A.B. Funkhauser is a funeral director, classic car nut and wildlife enthusiast living in Ontario, Canada. Like most funeral directors, she is governed by a strong sense of altruism fueled by the belief that life chooses us, not we it.

Her debut novel Heuer Lost and Found, released in April 2015, examines the day to day workings of a funeral home and the people who staff it. Winner of the Preditors & Editors Reader’s Poll for Best Horror 2015, and the New Apple EBook Award 2016 for Horror, Heuer Lost and Found is the first installment in Funkhauser’s Unapologetic Lives series. Her sophomore effort, Scooter Nation, released March 11, 2016 through Solstice Publishing. Winner of the New Apple Ebook Award 2016 for Humor, and Winner Best Humor Summer Indie Book Awards 2016, Scooter picks up where Heuer left off, this time with the lens on the funeral home as it falls into the hands of a woeful sybarite.

A devotee of the gonzo style pioneered by the late Hunter S. Thompson, Funkhauser attempts to shine a light on difficult subjects by aid of humorous storytelling. “In gonzo, characters operate without filters, which means they say and do the kinds of things we cannot in an ordered society. Results are often comic, but, hopefully, instructive.”

Funkhauser is currently working on THE HEUER EFFECT, the prequel to HEUER LOST AND FOUND.

 

About the Interviewer

fullsizeoutput_d9Cryssa Bazos is a member of the Romantic Novelist Association, the Historical Novel Society, the Writers’ Community of Durham Region and the Battle of Worcester Society. Her articles and short stories have been featured in various publications, both in Canada and the UK. She is a co-editor and contributor of the English Historical Fiction Authors site and blogs as the 17th Century Enthusiast. Her debut novel, Traitor’s Knot, placed 3rd in Romance for the Ages in 2016 (Ancient/Medieval/Renaissance).

 

Traitors Knot Cover“A thrilling historical adventure expertly told.” – Carol McGrath, bestselling author of The Handfasted Wife

England 1650: Civil War has given way to an uneasy peace in the year since Parliament executed King Charles I.

Royalist officer James Hart refuses to accept the tyranny of the new government, and to raise funds for the restoration of the king’s son, he takes to the road as a highwayman.

Elizabeth Seton has long been shunned for being a traitor’s daughter. In the midst of theamazon best seller new order, she risks her life by sheltering fugitives from Parliament in a garrison town. But her attempts to rebuild her life are threatened, first by her own sense of injustice, then by falling in love with the dashing Hart.

The lovers’ loyalty is tested through war, defeat and separation. James must fight his way back to the woman he loves, while Elizabeth will do anything to save him, even if it means sacrificing herself.

Traitor’s Knot is a sweeping tale of love and conflicted loyalties set against the turmoil of the English Civil War.

GET IT HERE

 

Cryssa’s Links

Amazon Author Page

Twitter

Website

 

UP NEXT:

 

FUNKHAUSER AND THE OMNISCIENT VOICE

 

FREE DAYS! SHELL GAME AVAILABLE NOW

 

FREEDOM IN SHELL GAME AND THE STRANGE THINGS THAT RESULT FROM IT

Freedom has always been a big one for me, for what am I as a gonzo if I cannot judge, poke fun, get it wrong and then slide in a rueful subtext among the laughs and guffaws?

That’s my mission, anyway, and as SHELL GAME’s release date draws near, the notion of freedom as it relates to the plot and characters who seek to keep it has grown more dear.

Imagine a world peopled with ungoverned free-spirits culturally sanctioned to say whatever they like. You wouldn’t have to go too far. Ricky Gervais showcased the concept brilliantly in the film THE INVENTION OF LYING (2009). In it, characters managed to convey whole truths without the sturm und drang of hand-wringing, hair-pulling and copious tear-filled apologies. Chaos did not ensue, at least not until the protagonist started lying through his teeth.

The same happens in SHELL GAME. There, in the humble burg of Pictontown on the Downs, gentle folk go about the business of doing a great deal of damage at little or no cost to the neighbors they try so hard to ignore. It is only when a mysterious and very beautiful black cat enters the picture that untidied things like lies, invasion of privacy, group sex and a missing spouse become important; important because with each new revelation, the freedom to do as one pleases becomes very difficult.

Misunderstandings as a vehicle to catapult the plot forward figure prominently in SHELL GAME as one’s presumed murder victim becomes another’s bratwurst sausage. Likewise, the Beautiful Boy Politician. With all his wealth, intelligence, glamor and promise, it becomes very easy to mix him up with his lackluster opponents because they all wind up saying the same blah, blah, blah to the effect that nothing and everything changes.

A Shell Game is defined as “a deceptive and evasive action or ploy, especially a political one”[1] Readers might want to let that percolate when deciding if the surviving characters are free by book’s end, for as we all know, freedom is subjective and absolutely always illusory.

SHELL GAME releases September 21 on Amazon through Solstice Publishing. As a thank you to readers and supporters, it will be offered as a FREE DOWNLOAD September 21, 22 and 23. Get it here.

Adult, unapologetic, and wholly cognizant, I am

A.B. Funkhauser

 

FOR MORE INFORMATION:

Twitter https://twitter.com/iamfunkhauser

Facebook  http://www.facebook.com/heuerlostandfound

And this website

 

UP NEXT:

THE ULTIMATE SHELL GAME Q & A

 

BUY LINK AND FREE DAYS:

As a ‘thank you’ to everyone who ever  believed in my crazy plan to quit work and write full time, I’m offering SHELL GAME for FREE for the first three days of it’s release. THANK YOU, THANK YOU, THANK YOU! ❤

A. B.

[1] Google dictionary, of course.

SHELL GAME: GENESIS

I didn’t plan on writing a cat book. In fact, I had every intention of devoting 2017 to THE HEUER EFFECT, the prequel to HEUER LOST AND FOUND. But I was sidetracked—drawn into a direction I had not counted on.

IMG_20151111_143637Two years ago, I met this cat. A comely fellow, he appeared at my back door with a “come hither” look that couldn’t move me. You see, I had lived my life deeply saddened by the knowledge that I was allergic to almost all things “fur and feather.” This did not dissuade him. Perhaps he knew I was susceptible—possessed of that human quality (or weakness?) of wanting that thing that I couldn’t have.

His visits went on for days, marked by chalcedony green eyes and an almost inaudible purr from cat epiglottis to my own ears. I didn’t stand a chance: he literally compelled me to open the door and let him in.

I’m so glad I did, and for so many reasons; chief among them, SHELL GAME.

Not long after our first contact, my fine visitor, along with his many free-spirited confrères, became the subject of a dedicated cat hunt spear headed by local Animal Control. According to the letter left on my door step, free-wheeling kitties and the accomplices that aided them were now subject to punitive fines / loss of liberty—theirs to roam, ours to love them on our own terms.

There’s a debate going on about whether it’s right to keep cats indoors and I can see both sides of that argument. But for the purpose of my latest fiction, let’s just say that free range kitties and the humans that aspire to similar behavior do so with the best of intentions.

Tomorrow:

FREEDOM IN SHELL GAME AND THE STRANGE THINGS THAT RESULT FROM IT

 

FOR MORE INFORMATION:

Twitter https://twitter.com/iamfunkhauser

Facebook  http://www.facebook.com/heuerlostandfound

And this website

 

BUY LINK AND FREE DAYS:

As a ‘thank you’ to everyone who ever  believed in my crazy plan to quit work and write full time, I’m offering SHELL GAME for FREE for the first three days of it’s release. THANK YOU, THANK YOU, THANK YOU! ❤

A. B.

A GONZO NEW RELEASE WITH A CAT’S EYE VIEW

September 11, 2017

SHELL GAME, A. B. Funkhauser’s third offering in the unapologetic lives series, launches September 21 on Amazon through Solstice Publishing. Part mystery, part social commentary, it will take a satirical look at a community fighting unwanted change through mechanisms silly and life-threatening. With insights that are both sympathetic and stinging, the novel’s hero and narrator, Carlos the Wonder Cat, will suffer overtures from an awkward feline fetishist sex cult, observe political gamesmanship that keeps going and going without apparent purpose, and assume a crucial leadership role in narrowing class divisions drawn by lines in a forest.

All with the lick of a paw.

If you believe—as many do—that cats are more than just cats, then SHELL GAME might be for you. For when has unquenchable curiosity not led to things unforgettable?

SHELL GAME

This time, the cat wins

Buy link pending

 

Tomorrow:

SHELL GAME GENESIS

 

For more information:

Twitter https://twitter.com/iamfunkhauser

Facebook  http://www.facebook.com/heuerlostandfound

And this website

BUY LINK AND FREE DAYS:

As a ‘thank you’ to everybody who believed in my crazy idea to quit work to write full-time, I’m offering SHELL GAME for FREE for the first three days of release. THANK YOU, THANK YOU, THANK YOU.

A.B.

THE CLOSED WORLD OF THE FUNERAL DIRECTOR

The closed world of a funeral director is rarely glimpsed owing to the strictures of confidentiality scrupulously maintained by industry professionals. In SCOOTER NATION, the second novel in A.B. Funkhauser’s Unapologetic Lives Series, confidentiality, or more keenly the silence naturalized by a desire to protect the privacy of others, leads to inflated misunderstandings underpinned by a culture of myth and lore. What follows are a chain of events both comic and chilling.

 

E   X   C   E   R   P   T

Krause looked like she was going to cry: “Don’t you knobs get it? We’ve been sold to the Flexor Group. I just know it.”

Carla stiffened. “What did you see? Who did you see?”

The death business was a small, closed community with few strangers. Everybody knew everyone else and their business too.

“I only saw their feet,” Enid replied. “Black shoes. Square toes.” Her face whitened. “Loafers!”

Scooter Creighton dropped his lighter. “Are you sure? No mistake?”

Eyes 1“No mistake. I was wearing my bifocals. There can only be one person behind this.”

The ancient intercom on the garage wall crackled to life. Jocasta Binns had found them: “Put the damned cigarettes out. Meeting starts NOW.

Scooter Creighton nodded meaningfully at his companions. The rude bitch was clearly on a roll. Like most funeral homes that hadn’t caught up to the twenty-first century, Weibigand’s had a front door equipped with a tinny doorbell that sounded whenever the door swung open. More modern establishments employed greeters or hostesses that manned large semi-circular hotel-lobby like desks for a more personal touch. But Weibigand’s, experiencing a steady decline in business year over year, lacked funds to pay for such a person. So the bell, on duty since the 1930s, was the only way to know that someone had come in. It had not sounded.

“Jocasta turned the bell off!” Enid shouted. “Why the hell would she turn the bell off?”

There were only two possible explanations: Either some non-staffer had been assigned to inside doorstand watch at the door and had shut the bell off, or the doors were being locked and the bell wasn’t needed.

“My god,” Carla gasped, thinking of the square-toed, black leather shoes that, beyond any doubt, now stalked the hall above. Though there were many, only a single pair held any relevance.

Every profession had its own share of false gods and banal superstitions. Those, carried forth on a wave of feverish gossip backed by assertions that everything said was ‘true’, gave rise to fantastic mythologies that made a chosen few more significant than they actually were. Graeham Grissom of B.H. Hoage, for example, was the undisputed embalming god of their age while “Count Floyd” Aiken could ‘will’ new business into being with a stroke of a pen. That old age, arthritis, early-onset dementia and the public’s annoying preference for cremation over medieval embalming procedures decreased the field of competitors, and so guaranteed Graeham’s mantle in the first instance, had nothing to do with the stories spread: he made esoteric concoctions in the old Hoage basement that rendered his people ‘pliable’ ‘natural-like’ ‘soft to the touch’ and even ‘warmer’ without the slightest sign of decay, even after a fifty-four day hold. The same held for Count Floyd. No one could turn a prearranged funeral into an ‘at need’ simply by sending a get better card, yet Floyd’s people did die suddenly whenever he did, whether sick or not. That the deceased had crossed the century mark in every case had little to do with a great tale.

But there were other stories out there: stories not so benign and infinitely more sinister. eyesSome, it was said, enriched themselves through the weak willed. These were the mendacious pocket-liners who evaded the law and curried favor with popular opinion regardless of talk.

These were the ones to watch…

And fear.

The little group assembled in the Weibigand garage knew that fear and felt it now because it was right on top of their heads. Scooter Creighton, jaws clenched, ground the words out first, like a metal vise in need of oil: “It’s Clayton. He is in the building.”

 

SCOOTER NATION

OFFICIAL SCOOTER COVER

ON SALE NOW

Geo Buy Link: http://myBook.to/ScooterNation

Solstice Publishing & Amazon

HEUER LOST AND FOUND: THE EXCERPT

“Come with me, and I will show you worlds.”

 

At last, HEUER LOST AND FOUND is ready to go with presales beginning March 26 to the launch on April 23rd on Amazon. It’s been a long, exciting journey marked with encouragement and a lot of learning. I’ve made so many friends along the way, so much so that I owe this space and the people that help fill it a special nod all their own. In the coming days, I’ll be talking up my ladies in the Brooklin 7, my incredible sister and authorly inspiration Cryssa Bazos, and long time friends Gilda Heinrich Rousseau and Suzanne Fairbrass Stacey. I will also pay homage to the crew at the Wine Rack, the guys on the Canadian Poncho Car site, and the amazing staff at the Pickering Metro; all of whom make stepping out the door an adventure. Thank you. I’d be remiss if I didn’t mention Solstice Publishing, it’s staff—who are also writers—and the amazing authors I’ve grown close to as a member of the Solstice Family. All in due time. Today, is for every person I’ve spoken to who expressed interest in HEUER LOST AND FOUND. I owe you an excerpt.

Chapter Two

Two Weeks Ago

The house, like the man who lived in it, was remarkable: a 1950s clapboard-brick number with a metal garage door that needed serious painting. Likewise, the windows, which had been replaced once in the Seventies under some home improvement program, then never again. They were wooden and they were cracked, allowing wasps and other insects inside.

This was of little consequence to him.

The neighbors, whom Heuer prodigiously ignored, would stare at the place. Greek, Italian, and house proud, they found the man’s disdain for his own home objectionable. He could see it on their faces when he looked out at them through dirty windows.

To hell with them.

If the neighbors disapproved of the moss green roof with its tar shingles that habitually blew off, then let moet_champagne_partythem replace it. Money didn’t fall from the sky and if it did, he wouldn’t spend it on improvements to please strangers.

They were insects.

And yet there were times when Jürgen Heuer was forced to compromise. Money, he learned, could solve just about anything. But not where the willful and the pernicious were concerned. These, once singled out, required special attention.

Alfons Vermiglia, the Genovese neighbor next door, had taken great offense to his acacia tree, a towering twenty-five foot behemoth that had grown from a cutting given to him by a lodge brother. The acacia was esteemed in Masonic lore appearing often in ritual, rendering it so much more than just mere tree. In practical terms, it provided relief, offering shade on hot days to the little things beneath it. And it bloomed semi-annually, whimsically releasing a preponderance of white petals that carried on the wind mystical scent—the same found in sacred incense and parfums.

What horseshit.

It was a dirty son of a bitch of a tree that dropped its leaves continuously from spring to fall, shedding tiny branches from its diffident margins. These were covered in nasty little thorns that damaged vinyl pool liners and soft feet alike. They also did a pretty amazing job of clogging Alfons’ pool filter, turning his twenty-five hundred gallon toy pool green overnight.

This chemistry compromised the neighbor’s pleasure and it heightened his passions, blinding Alfons to the true nature of his enemy. He crossed over onto Heuer’s property and drove copper nails into the root system. It was an old trick, Byzantine in its treachery; the copper would kill the tree slowly over time leading no one to suspect foul play.

weird vistaBut Heuer was cagey and suspicious by nature, so when the tree displayed signs of failure, he knew where to look.

The acacia recovered and Alfons said nothing. Heuer planted aralia—the “Devil’s Walking Stick”—along the fence line and this served as an even thornier reminder that he knew. And if there was any doubt at all, he went further by coating his neighbor’s corkscrew hazel with a generous dose of Wipe Out.

Intrusive neighbors and their misplaced curiosities were, by turns, annoying and amusing and their interest, though unwanted, did not go unappreciated. The Greeks on the other side of him weren’t combative in the least and they offered gardening advice whenever they caught him out of doors. The man, Panos, talked politics and cars, and expressed interest in the vehicle that sat shrouded and silent on Heuer’s driveway. He spoke long and colorfully about the glory days of Detroit muscle cars and how it all got bungled and bargained away.

Detroit GTO“They sacrificed an industry to please a bunch of big mouths in Hollywood,” Panos would rant in complete disregard for history: Al Gore and Global Warming didn’t kill the GTO; the OPEC oil crisis did. But there was no point in telling him that.

Panos was an armchair car guy and incurable conspiracy theorist. He also kept to his side of the fence, unlike his wife, Stavroula, who was driven by natural instinct. Not content to leave an unmarried man alone, she routinely crossed Heuer’s weedy lawn, banging on the door with offers of food and a good housecleaning.

Heuer had no trouble accepting her cooking. But he declined her brush and broom. Was it kindness, or was she trying to see inside? He suspected the latter.

No one was ever seen entering Heuer’s house and while this piqued public interest, he never gave in, not even to those who were kind to him. He liked Panos and Stavroula and he regretted poisoning their cat.

But not enough to let them in to his home.

Others on the street had less contact with him. Canvassers at election time would disturb him, in spite of the lawn sign warning the solicitous away. That this didn’t apply to neighbor kids brave enough to pedal cookies and magazine subscriptions in spite of the sign, was a testament, perhaps, to some residual soft spot in his heart that endured.

Even so, he knew that people talked about him and, frankly, he had trouble accounting for their fascination. Short, curt, bespectacled, he courted an ethos that favored enforced detachment. When people got close enough to hear him speak, they detected a trace of an accent. Now faded after years of U.S. residency, his speech still bore the unmistakable patterns of someone undeniably foreign. Elaborate, overwrought and heavy on the adverbs, he spoke very much like his neighbors. Yet the distance between them was incalculable…

***

Day 1: Post Mortem

Heuer shook his head, finding it especially odd that he would think of such things at this particular moment. The circumstances, after all, were beyond peculiar. Coming out of thick, dense fog, standing upright, looking wildly around, and having difficulty comprehending, the last thing that should trouble him was human relations.

The man on the floor would have agreed, had he not lacked the resources to speak.

Heuer canvassed his surroundings. The room, still dark, the shades drawn, and the plants Stavroula forced on him, wilted and dry, bespoke of an unqualified sadness. His computer, left on and unattended, buzzed pointlessly in the corner, its screen saver, a multi-colored Spirograph montage, interspersed with translucent images of faceless Bond girls, twisting ad infinitum for an audience of none.

Back StairWhat happened here?

The bottle of Johnnie Black lay open and empty on the bedroom floor, along with a pack of Marlboro’s, gifts from an old friend. The desk chair lay on its side, toppled, in keeping with the rest of the room. His bed sheets were twisted, the pillows on the floor, and there were stains on the walls; strange residues deposited over time representing neglect and a desire to tell.

He looked down at his hands. They kept changing; the veins, wavy, rose and fell like pots of worms.

Trippy.

There was no evidence of eating, however, and this was really weird, for it was in this room that Heuer lived. Flat screens, mounted on the ceiling and on the desktop, kept him in line with the world outside in ways that papers could not. Screens blasted twenty-four and seven with their talking heads and CNN, whereas papers were flat and dirty, suitable only for the bottoms of bird cages. He cancelled the dailies first and then the weeklies, seeing no value whatever in printed words.

Pictures were another matter. Several in paint and charcoal and sepia covered the walls and floors. He loved them all, and he stared at them for hours when he pondered. His beer fridge, humidor, and model rocket collection completed him; housing the things he loved, all within perfect reach.

His senses, though dulled, honed in on a scent, distant yet familiar, coming from inside the room. It was bog-like-foul like a place he’d visited long ago, buried under wood ash. He frowned.

What was the last thing he ate? Did he cook or go for takeout? He wanted to go down to the kitchen to check, but found, to his astonishment, that he could not get past the doorframe into the outer hall.

Nein, das kann nicht sein!—Now this is not right!—he fumed, switching to German. He would do this whenever he encountered static. The spit and sharp of it forced people back because they could not understand what he meant.

Unballing his fists he felt his chest, registering the sensation of “feel”—he could feel “touch,” but he could not locate the beating heart. Consciously knitting his brows, he considered other bodily wants, his legal mind checking and balancing the laws of nature against the laws of the impossible. He could not, for example, feel “hunger” and he wasn’t dying for a drink either.

Was this a mark of passage into the nether? The man on the floor had no comment.

He thought about his bowels and if they needed attention, but that, to his great relief, no longer appeared to matter. Regularity, in recent years, wasn’t all it was cracked up to be. When he was young, he reveled in a good clean out after the morning coffee because it reset his clock and established the tone for the rest of the day. Not so latterly. His prostate had kept its promise, letting him down, enlarging, pressing where it ought naught. Awake most nights, he lost sleep and dreams.

With this in mind, he bounced up and down on the soles of his expensive shoes in an effort to confirm if he was awake or not. Perhaps he was sleepwalking, or heading off to the can for another urinary evacuation that wouldn’t come?

The man on the floor ruled out these options.

He tried the door again, and again, to his dismay, he could not leave.

What to do? What to do?

‘I think, therefore I am,’ went the popular saying, but what good was ‘being’ when one was confined to a bedroom like a rat in a cage?

He struggled to remain calm, just as he became aware of that heavy oppressive feeling one gets before receiving bad news. Pacing back and forth across the ancient floorboards in the house he was born into, he checked for the kinds of incriminating evidence the court of public opinion would hold against him once found. Pornography, loaded handguns, too many candy wrappers all had to be dispatched before someone inevitably broke the door down.

As light turned to dark and day gave over into night, Heuer’s thoughts came faster and faster, in different languages, interspersed with corrugated images, accompanied by generous doses of Seventies rock; a fitting sound track for the old life, now ended.

He fell to his knees. Somewhere in this mélange was something to be grateful for and with time, he was sure, he would figure out what that single, great, thing might be. For now, all he could really do was take comfort in the fact that his death had been perfect.

***

See the first trailer  https://www.youtube.com/watch?v=f3beUBWf2CQ

Definitely see the NEW ONE

Interview Part 1: https://www.youtube.com/watch?v=g2yhaXfh-ns

Interview Part 2: https://www.youtube.com/watch?v=WoPthI1Hvmo

BUY LINKS:

Preorder Link: http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&field-author=A.B.%20Funkhauser&search-alias=digital-text&sort=relevancerank

Amazon Link: http://www.amazon.com/Heuer-Lost-Found-B-Funkhauser-ebook/dp/B00V6KLAMA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1427367625&sr=1-1&keywords=heuer+lost+and+found

Book Goodies: http://bookgoodies.com/a/B00V6KLAMA

Thank you. 🙂

OMG. I have a YouTube Channel and a Book Trailer

I’ve been dancing around for weeks here on the blog and finally, at long last, I can release DAS BOOK TRAILER. Months in the making, I can say, without a hint of irony or fiction, that HEUER LOST AND FOUND, THE TRAILER, is all mine and made with my own two hands. Another milestone on the path to publishing. The learning curve has been incredibly steep and it is only the beginning, but I’m ready…I think. 😉

NOW AND FORWARD

Adult, unapologetic and cognizant, I wish you good day.

ABF

The Unvarnished Interview

In the spirit of brave self-promotion, I continue today’s post (see Heuer Advance Review) with an interview given by yours truly to the ever intrepid Bernard Foong. It’s another first for me, and another reason to do a victory lap around the neighborhood (after I shovel the sidewalk), because self promotion goes against everything I was taught growing up. Careers in politics, the car business and funeral service notwithstanding, I have managed to stay under the wire…until now.
Heuer, Heuer. What have you done?
  1. Can you tell us a little bit about yourself?

That’s always a bit tough for me. I was raised in another time where shouting out accomplishments was

An expression of the author's feelings through a doppelganger.
An expression of the author’s feelings through a doppelganger.

considered rude. But I’ll try. I’m a Pisces that celebrates the Year of the Snake, but unlike dear vain snake, work extremely hard not to be mendacious. (Laughs) I have a furtive imagination, love art in all its forms, and cannot live without music playing somewhere in the background. If forced to choose between comedy and drama, comedy wins…every time.

  1. What do you do when you are not writing?

That’s easy! I’m outside. Unlike you, dear friend, I live in the four seasons (hint of jealousy here) and have the coats, boots and sunscreen that goes with them. I have a large wild flower garden that I tend in summer, and a very long driveway I shovel in winter. And I love classic cars, particularly those from the muscle era. Summer and autumn are for road tripping to see the shows. I try to get to the Woodward Dream Cruise in Detroit, Michigan every other year.

For a car enthusiast, Woodward is the Holy Grail.
For a car enthusiast, Woodward is the Holy Grail.
  1. Do you have a day job as well?

Yes, although I am on hiatus and that has paid off, as you see (big grin). I’m a funeral director, licensed to practice in Ontario, Canada. For me, it ranks as one of the best jobs I’ve ever had next to seeing to my family.

  1. When did you first start writing and when did you finish your first book?

I began writing in 2010 in response to the loss of a dear friend. In funeral service, the families we serve ask how to cope with the pain. One way to manage is to seek out others—groups, counselors—those who have walked in their shoes and really know how it feels. Another approach is to write a grief journal. My friend and I went through school together, and during that time we became sympats where comedy was concerned. We laughed at the same things. It didn’t take long for my journal to take a comedic turn before straying off into outright fiction. I finished Heuer five years later.

  1. How did you choose the genre you write in?

The characters decided it for me. They are bossy, incorrigible and I completely adore them. They were impossible to ignore.

  1. Where do you get your ideas?

I put a foot out the door and live day to day. You wouldn’t believe the kind of trouble you can get into at the grocery store.

  1. Do you ever experience writer’s block?

Absolutely, but it’s more likely because another story or character is nagging at me. My first teacher called this popcorn writing, where you just push away from the current project and go on a tangent with a wild horse scene. It’s exciting and informs the other projects.

  1. Do you work with an outline, or just write?

I mull for about a year, and then churn out the first draft during NaNoWriMo in November. I don’t plot per

I do on occasion take walks through cemeteries.
I do on occasion take walks through cemeteries.

se, but I do know where I’m going before I begin. This is also where some of those popcorn scenes find a home. After the first draft is complete, I return to the previous project in line to revise and refine. It’s a whole system that works for me. You see why I had to go on hiatus?

  1. Is there any particular author or book that influenced you in any way either growing up or as an adult?

Absolutely everything Kurt Vonnegut ever wrote. From him and Dr. Seuss, I learned the value of having outrageous character names. My current fiction includes a hysteric named Sigrid Bork. I love her.

  1. Can you tell us about your challenges in getting your first book published?

I worried a lot about having one book followed by writer’s block to shut me down for good. So I decided to

Exteme excitement resulting in blurred vision.
Exteme excitement resulting in blurred vision.

get some manuscripts down—four to be precise—so that I’d have a body of work to play with when pitching to agents and publishers. The last four years were dedicated to pure creation without pressure to produce to a contract. It was sensational. During that time, I plugged into Twitter pitch parties on the recommendation of a writer friend, and that’s when things really started to happen. I queried, synopsized, wrote dozens of tag lines and met hundreds of amazing people who got me to Solstice Publishing. Now I have to learn about and engage in—boots first—marketing, which is very challenging because of the way I was raised (see question one). I’m enjoying Twitter parties and blogging. Frankly, I didn’t know I had it in me. A great surprise.

  1. If you had to go back and do it all over, is there any aspect of your novel or getting it published that you would change?

Nope. It was all organic. I tripped, I fell, I studied, and I applied. I got better.

  1. How do you market your work? What avenues have you found to work best for your genre?

It’s early in, so stats aren’t there, but I will direct a lot of applause to the writing groups I belong to—The Booklin 7, Writers Community of Durham Region, and amazing teachers at Writescape—for plugging me in with others dedicated to the same goals. Marketing is a learning curve and a steep one, so look to others engaged in the same activity; ask questions and try things on. Tweet, Tweet, Tweet. Blog, blog, blog, and follow your publisher and agent advice. Support other writers by reading their work, reviewing and attending their promotional events. If you want society to know about you, you must socialize.

  1. Have you written a book you love that you have not been able to get published?

I love them all, but can only dedicate my energies to one at a time. The others? Their day will come.

  1. Can you tell us about your upcoming book?

Heuer Lost and Found is adult, unapologetic and cognizant with a hint of dark humor. At 237 pages, it is a

Everything is sentient; everything is a potential character--at least where I'm coming from.
Everything is sentient; everything is a potential character–at least where I’m coming from.

compact study that rocks ’n’ rolls with the help of an erudite Latin speaking rat and a wise-cracking floor lamp with ulterior motives. They’re off beat and badly needed to help my protagonists: a dead, unrepentant cooze hound lawyer, and his very much alive boozy lady undertaker who he used to know back in the Eighties.

  1. Is anything in your book based on real life experiences or purely all imagination?

I think all fiction is informed by real life experiences, but I have yet to meet sentient rats or floor lamps. (laughs) The funeral home in Heuer is actually a composite of four different establishments, none of which survives today. As to the characters, some guy buddies insist that they are Heuer, but they’re not. There’s actually a little of me in him, but I guess it’s to be expected if I’m the one behind the keyboard.

  1. What was your favorite chapter (or part) to write and why?

SPOILER: The very end, because it’s where the Kleenex box comes out. When that happened, I knew I’d got it right.

  1. How did you come up with the title?

From the short story. Heuer actually made it into three separate shorts before becoming a full-fledged novel character.

  1. What project are you working on now?

    POOR UNDERTAKER is the fourth in the series "Unapologetic Lives"
    POOR UNDERTAKER is the fourth in the series “Unapologetic Lives”

Poor Undertaker is next in the series, which tracks the ups and downs of the Weibigand Brothers funeral establishment. Its every bit as much a joy as the first, second and so on, because I see this remarkable building go through all its incantations. At one point, it’s actually bought up and is not a funeral parlor any more.

  1. Will you have a new book coming out soon?

We’re at least a year away, I think. Scooter Nation is next, but I’d like to give it another go over before setting it free.

  1. Are there certain characters you would like to go back to, or is there a theme or idea you’d love to work with?

Absolutely. My series is non sequential, so the character that dies in one is born again in the next. They’re

SCOOTER NATION is the second in the series and is definitely more Gonzo in nature.
SCOOTER NATION is the second in the series and is definitely more Gonzo in nature.

never far away. There are a number of themes I return to, but some of my favorites include: the negative impacts of nostalgia; the problem with prying; insular people coming out into the light; finding kindness in peculiar places; and letting go of that thing you need so that you can keep it forever.

  1. What has been the toughest criticism given to you as an author? What has been the best compliment?

I’m an upbeat person, so if I’m criticized, I turn it into a plus by learning something from it. The best compliment I ever had came from a teacher who said my voice was “strong and unusual”. That really made my day.

  1. Do you have any advice to give to aspiring writers?

Get it all down before trying to make sense of it. It’s a journey and often a very long one. Enjoy every leg of it knowing that there’s more just ahead.

  1. Is there anything that you would like to say to your readers and fans?

Observe, listen, and do not ignore the excellence to be found on HBO, Netflix, Showcase, etc. This is your university.

Fin.

Advance Review of Heuer Lost and Found

No stranger to this blog, author Bernard Foong (A Harem Boy’s Saga I, II, and III) had a look, and in advance of Heuer’s debut April 23rd, here’s what he had to say:

5 star review:

Author A. B. Funkhauser strikes a macabre cord with her book Heuer Lost and Found”.

Written from

Bernard Foong is an international best selling author.
Bernard Foong is an international best selling author.

the perspective of an undertaker, she gives her readers a ringside seat at the Weibigand Mortuary where Enid, a middle aged woman with a taste for scotch, arrives on a Monday morning still in a stupor from the night before. Initially, the reader learns a bit about Enid and the history of the mortuary, its original owners and their heirs who continue to operate the family owned business, along with all of its eccentric employees. Early in the day, a call is received and there after a not so typical day in the life of a mortuary begins. Heuer, a well known middle aged attorney has been found dead in his apartment, where he laid for several days. The story now moves between present day and flash backs to a time when Heuer, Enid and others in the story are intertwined in one way or another. Heuer appears as a ghostly spectre to enchant us with his own take on his past, and his current impressions of what is being said and done as his body is prepared for burial. I for one like this book. I found it to have a similar feel to the HBO series “Six Feet Under”.

Ms. Funkhauser is a wizard with words and did a fine job of weaving this story of Greek, German and English speaking families that bounced back and forth throughout the entire book.

Hooray! And thank you, Bernard Foong.

Drop by #1lineWed for more Heuer and some excellent one liners from incredible authors. 🙂