FROM TRADITIONAL TO INDIE AUTHOR

A writer takes a leap

 

Author Photo 2019There are many reasons why I decided to go indie and not one of them had anything to do with my original publisher, who was great and very supportive. In fact, if there’s anything I miss more it is the community that came along with them. So many writers came up with me and it was from one another that we learned how to write better books.

 

I’m on my own now, and with that isolation comes the daunting task of self-teaching through trial, error, tears and YouTube “how to” videos. How to format. How to submit. How to deal with roadblocks. It wasn’t easy.

 

Perhaps the biggest lesson I’ve learned so far is that publishing platforms accept or reject works based on their own set criteria. For example, what some may see as funny or amusing others could interpret as insensitive or offensive. When that happens, it is up to the writer to decide whether to alter the work or move on to the next platform.

 

Rejections can occur for simple things, too, like submitting confusing keywords or author names. What if your legal name differs from your nom de plume? Be prepared to explain and explain again until someone actually contacts you from the mothership.

 

It all takes time and a level head.

 

Which brings me to my next points: go slow and be patient. Imagine working on a platform’s unique formatting program only to find that it’s an older version and won’t upload the finished book because of it? When this happened the other day, I had to let out a huge yell. Then I downloaded the current program version and started all over again.

 

Note: I ran into a lot of trouble using open source programs as well as sanctioned proprietary ones. This was because of my laptop’s unique firewall configuration. To download formatting software successfully, it may be necessary to turn off your firewall. I had a pro do that for me for the price of food and beverage. I strongly recommend this.

 

Because the process is slow and precision driven, I would recommend engaging a professional for some elements of the process. For my first release, I went with a fantastic cover designer who took my vision and turned it around in a matter of days. I would have taken weeks had I dared to try that myself. For my next release, I will employ a line editor. No matter how good a writer thinks they are, there is nothing better than a fresh set of eyes. Grammarly is great and I wouldn’t send anything to the line editor without running it first. But it doesn’t catch everything: pore and pour. The difference is huge when it appears in a paperback glaringly out of context. Cringe is all I’ll say about that.

 

I’m told by those that know that the first self-published book is always a hair puller. Until the DIY author masters the rules of pagination, kerning, cover trims, and—here’s the big one—different formats for different platforms, it’s going to be a long march to getting everything out there in a way that we like. There will be do-overs a plenty. I left two family members out of the acknowledgements section in the ebook. Luckily for me, they are back where they belong in time for the print version.

 

Whether the writer is indie or trad, the pure act of creation is what makes all this worthwhile. We are lucky to be living and writing in year 2019. More than ever before, we have outlets where we can offer our creations for sale at prices we choose.

 

That is the stuff of variety.

Write on everybody and keep learning.

Adult, unapologetic and wholly cognizant (I wasn’t the other day, believe me),

 

I am

 

A.B. Funkhauser

May 11, 2019

 

A.B. Funkhauser is a multi-genre author with three titles currently undergoing do-overs and three new unreleased works that may see daylight before the end of the year.

 

Morticians and Mayhem: Take a walk on the wild side of funeral directing.

Facebook author page 2019

 

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SHAUN BAINES: FROM SCOTLAND WITH NOIR

It started with a “Hi, whatcha write” on Twitter, and weeks later author Shaun Baines and I were exchanging book spotlight info and a Q & A or two. It’s got to be serendipity, right?

Shaun’s bio reads like a kindred. Who hasn’t had a run-in with a bloke with a “Bad Joe” tattoo? (And if you haven’t, there’s this guy I met in Oshawa with a scorpion on his neck…)

Crime mixed with darkness and a lot of fantastic means BIG CHARACTERS with BIG PROBLEMS and Shaun’s all over this with WOODCUTTER, his debut novel available now as an ebook and then paperback on June 7.

Congrats, Shaun. Damp Scottish cottages yield results.

Read on…

–A.B.

 

1.

Your novel is set in Newcastle Upon Tyne, an English burg a mere stone’s throw from Southdean. To what extent do the two cultures meet?

As coincidence would have it, I live near Southdean, following a move from Newcastle to Scotland. Daniel’s story begins somewhere like Southdean. He is hiding from his criminal family in Hounswood, a village in the Scottish borders where he hopes to make a new home. As you can imagine, places like these are off the map in some respects. They’re quiet and friendly and the cultures of Hounswood and Newcastle don’t meet so much as clash. Newcastle is a busy, sprawling city in real life and the city I depict is also dark and dangerous. There is a certain anonymity to both places, but Newcastle shines so brightly, it’s hard to hide for long.

 

2.

Protagonist Daniel Dayton is in a tough spot—at odds with his family and possibly his own skin. What attracted you to writing a character with such enormous identity dilemmas?

I think we all have identity issues at some points in our life and one of the themes of the book is to look at how identity is shaped. Whether you love or hate your family, they are instrumental in how you are shaped. It’s the Nature versus Nurture debate. You inherit from them genetically and they mould you as you grow. Daniel rejects both these ideas and sets out on his own to discover who he is. His biggest problem is that he is too late. The Daytons have crept into his soul and won’t let go.  He is as much a part of them as they are of him. How can anyone run away from that?

 

3.

I love a good crime/noir/thriller. How would you categorize Woodcutter?

I set out to write a crime novel. It’s what I read and what I enjoy, but it’s a huge canvas with many sub-genres. There are police procedurals, psychological thrillers, serial killers making it personal – the list is endless.

Woodcutter is best labelled as Newcastle Noir. It’s hard-boiled fiction with morally dubious characters and violent action. There is dark humour and a casual style to the writing. Of course, the final judgement rests with the reader. They can decide what it is. Just as long as they think it’s good!

Ed. – Amen! 😀

 

4.

Tell us how you got here? Was the publishing process onerous or a piece of cake? (I say this with tongue firmly in cheek :D)

The whole process has been a dream; painless from start to finish. I say that knowing how lucky I’ve been and some other writers may not have had that experience. The truth is I wrote a book, the best book I could and then submitted it to various agents. I was fortunate to have been chosen by David Haviland of the Andrew Lownie Literary Agency. Super Dave sent it to publishers and we decided on Thistle Publishing. A contract was signed and the front cover came through, blowing me away. If it doesn’t win any awards, I’ll be amazed. And then Woodcutter was published. It doesn’t make a dramatic story and sounds like I’ve had an easy ride. Maybe I did, but a lot of it was down to the people I surrounded myself with. My agent, my beta-readers and most importantly, my wife, who suffers my writer anxieties on my behalf.

Ed. — The support of family and friends is integral.

 

5.

Thanks to Netflix, a lot of us here in North America are well acquainted with English Scandi Noir—Broadchurch meets Wallander meets Shetland. To what extent does geography figure in your novel? Does it play a part in drawing Daniel home and keeping him there?

I wanted the Newcastle I know to be recognisable to others. I use street names and landmarks readers can identify. Any businesses or specific locations are of my own devising and I had fun naming them. I’m particularly pleased with the naming of a café called Mag’s Pies and Peas. People from the north-east of England will get that one. (The Magpies is the nickname of the Newcastle United football team. I don’t follow football, but I know enough to come up with a pun.)

Actually, it’s the geography of the north-east of England that drew me in. It didn’t occur to me to write something about my town until I moved away from it. I was alone in a different country and it made me feel closer to home.

 

6.

We have now shared our books and views on our respective blogs. What are your promo plans for Woodcutter?

I’ve been both surprised and warmed by how welcoming the writing community is. Support is everywhere. I have several book bloggers working on reviews, other authors tweeting and retweeting about Woodcutter. I have had articles in magazines and in the local newspaper. It’s ongoing. The book will be released as a paperback on 7th June so expect another flurry of marketing around that time. I’ll probably stop short of walking the streets wearing a sandwich board. But then again, maybe not.

 Ed. — Sandwich boards are “in” this year!

 

Thanks for stopping by Shaun and sharing your insights! — A.B.

Woodcutter is available on Amazon. If you read and enjoy it, he welcomes reviews.

You can also reach Shaun at shaunbaines.com or on Twitter as @littlehavenfarm.

 

What it’s about…

CoverOn the run from his criminal family, Daniel Dayton returns home to Newcastle Upon Tyne when his abandoned daughter is attacked.

But his family have problems of their own.  Targeted by a brutal mercenary, their empire is destined to be destroyed should Daniel refuse to help.

Betrayed by his parents.  Despised by his brother.  In love with his sister-in-law.  Home has become a dangerous place to be.

Daniel wants his daughter safe.  And he wants his revenge, but in the shadowy streets of Newcastle, things are never what they seem.

 

Chapter One

Charles Bronson woke with a start. He was five foot five, thick set with wavy blonde hair. Like his namesake, he sported a handlebar moustache, but it wasn’t so he looked more like the movie star or that lunatic in prison. It was to detract from the nervous tick in his cheek coming alive from the moment he rose to the moment he fell asleep.

He rubbed his eyes and gulped. “Are you still up there?”

The room was a bedsit in an abandoned block of flats known as the Devil’s Playground, home to junkies and rat faced dealers. The tatty furniture was pushed against the walls, clearing a space for a tin bath filled with slurry. He’d obtained it from a farmer in Crawcrook who was paid enough not to ask questions. Above it was a naked man called Enoch, suspended by his ankles to a beam in the ceiling. His arms were either side of the bath, braced against the floor. Enoch’s skin was slick with sweat as he struggled to stop his head dipping into the slurry.

Bronson checked his watch. “That’s almost two hours. Sorry I nodded off, but if you’re not going to talk, then there’s nothing for me to do, is there?”

“I don’t know anything,” Enoch said, squeezing the words through gritted teeth.

“I wish I could believe that. You know, I’ve drowned two people in that tub so far and they all keep telling me the same thing. They don’t know anything.”

Bronson approached, smoothing out his moustache. His nostrils had become accustomed to the smell of the slurry, but he was annoyed about his clothes. This kind of stink couldn’t be washed out and he’d binned two suits already. He lived on a budget and the organisation he worked for weren’t the type of people to dish out clothing allowance.

“Enoch, I’m going home for a shower. Don’t worry. I’ll come back, but I live a fair distance away and I love long showers. Do you think you can hang around for me?”

He smiled at his own joke, though he’d used it before.

“Please, Bronson. Let me down. I don’t know anything,” Enoch said.

Who had scared these people so badly they would rather drown in cow shit than spill the beans? This was going to go wrong again, Bronson thought. His boss wanted answers, but no-one was talking. He’d be left with another dead body to dispose of and an awkward conversation to be had with his superiors.

“You pay the Daytons one hundred pounds a week, right?” Bronson asked.

Enoch nodded.

“What’s it called? Your restaurant?”

“The Peking Lantern.”

“Oh, I’ve been there. It’s nice. Anyway, you pay money so your lovely restaurant doesn’t get burned down with you in it, right?”

Enoch nodded again.

“Why would you stop paying?” Bronson asked.

“I don’t know.”

Bronson grabbed Enoch by his hair and stared into his frightened eyes. “You do know, but you’re being very rude by keeping it a secret.” He yanked downwards, forcing Enoch’s head under the slurry. Enoch fought against him, but he was too weak to offer much resistance. Counting down the seconds on his watch, Bronson finally released him.

Enoch coughed and spluttered, choking on the slurry in his mouth. When he was able to breathe, his breaths came as whimpers.

“I. Don’t. Know. Anything.”

“Jesus Christ,” Bronson said, wiping his dirtied hand down the side of his trousers. “That’s bad for you and bad for me, isn’t it?”

This was supposed to be his breakthrough. He figured Enoch would crack the minute he saw the bath full of shit, but he’d turned out to be a hard bastard. He would have admired that except his own head was on the line too. Someone was choking the money supply to the Daytons. If he didn’t figure out who, Bronson’s name was as much shit as the slurry Enoch was about to drown in.

A knock came at the door. The authorities gave the Devil’s Playground a wide berth, refusing to pour resources into an unwinnable fight. They allowed the tower block to police itself. Knowing he was safe, Bronson opened the door and smiled.

Peter Pan Hands shook his coat from his shoulders as he entered. He was in his forties with tumbling locks of ginger hair. His green eyes sparkled with mischief no matter what he was doing at the time. The Irish lilt of his voice charmed women and gangsters alike.

“If it ain’t the Magnificent One,” Peter said. “I gather I’ve got a collection.”

Bronson closed the door. Peter wrinkled his nose, but seemed unfazed by the scene in front of him. “Why do you always take their clothes off?”

“It’s something Daniel taught me,” Bronson said. “People feel more vulnerable when they’re starkers.”

Peter considered the idea until he was distracted by something. “I thought you said this guy was Jewish. Aren’t all Jews circumcised?”

“Enoch runs a Chinese restaurant. How orthodox do you think he is?”

“Orthodox or not, it’s obviously pretty cold in here, if you know what I mean?”

Bronson laughed, slapping Peter on the back, but Peter’s face grew serious. “Listen mate, I only dump these bodies out at sea as a favour to you. I’m not dropping a live one in for anyone.”

“I understand. I didn’t think he’d last this long.”

“I’m freelance and I need the money, but…”

“It’s okay, honestly. I’ll take care of it.” Bronson pulled out a knife and waved it in front of Enoch’s face. “This is my friend Peter. He’s an arms dealer, but he also has a boat. He’s going to drop your dead body in the North Sea if you don’t give me the answers I’m after.”

Despite his exhaustion, Enoch swung away from the blade and started to cry. “Okay. Cut me down and I’ll tell you.”

Bronson looked to the knife in surprise. Why hadn’t he thought of this earlier? He’d carried that tub of shit up three flights of stairs for nothing.

He placed the knife under Enoch’s penis. “Get talking or maybe you’ll get circumcised after all. I ain’t no doctor and this place ain’t sterile. You don’t want little Enoch to go green and drop off, do you?”

With his face purple and his eyes wide, Enoch spoke to the knife. “Someone sent a photo to my phone. It was of my wife. She was tied to a chair. She had a blindfold on. Her face was bloody, but she was alive. Then they sent a text.”

“What did it say?” Bronson asked.

“No more money to the Daytons. Next time she dies. Tell no-one.”

“That was it?”

Enoch nodded. “They released her. She didn’t see anything, I swear.”

“And you never saw anyone either, I suppose?”

“No, but when she came home, she had five hundred pounds with her.”

“Jesus,” said Peter to no-one in particular.

Bronson looked at him. “They’re paying people to not pay us? That’s crazy.”

“Or really smart,” Peter said. “Who’s going to give you money when it pays more to keep it in their pockets?”

“And if they do pay, their loved ones die. Who are these guys?” Bronson rubbed his chin, hoping the answer might come in a blinding flash of brilliance.

Enoch snuffled back a sob. “That’s all I know. Please cut me down.”

The twitch in Bronson’s cheek took on a staccato rhythm. It sometimes happened when he was worried. Enoch had told him all he knew, but it wasn’t much. Aside from a text, Enoch had no contact with this new, mysterious gang. Bronson could check his phone, find the caller ID, but it was probably a throwaway and already smashed into several pieces. No-one this careful would be that stupid.

After hours of interrogation and buckets of cow shit, Bronson still knew nothing.

“Okay, Enoch, time to go home,” he said, working his knife through the rope.

Bronson shivered as the temperature dropped and a voice spoke behind them. “What did you find out?”

Bronson and Peter turned to see Scott Dayton walk into the room. He was as tall as Daniel, but with none of his warmth. Scott’s eyes were icy blue and his skin was white. He dressed in dark suits, tailored to limbs as thin as icicles. Sometimes he looked like a funeral director, sometimes like the corpse about to be buried.

He adjusted the knot on his silken tie. “I asked you a question.”

Clearing his throat, Bronson recounted the little he knew and tried not to stutter. When he finished, Scott studied him for an uncomfortable amount of time before turning his attention to Peter.

“It looked like Bronson was letting Enoch go.”

Peter shrugged. “He can do what he likes.”

“No, he can’t. Neither can you.”

Peter pulled on his coat, evidently feeling a chill. In all the years Bronson had known him, he never backed down from a fight. He admired that in Peter, but hoped today might mark a change and if it didn’t, Bronson was powerless to intervene.

“I don’t work for the Daytons,” Peter said, buttoning his coat, “and I’m not scared of you, either.”

Scott gestured to Bronson. “Give me your knife.”

“He didn’t mean anything by it, Scott. There was no disrespect.” Bronson looked at Scott’s extended hand and turned to Peter. “Tell him you didn’t mean anything.”

Peter’s mouth clamped shut. His eyes narrowed as Bronson presented the knife to Scott, who held it aloft like a trophy.

“It’s time you learned who has the power here.” Scott span on his heel, driving the blade into Enoch’s chest. There was no escaping the strike and Enoch didn’t scream. His strength had long been spent. He gulped in surprise and his arms gave way, his head sloshing beneath the shit. The body convulsed, spilling slurry over the floor and spattering Bronson’s shoes.

“It’s like that freaky cheek of yours,” Scott said with a grin. “All that jerking around for no reason.”

“You didn’t need to do that, Dayton,” Peter said, his big hands rising from his side.

“You came for a dead body, right?”

Bronson slipped between the two men. His back was to Peter, but his eyes were locked onto Scott.

“He didn’t pay his debts, Peter,” Bronson said. “He was protecting the gang trying to take us down. He deserved it.”

“You Daytons are butchers.” Peter placed a hand on Bronson’s shoulder. “You’re on your own with this one, pal. Give me a call if you need anything else.”

They watched the Irishman leave. Bronson sensed the coldness emanating from Scott in waves. “He won’t say anything,” he said.

Scott punched Bronson in the stomach. He doubled over and Scott forced him to his knees. He held Bronson’s face over the bath of slurry. The oily stain of Enoch’s blood rested on the surface.

“You better start getting me some answers or you’ll be the one hanging up there next time. Who’s out there? Who’s trying to take us down?”

“I don’t know,” Bronson said, immediately recalling Enoch’s fateful words.

Scott pushed his face into the slurry. It was cold and drew itself up his nose. It’s just water, he told himself as disgust clawed at the back of his mind. Just water. Not cow shit.

He was released, but didn’t dare breath. He blew the slurry from his nose, wiping his face clean before gasping for air. He’d rather suffocate than have that stuff inside him. When his head stopped spinning and the gagging passed, he looked around the room to find Scott was gone. He was on his own.

“Bollocks,” he said.

 

About the author

 

IMG_4612 (2)Shaun didn’t always live in a damp cottage in Scotland.  He once unwittingly lived in a flat beneath a white supremacist. He wasn’t always a writer, either. He worked in a factory, a government institution, as a manager in a purchasing department and later as a gardener.

He has had a gun levelled at him and been threatened by a man with ‘Bad Joe’ tattooed on his neck. He doesn’t knowingly associate with criminals.

Shaun comes from the north east of England where his novels are set. He is represented by David Haviland of the Andrew Lownie Literary Agency. His short stories combine dark fantasy with contemporary crime. They can be found online, in magazines and in anthologies, including Eclectic Mix Vol 5 and Metamorphose Vol 3.

Woodcutter is his debut novel published by Thistle Publishing. It is based on the criminal underworld of his native home, available as an ebook on Amazon. The paperback will be published 7th June 2018.

These days, he keeps chickens and bees, grows his own fruit and vegetables and wonders where it all went so right.

 

 

MURDER MOST FOUL AT MOM’S HOUSE

Blog fave Maighread MacKay returns with her sophomore paranormal novel, this time with a BIG difference. This time, she wades into the murder mystery genre with a cast of characters you will love. Maighread has always wanted to write a who dunnit, her blood-thirstiness heralding from ancient roots. If you don’t believe me, check her DNA! Her take on the after world is refreshing, as is her ghost protagonist’s unique approach to crime solving.

Congrats, m’lady, on the new book. Welcome back!

 

1.

Your new book, MURDER AT MOTHER’S, features an observant ghost with plenty to say. How did you get to her story?

 

I’ve wanted to write a murder/mystery for ages as I am a huge fan of the genre. Awhile ago, I needed to write a short story about sharks circling their prey, and I came up with MAM. It was only about 1500 words to start with, but when I got thinking about it, I thought, wow, I can make this into so much more… and it took off from there.

 

2.

MURDER is dark and humorous in the English tradition. What spirit guide directed your hand?

 

Ha ha. Probably the spirit of my ancestors. I did the Ancestry DNA and found out that I’m 58% Great Britain and 25% Ireland, so the English tradition is pretty well ingrained in me.

 

3.

You told me while you were penning it that the characters hijacked you and changed the ending. Without giving spoilers, can you tell us what that was like?

 

That was a weird experience. Throughout the whole process, and in the original short story, I had one killer in mind and at the very last minute, while I’m writing the ending, another person let me know they were the killer and it made sense. I could feel the madness and the reason why they were driven to commit the murder so I wrote it that way. It’s very strange how the characters take on a life of their own. The same thing happened in Stone Cottage. I had the characters going one way when, all of a sudden, the story turned around on me. I just go with the flow and let the characters speak for themselves.

 

4.

STONE COTTAGE, your previous work, is also a paranormal mystery. What inspired you to explore the afterlife?

 

I have always been in awe of the vastness and complexity of our universe. This enthusiasm has led me to study a variety of viewpoints from different scholars and scientists. We humans are so limited in our understanding of who we are and why we’re here. The genre I write is termed Visionary Fiction, which is defined as “Besides telling a good story, VF enlightens and encourages readers to expand their awareness of greater possibilities. It helps them see the world in a new light and recognize dimensions of reality they commonly ignore.” The ideas presented are by no means meant to be a definitive answer to any question about life, death and what happens next. They are presented to give the reader a starting point for their own exploration.

 

5.

Do you believe in it?

 

Yes, I do believe in an afterlife although to me, it’s all life. Only the body dies. We continue, just in a different form of energy.

 

6.

What are you working on now?

Stone Cottage gives a tiny glimpse of how reincarnation, past life regression and a love that goes across time and space could play out in a life. Murder at Mother’s illustrates what could happen to a soul immediately after death, the consequences of its actions while in the body and the energy that connects us all.  My new novel has a working title of “Inn Time” and explores a young woman’s journey through parallel dimensions and what she learns from her experiences. I am excited about the new science of Quantum and String Theory and, although I don’t even begin to understand it, the possibilities they open to understanding our existence and the universe in a whole new light. Such fun.

 

 

CATCHING A KILLER FROM BEYOND THE GRAVE

Murder_at_Mothers_Cover_for_KindleA killer lurks at the Bancroft estate and the Matriarch, Martha Bancroft is murdered. Royally pissed, she hangs around to see what happened. When she doesn’t go immediately to the light, a member of her soul group shows up from the other side. Gladys is adamant Martha needs to come with her, but Martha has no intention of going anywhere until she helps Detective Ian “Mac” MacKellar and Coroner Dr. Cecilia “Cissy” Walsh find the murderer.  Gladys joins Martha and the two set out on their quest.

 

GET IT HERE

 

 

5 STAR REVIEWS FOR MURDER AT MOTHER’S 

 

I hope that Author MacKay had fun writing this story, because I know I had a marvelous time reading her latest book. – J.C. Henry, Author

 

This is a wonderful light weave of mystery, family drama, metaphysical and psychic threads …with a dark strand of greed added to the tapestry. I loved it. – R. Davies

 

This book has good pace, excellent characterisation and enough twists and turns to keep you interested. There’s humour too. – Becca from Amazon.co.UK

 

Excerpt

 

The fire was the first incident which caught Martha’s attention. One of the ranch hands needed a rope from the tack room and arrived in time to smell smoke and dampen the blaze. A few weeks later, Jared discovered a fence bordering the back forty was down. He repaired it before any of the horses escaped. She shivered as she thought about the danger they’d be in wandering around the forest at night. Both episodes could have been accidents.

Today, dressed in her favorite jeans and boots, Martha strode down the hill to the horses. As she walked, her cane stirred the dry ground with small circular puffs of sand. Her heart and pace were more accelerated than usual as she thought about her beloved mare. Her first baby. Wonder how she’ll take to being a mother. Jared said the delivery went well, but I’ll feel better once I’ve seen her for myself. As she approached the barn door she heard a call. “Grandma, look out.” Forceful hands grabbed her in a firm grip. Her cane went flying. Her hair lifted as something whizzed past her ear and caused a burning sensation where it grazed her arm. She clutched the arms which held her and looked up into the shocked eyes of her grandson.
 

Other Books by Maighread MacKay

 

STONE COTTAGE

book coverIf you could plan your life before you were born, what could that life look like? Rebecca Wainwright, successful, polished EVP tumbles into depression and panic attacks after a traumatic incident. Seeking a respite from the well meaning, but smothering care of her family and friends, she stumbles onto an old stone cottage where she feels like she has come home. After purchasing the home, she discovers it already has an occupant. Annie McBride has been trapped in her home for over 150 years. What do these two women mean to each other? Why meet now? A story of how love bridges the years and can heal even the saddest of hearts.

GET IT HERE

 

 

5 STAR REVIEWS FOR STONE COTTAGE

The reader gets to know how the events finally affected the characters’ lives and how they are dealing with a new reality. A lot of books omit this important piece and the future of the story is simply left up to the reader’s imagination. – Edna Marie

 

 I enjoyed the stories of the main characters, and found this book to be an entrancing read. – A Happy Reader

That the author weaves two parallel plots in different historical frames seamlessly is a joy for this reader. – A.B. Funkhauser, Author of Shell Game

 

Excerpt

The cacophony of the moaning wind and lashing rain concealed any sound of a horse’s hoofs.  She could see nothing, except the murky fog.  No light.  No Will.  Where are you?  Her anxiety escalated to new heights.  Her baby girl was asleep upstairs, but she seemed to have been sleeping for a long time. Was Maddy sick?  Victoria knew there was something important about the baby that she had to explain to Will, but she couldn’t quite remember what it was.  She needed her husband to come home to take her in his arms and tell her everything would be all right. Panic, like a bird’s wings trapped by the cage of her ribs, fluttered in her chest.  She leaned her head against the cold glass and clenched her fists. Taking deep breaths to try and calm herself, she flattened her hands on the window.

“He’s fine,” she said.  “I know it.  Oh, Will, where are you?  I need you so much.  Please, please come home.  Everything will be all right once you get here.”

Tears coursed down her cheeks. The old dog, sensing her unease, leaned into her leg and began to whine. Absentmindedly, she reached down to stroke his head.  She would just wait.  Wait for as long as it took for Will to come home.

Wait…wait…wait, her mind chanted to the ticking clock in the hall.

Tick…tock…tick…tock…tick…

 

About the Author

AuthorGhosts, spirits and things that go bump in the night. Ancient mysteries and the riddles of our vast universe. Questions – lots of fascinating questions about the reality of our cosmos. Are there other dimensions or planes of existence? Are they inhabited? Do parallel universes ever converge? Angels, Spirit Guides. Are they real? Can we communicate with them? What about other entities such as the Fae, Unicorns, or Dragons? Could they exist? What happens when we die? Has the soul that inhabits our body been here before? Why would we come back? What about animals? What happens to them when they die?

These questions have led me on a journey of investigating Christian Mysticism, Yogic Spirituality, Native Theology, Wicca, Celtic Shamanism, Quantum Physics, the Realm of the Fae and many other related topics.

Using my experiences to draw on, I weave tales of Visionary Fiction for both children and adults. Whether nine or ninety, I hope readers will join me in exploring alternate paradigms about life and the after-life experience.

 

Links

 

Website: http://mhefferman.ca/author/my-blog/

Amazon Author Central:  amazon.com/author/maighreadmackay

FB: https://www.facebook.com/maighreadmackay

Twitter: https://twitter.com/MaighreadMackay

 

BLOGGER, JOURNALIST, NOVELIST DEBBIE DE LOUISE: ALL WRITING, ALL GOOD

Good Monday morning mighty Blogosphere. It’s decidedly fall-like outside, and with the cooler temperatures and school buses rattling past my front window, there is a tremendous sense of excitement brewing. Beginning last week, guest bloggers have been dropping by to share their work and insights. This week, we continue. Today’s guest, Debbie De Louise, is a multi-published author, catwoman, and library scientist. Check out what she has to say about A STONE’S THROW, the future of paper, and her exciting work-in-progress. Welcome, Debbie…

 

1.

You are an award winning writer with a third book releasing through Solstice Publishing. Trace your career for us with an anecdote or two.

 

After I self-published my first book, “Cloudy Rainbow,” I tried writing another but gave up. I didn’t have any experience promoting books at that time and had no network of professional contacts. Everyone in my family bought the book, of course, but it didn’t sell well otherwise. Since my daughter was young at the time, I decided it was a good time to take a break from writing.

 

I probably would not have written another book except for three things that happened years later. The first was that a patron at the library where I work kept asking if I was writing something else. She had read and enjoyed my first novel and urged me not to give up. This went on for some time, but then my library began to offer online classes through a database called Gale Courses. All the librarians were encouraged to enroll in one of the classes before we advertised the database to the public. Since Gale Courses included quite a few publishing classes, I enrolled in one. I got hooked and kept taking classes. Then I started writing articles and short stories again. I began sending out my work. I received rejections for the stories, but some of the articles were published online and in my local newspaper.

 

As I kept writing, I came up with more ideas. One of them grew into my second novel, “A Stone’s Throw”. Although I received some initial rejections for the manuscript, I took a chance and participated in an online twitter event called Pit2Pub where authors could tweet a pitch to publishers. I received several responses to my pitch and was offered a contract by Limitless Publishing. A year later, I pitched another book at this same event and was signed with Solstice Publishing.

 

2.

We have Sisters in Crime in common. What came first for you: crime writing or your Sisters’ membership?

 

I don’t consider myself exclusively a crime writer. My books usually feature both mystery and romance. I joined Sisters-in-Crime recently because I wanted to belong to a professional organization of mystery authors for contacts and networking opportunities. I also plan to join the International Thriller Writers after my book with Solstice is published.

 

3.

As a librarian, what kind of future do you see for paper-bound books in the digital age? Will libraries become museum pieces?

 

I don’t think digital books will replace physical books anytime soon. Patrons at my library still request physical books and indicate that, even though some of them have e-readers, they still prefer books in a physical format. I, myself, feel that way. While I appreciate the availability of the written word in various formats and own a Kindle Fire, I still return to the traditional format of paperback or hardcover books. My daughter who is of the generation that grew up with computers and is constantly on different electronic devices also still enjoys reading physical books.

 

Regarding libraries becoming antiquated, it’s true they are changing, but I don’t see them disappearing soon either. Libraries play much more of a role in society than places to borrow books and other materials. They are community centers featuring a variety of programs from defensive driving courses to cooking and exercise classes. Our library hosts a literacy group for adults learning English as a Second Language, and we also recently started a writer’s club in addition to open poetry nights and a memoir writing class. Children and YA programs are popular, and we loan free passes to local museums. Through Overdrive and subscription databases, we also extend the “walls” of the library into the homes of our patrons.

 

4.

Comparing journal articles, short stories and novels is tantamount to comparing apples and oranges and… heroically sized watermelons, but I’ll ask you to try. As a crafter of all three, do you favor one method of expression over another?

 

There are pluses and minuses to each type of writing, but I believe they are all connected in certain ways. Novel writing is extremely time-consuming but can be more rewarding because the product you produce is one that allows for full creative expression and the opportunity to receive recognition and acclaim (and eventually some profit). Article-writing is factual and requires research without the added imaginative spark. However, unless you’re writing scholarly articles, there’s always room for creative ways to present research. Blog posts are a perfect example of this. Also, even with novels and short stories, some factual research is necessary to lend realism to the writing.

 

I truly can’t say which type of writing I prefer because I like them all and enjoy doing each as a change from the other. It’s like an artist working in different mediums. It gives you a chance to develop skills in other areas. Another plus is that you can occasionally use something you’ve written in one type of writing in another. For instance, short story themes can be expanded into novels. Information from articles can be used in short stories and novels.

 

5.

We also have kitties in common so I have to ask about the Cat Writer’s Association. Where do we sign up?

 

Just check out their website www.catwriters.com. There’s an application form there that gives information on how to join. It’s a great organization, and I have been a member for many years.

 

6.

Tell us about your new release.

.

My upcoming mystery novel that I just signed with Solstice, “Between a Rock and a Hard Place” (tentative title) can be read as a standalone or sequel to my novel “A Stone’s Throw” that was published last November. I don’t want to give too much away about it except to say that it features kidnapping, burglary, and murder. Some of the characters from “A Stone’s Throw” are in it and some new characters are introduced. It takes place in the same small, upstate fictional town of Cobble Cove, New York near the holidays and there are some scenes in New York City, too. I consider it a mystery, but it features many cozy elements and no explicit violence.

 

7.

And the WIP?

 

I’m very excited about my WIP because it’s totally different from my previous books. I usually write in third person but, in this book, I alternate chapters between first and third person. Most of the narrative is told by the main character, but I do include some other “voices.” The action also alternates from the present time to incidents that occurred twenty years before. While this book features a mystery, I consider it a psychological thriller. It deals with a variety of topics including alcoholism and mental illness Again, I can’t go into detail, but I’m hoping to begin querying it sometime in the fall to agents as well as publishers.

 

8.

Let’s finish with a library anecdote: humorous, spooky or both.

 

Lots of funny things happen in the library. My co-workers all say that we could write a book about them, but I can’t think of anything specific right now, so I’ll share a romantic anecdote instead. I actually met my husband when I first started working at the library. He was teaching computer classes there in the early days when there was a big demand for them. We still offer computer classes, but they are now given by our computer support technicians. Anthony was not an employee. He gave the classes in the evenings, and I took one. No one knew we began “seeing” one another until we were announced we were engaged. My co-workers threw an engagement party for us in the library’s community room and many attended the wedding. That was 24 years ago, and I am still working at the library and married to Anthony.

 

 

A STONE’S THROW

stonesthrowamazonWidowed librarian Alicia Fairmont needs answers…

After her husband is killed in a hit and run accident, Alicia travels upstate to his hometown of Cobble Cove, New York, hoping to locate his estranged family and shed light on his mysterious past. Anticipating staying only a weekend, her visit is extended when she accepts a job at the town’s library.

Secrets stretch decades into the past…

Assisted by handsome newspaper publisher and aspiring novelist, John McKinney, Alicia discovers a connection between her absent in-laws and a secret John’s father has kept for over sixty years. But her investigation is interrupted when she receives word her house has burned and arson is suspected, sending her rushing back to Long Island, accompanied by John.

Back in Cobble Cove, cryptic clues are uncovered…

When Alicia returns, she finds a strange diary, confiscated letters, and a digital audio device containing a recording made the day her husband was killed. Anonymous notes warn Alicia to leave town, but she can’t turn her back on the mystery—or her attraction to John.

As the pieces begin to fall into place, evidence points to John’s involvement in her husband’s accident. The past and present threaten to collide, and Alicia confronts her fears…

Has she fallen in love with her husband’s killer?

Ed.-WOW!

 

1

 

Excerpt

 

After Alicia unpacked her things, heated up Sheila’s stew that turned out to be quite tasty, and changed into pajamas, she lay in bed with a book, but she couldn’t concentrate on her reading. She turned off the light and tried to sleep, but the heavy rain against the window kept her up, as did the loud purring of Sneaky Cat, who snuggled against her, happy to have company again. She thought about Tina, the girl who’d stayed here last. From what Alicia knew of her, Tina was a young library school graduate who’d been hired by Sheila as quickly as Alicia had. She’d lived over the library in this space, as well, taken care of Sneaky, and left after a year and a half to care for her sick mother in Florida.

 

Sneaky dug his paws into the quilt at her back. It had been a long time since she’d had a cat, but she recalled the kneading sensation both male and female cats practiced to comfort themselves. Maybe it would comfort her too. Had she done the right thing by returning to Cobble Cove? Would she be bored in this small town with only a hand full of people patronizing the library each day? Sheila had mentioned the large number of homebound patrons, the seniors of the town, who needed books delivered. She might enjoy that. She liked reader’s advisory work, selecting books that would interest people. Sometimes it was a challenge, but she always learned through the experience and even found new authors and books for herself.

 

After a few hours of restlessness, Sneaky finally got sick of her tossing and left the room. She felt strangely deserted. She decided it might be better to get up and do something than spend unproductive time in bed. She turned on the light and went out into the hall. All was quiet from downstairs except the continuous downpour. She didn’t plan to go into the library, but she considered checking some of the unprocessed books Sheila had mentioned Mac was working on in the storage room. Perhaps she’d find something more interesting than her current reading that could help her fall asleep.

 

When she entered the storage room, she didn’t see Sneaky, although she thought he might’ve headed there to use his litter box. Cats can be quiet and liked to sleep in the strangest spots, so he could be there in some corner. Mac’s jacket was still draped across the chair by the desk. She laughed recalling the story about what Sneaky had once done to it out of spite, so typical of an angered cat. She sat in the chair and perused the stack of books on the desk. A few were from James Patterson’s “Private” series. She didn’t read too many series and had only read a few of Patterson’s standalone titles. As she was about to choose a book from the pile, she heard scratching in the corner. She jumped. Hopefully, that was Sneaky and not a mouse he hadn’t caught, for this place probably attracted them. She walked cautiously to the corner where she’d heard the noise. It wasn’t coming from the litter box under the window but from the opposite side.

 

Since the one bulb in the room was dim, she could hardly see in the dark recesses of the room. She wished she had a flashlight. As she approached the area where she heard the noise, she saw a bunch of boxes. She was relieved to see Sneaky scratching the side of one, cardboard pieces scattered at his feet. “Oh, Sneaky,” she said. “You scared me, but you’re only using a box for a scratching post.” The cat, caught in the act, stopped in mid-scratch and scampered away through his cat flap. Alicia made a note to speak to John about helping her find a real scratching post for Sneaky,. but before she left the room, she went over to the boxes. She figured they contained more books, but when she looked inside the one Sneaky had been scratching, she saw a few papers bundled together with rope. Newspapers? They weren’t that thick. She realized as she picked up the first bundle, they were a stack of letters. She felt uneasy snooping through them and was about to toss them next to the other two stacks in the box when she caught the name on the top envelope, Miss Carol Parsons. Her heart thudded in tempo with the rain. Were these the letters Mac wrote to Peter’s mother all those years ago? If so, how had Mac gotten them back?

 

About the Author

 

debbieDebbie De Louise is a reference librarian at a public library on Long Island. Her first novel, “Cloudy Rainbow,” received an honorable mention in the Writer’s Digest self-published awards. Her mystery novel, “A Stone’s Throw” was published November 2015 by Limitless Publishing. The sequel, tentatively titled “Between a Rock and a Hard Place,” is currently contracted with Solstice Publishing. Debbie was awarded the Lawrence C. Lobaugh Memorial Award in Journalism from Long Island University/C.W. Post where she earned a B.A. in English and a M.L.S. in Library Science. A member of Sisters in Crime and the Cat Writer’s Association, she has published articles in several pet publications and journals. Her Catster.com article, “Brush Your Cat for Bonding, Beauty, and Better Health,” won a special award from Hartz Corporation. Her short mystery, “Stitches in Time” was published in the Cat Crimes Through Time Anthology. She lives on Long Island with her husband, daughter, and two cats and is currently working on a standalone psychological thriller.

 

Links

 

Facebook: https://www.facebook.com/debbie.delouise.author/

Twitter: https://twitter.com/Deblibrarian

Goodreads: https://www.goodreads.com/author/show/2750133.Debbie_De_Louise

Amazon Author Page: http://www.amazon.com/Debbie-De-Louise/e/B0144ZGXPW/

Website/Blog/Newsletter Sign-Up: https://debbiedelouise.wordpress.com

 

Here are some teasers for a Stone’s Throw and its buy links:

Buy links for A STONE’S THROW:

Amazon U.S.: KINDLE: http://amzn.to/1MjaJgN

Amazon Australia: http://bit.ly/1Sdh82D

Amazon Canada: http://amzn.to/1SdheHi

Amazon U.K.: http://amzn.to/1QutXBW

Barnes and Noble: http://bit.ly/1nQPyv4

Kobo: http://bit.ly/1KGYHep

Also available on iTunes and Ingram

Thanks for dropping by, Debbie. We wish you well and look forward to that new release! — ABF

 

TOMORROW: Novelist, blogger and graphic designer Marie Lavender.

 

 

 

GOING NOIR WITH SIMON MALTMAN

Simon Author PhotoIt’s September 1 and the blog is alive again, and what better way to begin a new season than with a catch up. Some of the writers appearing over the next few weeks are returning as old friends dearly missed, while others are completely new with plenty of stories to tell. Today, we begin with North Irish author Simon Maltman. Simon’s into noir, music and characters from a time long passed. Welcome, Simon.

 

1.

You’re a contemporary artist with a foot in the past and your fans love that. What drew you to the 1940s and the noir it evokes?

 

The Billy Chapman character was actually the first protagonist I had come up with for crime fiction stories and I had used him in an earlier short story. I really love the original film noir movies and that was a big influence. Raymond Chandler is a great favourite of mine too which is probably pretty obvious to anyone familiar with his work. I suppose that part of the ‘story within a story’ in my novel is a bit of a homage to the likes of Philip Marlowe. I wanted to see what a PI in Belfast from that time might get mixed up in.

 

2.

I love dark humor and use it wherever I can. How do you account for yours? Where does it come from?

 

I think it would be fair to say that coming from Northern Ireland, there is a lot of it about. It’s quite unique here in its style and there can be trouble in translation! I’ve had a great editor to help me out!  Even for those from the Republic or the rest of the UK, it can be taken up wrong and is often very dark, black really! I enjoy that and I enjoy comedy in general. I try not to take myself too seriously and I think there’s good reason to find humour in life as much as you can.

 

3.

Tell us about your music and whether you put that skill to use in your writing. Do you hear the music in your fiction?

 

That’s an interesting question. I actually view them quite separately. With music I love recording and I am very much for the first take is great- that’s the one! Some say that’s just lazy haha! I find I have to be much more disciplined in writing and that it is much more about chipping away and refining. In that sense it reminds me of the editing and production elements in the recording of a song. I’ve heard people like Nick Cave say it’s harder to write a song than a book, but one or two verses compared to 50,000 words or so- I have to disagree!!

 

4.

The book cracks on at a fantastic speed with no words wasted. Are you like that personally?

 

Haha I’m not sure! My wife thinks I can be quite verbose at times! I probably do prefer to be concise when writing in work contexts and the like that’s true. When I was first approached about writing a novel I had just been doing short stories and it seemed like a mammoth task for sure. In saying that, the shorts I have written after it, I’ve struggled now to keep the word count down!

 

5.

I’m intrigued by the spate of recent past films cropping up. The Seventies and Eighties appear to be everywhere. I speculate that it has a lot to do with gadgetry and the lack thereof. Do you think modern characters are shortchanged by technology that does all the work for them?

 

I think there’s definitely something in that. I find it can be a narrative problem sometimes that everyone has a mobile phone and are so ‘connected’ all the time; especially when you want someone to be trapped by some type of elaborate threat! I suppose there’s always a pining for ‘simpler times’ and that too. Maybe it is harder to ground characters now in a way and still hoping they appear to live in the real present with all its trappings.

 

6.

Your character Brian Caskey is an ex-cop with a lot of baggage. Are ‘dark’ characters more interesting to write?

 

Yes, I think they are. An interesting nice guy protagonist is always going to be harder to pull off without them being a bit boring I think. Maybe that’s very cynical haha! I also think most people have their demons anyway and crime fiction in particular just highlights more of those flaws.

 

7.

And you’re a poet and short story teller as well?

 

Yes, I haven’t written much poetry in a long time. I enjoy still writing the short stories. In general I kind of focused in on crime fiction a few years ago and it’s definitely what suits me best, or is for now anyway.

 

8.

Northern Island and its history informs your story. Tell us about home and hearth.

 

As I’ve gotten older, I’ve definitely developed a real love of my country and it’s scenery, culture and history. There’s a lot of bad stuff, but so there is anywhere else I suppose. However dark is a story I am trying to tell, I always endeavour to tease out some of the beauty that Northern Ireland has to offer. I thinks it’s true too to write about what you know and I find it essential to plot stories in real places.

Simon’s novel A CHASER ON THE ROCKS will be available through Amazon, Barnes & Noble and Solstice Publishing.

 

A BIT ABOUT…

chaser coverHardened by the mean streets of Belfast, ex-cop Brian Caskey works as a struggling PI. He is isolated and erratic, often losing the battle to maintain his fragile mental health. Caskey escapes the real world by writing crime fiction stories about a 1940’s PI investigating mysteries during the Belfast Blitz.

‘A Chaser on the Rocks’ follows both of these characters in parallel as a ‘novel within a novel’. The two stories collide in a dramatic conclusion set against the backdrop of The Giant’s Causeway.

Simon Maltman has created a modern noir with a new twist, a dash of black humour and a fresh approach and comment on storytelling.

 

Excerpt

“Reaching to check for my phone, I realised I had left it in the car and my smokes too. I started to idle back towards the car when I heard what sounded like a large door slam followed by fast footsteps. I jumped over the three foot, outer wall onto the grass at the side of the driveway. Ducking down behind it, my breath rattled in my throat and a wave of nausea splashed about my stomach. I felt cold, but clammy, in my jacket and pulled it close to me opening out my collar. The footsteps had turned the corner and were running towards me. Each pair sounded several paces behind the other. One set passed and I stiffened. An alarm started to scream out into the cold air. A second pair of trainers raced past. The last set approached and for no good reason my body shot up. I looked the husband in the eye before I lunged at his sprinting silhouette, pushing him over with a shove. I tumbled over the wall after him and scrambled to get up myself; a few feet to the side of him. A blaze of light danced on my eyes and half my vision melted away like a Dali clock. Two scuffled steps and he was on me. I flapped like a swan in a sand pit and hit out as best I could. We rolled and I could feel my back scraping on stones and dirt. He hit me a few more times but was too close to hurt me much. I heard shouts, then the beginning of car sirens as he started to try and get off me. I got in a punch to his back which I could hear in his groan had hurt him some. He seemed to struggle to his feet and this time the running was accompanied by a siren duet. I fell against the wall and felt unconsciousness almost overwhelm me. The sirens were close now and an engine started. There was a crash of metal on metal, then a car door and more shouting. I went to sleep.”

 

Praise for Simon Maltman

 

“I’m amazed how a writer can cram so much into such a short space of narrative. You hit the ground running and it’s a sprint finish.”

Crime Book Junkie

“Praise Satan for Bangorian Simon Maltman.”

Irish News

“Long may he continue.”

Hotpress magazine

“A compelling tale… a short but snappy read that gives a fresh glimpse into a life of crime and where it can lead you.”

Writing.ie

“Those who foresaw the end of the book as artefact with the coming of the digital age hadn’t banked on the ingenuity and skill of a number of young writers who are converting the e-book into a work of artistic relevance. Such a case is that of Simon Maltman, a multifaceted writer and musician from Bangor.”

Dr. David M. Clark

Director Departamento de Filoloxía Inglesa

Universidade da Coruña

 

About the Author

Simon Maltman is a writer and musician from Northern Ireland. This is his debut novel after previously having crime fiction short stories featured in a number of magazines and anthologies. He has also had poetry and articles published in a range of magazines. Simon has self-published a number of crime fiction e-books over the last year. There is work underway for further crime fiction releases in the near future.

Simon is an established musician, along with his current band The Hung Jury. He lives in County Down with his wife and two daughters.

 

Links

facebook.com/simonmaltmancrimefiction

twitter.com/simonmaltman

Novellette RETURN RUN  http://bookgoodies.com/a/B01I1Y6RX0

 

All the best with the new release, Simon. Come back again!

–ABF

TOMORROW: Fresh off the Carnival of Parahorror in Buffalo, NY, Susan Lynn Solomon flys in with a Wicca tale or two.