HEUER LOST AND FOUND: THE EXCERPT

“Come with me, and I will show you worlds.”

 

At last, HEUER LOST AND FOUND is ready to go with presales beginning March 26 to the launch on April 23rd on Amazon. It’s been a long, exciting journey marked with encouragement and a lot of learning. I’ve made so many friends along the way, so much so that I owe this space and the people that help fill it a special nod all their own. In the coming days, I’ll be talking up my ladies in the Brooklin 7, my incredible sister and authorly inspiration Cryssa Bazos, and long time friends Gilda Heinrich Rousseau and Suzanne Fairbrass Stacey. I will also pay homage to the crew at the Wine Rack, the guys on the Canadian Poncho Car site, and the amazing staff at the Pickering Metro; all of whom make stepping out the door an adventure. Thank you. I’d be remiss if I didn’t mention Solstice Publishing, it’s staff—who are also writers—and the amazing authors I’ve grown close to as a member of the Solstice Family. All in due time. Today, is for every person I’ve spoken to who expressed interest in HEUER LOST AND FOUND. I owe you an excerpt.

Chapter Two

Two Weeks Ago

The house, like the man who lived in it, was remarkable: a 1950s clapboard-brick number with a metal garage door that needed serious painting. Likewise, the windows, which had been replaced once in the Seventies under some home improvement program, then never again. They were wooden and they were cracked, allowing wasps and other insects inside.

This was of little consequence to him.

The neighbors, whom Heuer prodigiously ignored, would stare at the place. Greek, Italian, and house proud, they found the man’s disdain for his own home objectionable. He could see it on their faces when he looked out at them through dirty windows.

To hell with them.

If the neighbors disapproved of the moss green roof with its tar shingles that habitually blew off, then let moet_champagne_partythem replace it. Money didn’t fall from the sky and if it did, he wouldn’t spend it on improvements to please strangers.

They were insects.

And yet there were times when Jürgen Heuer was forced to compromise. Money, he learned, could solve just about anything. But not where the willful and the pernicious were concerned. These, once singled out, required special attention.

Alfons Vermiglia, the Genovese neighbor next door, had taken great offense to his acacia tree, a towering twenty-five foot behemoth that had grown from a cutting given to him by a lodge brother. The acacia was esteemed in Masonic lore appearing often in ritual, rendering it so much more than just mere tree. In practical terms, it provided relief, offering shade on hot days to the little things beneath it. And it bloomed semi-annually, whimsically releasing a preponderance of white petals that carried on the wind mystical scent—the same found in sacred incense and parfums.

What horseshit.

It was a dirty son of a bitch of a tree that dropped its leaves continuously from spring to fall, shedding tiny branches from its diffident margins. These were covered in nasty little thorns that damaged vinyl pool liners and soft feet alike. They also did a pretty amazing job of clogging Alfons’ pool filter, turning his twenty-five hundred gallon toy pool green overnight.

This chemistry compromised the neighbor’s pleasure and it heightened his passions, blinding Alfons to the true nature of his enemy. He crossed over onto Heuer’s property and drove copper nails into the root system. It was an old trick, Byzantine in its treachery; the copper would kill the tree slowly over time leading no one to suspect foul play.

weird vistaBut Heuer was cagey and suspicious by nature, so when the tree displayed signs of failure, he knew where to look.

The acacia recovered and Alfons said nothing. Heuer planted aralia—the “Devil’s Walking Stick”—along the fence line and this served as an even thornier reminder that he knew. And if there was any doubt at all, he went further by coating his neighbor’s corkscrew hazel with a generous dose of Wipe Out.

Intrusive neighbors and their misplaced curiosities were, by turns, annoying and amusing and their interest, though unwanted, did not go unappreciated. The Greeks on the other side of him weren’t combative in the least and they offered gardening advice whenever they caught him out of doors. The man, Panos, talked politics and cars, and expressed interest in the vehicle that sat shrouded and silent on Heuer’s driveway. He spoke long and colorfully about the glory days of Detroit muscle cars and how it all got bungled and bargained away.

Detroit GTO“They sacrificed an industry to please a bunch of big mouths in Hollywood,” Panos would rant in complete disregard for history: Al Gore and Global Warming didn’t kill the GTO; the OPEC oil crisis did. But there was no point in telling him that.

Panos was an armchair car guy and incurable conspiracy theorist. He also kept to his side of the fence, unlike his wife, Stavroula, who was driven by natural instinct. Not content to leave an unmarried man alone, she routinely crossed Heuer’s weedy lawn, banging on the door with offers of food and a good housecleaning.

Heuer had no trouble accepting her cooking. But he declined her brush and broom. Was it kindness, or was she trying to see inside? He suspected the latter.

No one was ever seen entering Heuer’s house and while this piqued public interest, he never gave in, not even to those who were kind to him. He liked Panos and Stavroula and he regretted poisoning their cat.

But not enough to let them in to his home.

Others on the street had less contact with him. Canvassers at election time would disturb him, in spite of the lawn sign warning the solicitous away. That this didn’t apply to neighbor kids brave enough to pedal cookies and magazine subscriptions in spite of the sign, was a testament, perhaps, to some residual soft spot in his heart that endured.

Even so, he knew that people talked about him and, frankly, he had trouble accounting for their fascination. Short, curt, bespectacled, he courted an ethos that favored enforced detachment. When people got close enough to hear him speak, they detected a trace of an accent. Now faded after years of U.S. residency, his speech still bore the unmistakable patterns of someone undeniably foreign. Elaborate, overwrought and heavy on the adverbs, he spoke very much like his neighbors. Yet the distance between them was incalculable…

***

Day 1: Post Mortem

Heuer shook his head, finding it especially odd that he would think of such things at this particular moment. The circumstances, after all, were beyond peculiar. Coming out of thick, dense fog, standing upright, looking wildly around, and having difficulty comprehending, the last thing that should trouble him was human relations.

The man on the floor would have agreed, had he not lacked the resources to speak.

Heuer canvassed his surroundings. The room, still dark, the shades drawn, and the plants Stavroula forced on him, wilted and dry, bespoke of an unqualified sadness. His computer, left on and unattended, buzzed pointlessly in the corner, its screen saver, a multi-colored Spirograph montage, interspersed with translucent images of faceless Bond girls, twisting ad infinitum for an audience of none.

Back StairWhat happened here?

The bottle of Johnnie Black lay open and empty on the bedroom floor, along with a pack of Marlboro’s, gifts from an old friend. The desk chair lay on its side, toppled, in keeping with the rest of the room. His bed sheets were twisted, the pillows on the floor, and there were stains on the walls; strange residues deposited over time representing neglect and a desire to tell.

He looked down at his hands. They kept changing; the veins, wavy, rose and fell like pots of worms.

Trippy.

There was no evidence of eating, however, and this was really weird, for it was in this room that Heuer lived. Flat screens, mounted on the ceiling and on the desktop, kept him in line with the world outside in ways that papers could not. Screens blasted twenty-four and seven with their talking heads and CNN, whereas papers were flat and dirty, suitable only for the bottoms of bird cages. He cancelled the dailies first and then the weeklies, seeing no value whatever in printed words.

Pictures were another matter. Several in paint and charcoal and sepia covered the walls and floors. He loved them all, and he stared at them for hours when he pondered. His beer fridge, humidor, and model rocket collection completed him; housing the things he loved, all within perfect reach.

His senses, though dulled, honed in on a scent, distant yet familiar, coming from inside the room. It was bog-like-foul like a place he’d visited long ago, buried under wood ash. He frowned.

What was the last thing he ate? Did he cook or go for takeout? He wanted to go down to the kitchen to check, but found, to his astonishment, that he could not get past the doorframe into the outer hall.

Nein, das kann nicht sein!—Now this is not right!—he fumed, switching to German. He would do this whenever he encountered static. The spit and sharp of it forced people back because they could not understand what he meant.

Unballing his fists he felt his chest, registering the sensation of “feel”—he could feel “touch,” but he could not locate the beating heart. Consciously knitting his brows, he considered other bodily wants, his legal mind checking and balancing the laws of nature against the laws of the impossible. He could not, for example, feel “hunger” and he wasn’t dying for a drink either.

Was this a mark of passage into the nether? The man on the floor had no comment.

He thought about his bowels and if they needed attention, but that, to his great relief, no longer appeared to matter. Regularity, in recent years, wasn’t all it was cracked up to be. When he was young, he reveled in a good clean out after the morning coffee because it reset his clock and established the tone for the rest of the day. Not so latterly. His prostate had kept its promise, letting him down, enlarging, pressing where it ought naught. Awake most nights, he lost sleep and dreams.

With this in mind, he bounced up and down on the soles of his expensive shoes in an effort to confirm if he was awake or not. Perhaps he was sleepwalking, or heading off to the can for another urinary evacuation that wouldn’t come?

The man on the floor ruled out these options.

He tried the door again, and again, to his dismay, he could not leave.

What to do? What to do?

‘I think, therefore I am,’ went the popular saying, but what good was ‘being’ when one was confined to a bedroom like a rat in a cage?

He struggled to remain calm, just as he became aware of that heavy oppressive feeling one gets before receiving bad news. Pacing back and forth across the ancient floorboards in the house he was born into, he checked for the kinds of incriminating evidence the court of public opinion would hold against him once found. Pornography, loaded handguns, too many candy wrappers all had to be dispatched before someone inevitably broke the door down.

As light turned to dark and day gave over into night, Heuer’s thoughts came faster and faster, in different languages, interspersed with corrugated images, accompanied by generous doses of Seventies rock; a fitting sound track for the old life, now ended.

He fell to his knees. Somewhere in this mélange was something to be grateful for and with time, he was sure, he would figure out what that single, great, thing might be. For now, all he could really do was take comfort in the fact that his death had been perfect.

***

See the first trailer  https://www.youtube.com/watch?v=f3beUBWf2CQ

Definitely see the NEW ONE

Interview Part 1: https://www.youtube.com/watch?v=g2yhaXfh-ns

Interview Part 2: https://www.youtube.com/watch?v=WoPthI1Hvmo

BUY LINKS:

Preorder Link: http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&field-author=A.B.%20Funkhauser&search-alias=digital-text&sort=relevancerank

Amazon Link: http://www.amazon.com/Heuer-Lost-Found-B-Funkhauser-ebook/dp/B00V6KLAMA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1427367625&sr=1-1&keywords=heuer+lost+and+found

Book Goodies: http://bookgoodies.com/a/B00V6KLAMA

Thank you. 🙂

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SOMETHING NEW!

I love a new video, don’t you? What makes it even better for me is that I made it myself and I can’t stop groovin’ to it.

Paranormal mortuary fiction with a touch of gonzo never felt so good! Voila!!

THENCE COMES THE DARKNESS…AND THE LIGHT

My guest blog at author Rachael Stapleton’s Mysterious Ink Spot. Appropriately dubbed “The Treasured and Tipsy Timeslip” the spot asks writers to detail places real and imagined that they have visited or would like to visit. Congrats to my friend Rachael for a cool idea and a truly off planet experience.

“Who knows what evil lurks in the hearts of men. Only The Shadow knows…Bwahahahahaha.”

For many my age and younger, knowing the origin of the above might be a bit of a stretch: yet I do. Corny? Yes. Hilarious? Absolutely! The quote, or more correctly, the radio program to which this voice over belongs comes from none other than The Shadow, which got its start in pulp fiction and later ran an incredible seventeen years of American radio from 1937 to 1954.

Featuring lurid tales narrated by a supernatural all-seeing being that always knew better than the affected hapless humans it oversaw, The Shadow spoke to me in reruns throughout the Seventies.

What got me was the voice. What hooked me was the medium. Radio, you see, forced me to conjure up images of just where the plays took place. As a ten year old, it was no mean feat, seeing that my world barely extended past the hydro field in summer and the school yard in winter.

“What evil lurks?” I wondered. And was it always in sinister places?

The answer, I found, lived in dreams, and it was to some of these that I return over and over again years after they first played out. That I have recurring dreams—usually in Technicolor—I think speaks to the impact of radio: if given a choice, I would color my dreams no matter how frightening. Somehow, in color, the sinister seems palatable. Even inviting.

PLANET OF THE BATHROOM STALLS
Apes
I could relate to Cornelius’ sensitivity, but I could not get my head around the human “hunt” scene in PLANET OF THE APES. Gross.

I remember finishing a harrowing week of Grade 12 second term exams. Exhausted, relieved and flat out broke, I had no choice but to celebrate my accomplishment with a long sleep. Waking in dreams, I was confronted by a highly stylized ape man in an orange jump suit. He wasn’t Roddy Mcdowall from Planet of the Apes, but a curious hybrid that co-opted equine features in a high cheek-boned, narrow face that embraced intelligence and a promise. The ape did not speak as he took my hand, ushering me over verdant hills backed by brilliant vistas I instantly recognized from the beats out of Sgt. Pepper’s.

We were barely out of the Seventies at this point, so strawberry fields made perfect sense, even if my companion—a behemoth of eight feet or more—could have easily made Poe’s House of Usher his home. I asked him where he was taking me, but the ape said nothing, pulling me along with kind, if not gentle urgency, until, at last, we arrived at our destination: a row of bathroom stalls as orange and shiny as his coveralls. He wanted me to step inside the first one, yet I could not. It was a pay toilet, and I didn’t have a dime.

THE LAKE AND THE DRAGON
Wikimedia Commons 3.0
Wikimedia Commons 3.0

It will be eighteen years this May since my amazing German daddy passed away while on vacation in sunny Florida. His death, completely unexpected, knocked all of us near to him on our collective rear ends. Yet his passing was perfect—at least for him. My dad came from another age, an age currently celebrated on AMC’s Mad Men. Cool, collected and always on top of his game, my pa drank scotch and smoked cigarettes to his end of days: his pockets, when turned out, contained an empty pack of Chesterfields. He smoked his last one. Good on you pa. I missed him in those early days—I still do—yet in the afterburn of the funeral, seeing him again was paramount. It was not long before he visited me in dreams, this time in a lake setting muted with sepia tones save for a cobalt sky and bone bleached trees denuded of their summer leaves. My dad, you see, was renowned for saving the day. And so it came as no surprise when I tipped my fishing boat and fell into the dark water, that he would rescue me from an odd looking creature that reminded me of TV’s H.R. Pufnstuf.

https://www.youtube.com/watch?v=j5e9yCB-hiw Confronted by the large yellow beast with his

I didn't mind Puf, but I really dug Witchypoo's ride.
I didn’t mind Puf, but I really dug Witchypoo’s ride.

oversized spots and tousled felt-twist mane, my first impulse was to shoo him away. “Be gone absurd beast with your goggly doll eyes!” Before I could reach him, strong arms overtook me, drawing my close. It was dad in his favorite black and rust hunting jacket, impossibly dry despite the cold water we found ourselves floating in. Pufnstuf, the dragon, opened his soft felt mouth at the sight of dad, as if to frighten him, but my father just laughed, reaching out with one of his short fingers (the rest of it claimed by a band saw in the Fifties) to poke the silly bugger in the eye. Puf retreated beneath the waves. I haven’t been back to the lake lately, nor have I been visited by the large, yellow, felt-mouthed beastie, but I wish it so most terribly. My dad is there, and I’d love to see him again.

THE HOUSE OF USHER AS HOME
maxresdefault.jpg
maxresdefault.jpg

Edgar Allen Poe’s Fall of the House Usher stayed with me if only for the author’s assertion that the cursed family tree ran vertically and without branch. “How strange,” I thought at the time. Yet, when I woke for the first time in an amazing home—high ceilinged and trimmed with thick mahogany baseboards and crown molds—I knew where I was. Imagine a long hall, the plaster walls stained cerulean blue to compliment large crystal chandeliers to mark a white ceiling honeycombed with bowed crossbeams of black and tar. The hall, never ending, opens every thirty feet or so into rooms beautifully decorated from the Age of Empire; each a different color, each recognizable every time I visit because I’ve had this dream before. And never, ever, is there an intersection along the way. It is Usher’s family tree, but I do not fear it. This is not a family tree cursed, but a home filled with history, its rooms lovingly curated by something I have yet to see.

MISTRESS BISCUIT AND HER SHORTBREADS
www.travelmob.com
http://www.travelmob.com

In a similar vein, I have visited the home of Mistress Biscuit many, many times. Each time, it is the same. I wouldn’t have it any other way. The front door opens into a spectacular foyer, shitake monochrome walls accented with glass and chrome backed by sky high windows capped by a vaulting ceiling twenty feet above our heads. I say “our” because the guests are there, wrapped in looks reminiscent of the disco era, but tasteful to one who was there. “Mistress is busy,” the tall, slightly balding fellow in livery informs me. “Would madam care for a swim before chicken?” Don’t mind if I do. Pocketing a couple of sweeties fetched off a silver tray of shortbreads and arugula, I head to the indoor pool where a friend awaits. He is young, wearing a white terry cloth robe. I have no idea who he is.

Trippy, no?
Thank you, Rachael Stapleton, for taking me back…

Adult, unapologetic, and cognizant, I wish you good day. Let’s stay above it.

ABF

For more Rachael, please visit:

www.rachaelstapleton.com

http://rachaelstapleton.blogspot.ca/

https://www.facebook.com/pages/Author-Rachael-Stapleton/137831156290570

https://twitter.com/RaquelleJaxson

https://www.goodreads.com/author/show/7271862.Rachael_Stapleton

Radio Funkhauser, Part Deux

The nascent author discusses funeral parloring, Six Feet Under, lasting friendships and never looking back in part 2 of her first ever radio interview for 102.7 FM Whistle Radio Stouffville. Woot! Woot!

FIRST RADIO INTERVIEW

Once upon a time, long, long ago, in a faraway galaxy, I worked in politics. It was an amazing world peopled with amazing speech makers, luminescent scribes, and ambitious policy makers jostling to get the words out.

Which is why there’s a little thing called ‘media training’. Broadly defined, media training encompasses everything from elocution to breathing to physical deportment. Perspiration was a “no, no” — Richard Nixon debating Kennedy back in ’60 cemented that — as was the exclamatory pause “um”. Um was anathema, and as I watched politicians prep from debates, I picked up a thing or two…

Good thing, because it’s my turn now. Last month, I talked up HEUER LOST AND FOUND with Charlene Jones on 102.7 FM Whistle Radio Stoufville. It was a privilege to have been given the opportunity.

“Don’t say “um,” I kept saying to myself, “for cryin’ out loud DON’T.” And I didn’t, thank gawd.

Scheduled to air March 24, I just had to share a “sneak peek”.

The Interview

HEUER LOST AND FOUND available April 23, 2015. Advance orders begin March 26 at Amazon.com.

solstice publishing

OMG. I have a YouTube Channel and a Book Trailer

I’ve been dancing around for weeks here on the blog and finally, at long last, I can release DAS BOOK TRAILER. Months in the making, I can say, without a hint of irony or fiction, that HEUER LOST AND FOUND, THE TRAILER, is all mine and made with my own two hands. Another milestone on the path to publishing. The learning curve has been incredibly steep and it is only the beginning, but I’m ready…I think. 😉

NOW AND FORWARD

Adult, unapologetic and cognizant, I wish you good day.

ABF

The Unvarnished Interview

In the spirit of brave self-promotion, I continue today’s post (see Heuer Advance Review) with an interview given by yours truly to the ever intrepid Bernard Foong. It’s another first for me, and another reason to do a victory lap around the neighborhood (after I shovel the sidewalk), because self promotion goes against everything I was taught growing up. Careers in politics, the car business and funeral service notwithstanding, I have managed to stay under the wire…until now.
Heuer, Heuer. What have you done?
  1. Can you tell us a little bit about yourself?

That’s always a bit tough for me. I was raised in another time where shouting out accomplishments was

An expression of the author's feelings through a doppelganger.
An expression of the author’s feelings through a doppelganger.

considered rude. But I’ll try. I’m a Pisces that celebrates the Year of the Snake, but unlike dear vain snake, work extremely hard not to be mendacious. (Laughs) I have a furtive imagination, love art in all its forms, and cannot live without music playing somewhere in the background. If forced to choose between comedy and drama, comedy wins…every time.

  1. What do you do when you are not writing?

That’s easy! I’m outside. Unlike you, dear friend, I live in the four seasons (hint of jealousy here) and have the coats, boots and sunscreen that goes with them. I have a large wild flower garden that I tend in summer, and a very long driveway I shovel in winter. And I love classic cars, particularly those from the muscle era. Summer and autumn are for road tripping to see the shows. I try to get to the Woodward Dream Cruise in Detroit, Michigan every other year.

For a car enthusiast, Woodward is the Holy Grail.
For a car enthusiast, Woodward is the Holy Grail.
  1. Do you have a day job as well?

Yes, although I am on hiatus and that has paid off, as you see (big grin). I’m a funeral director, licensed to practice in Ontario, Canada. For me, it ranks as one of the best jobs I’ve ever had next to seeing to my family.

  1. When did you first start writing and when did you finish your first book?

I began writing in 2010 in response to the loss of a dear friend. In funeral service, the families we serve ask how to cope with the pain. One way to manage is to seek out others—groups, counselors—those who have walked in their shoes and really know how it feels. Another approach is to write a grief journal. My friend and I went through school together, and during that time we became sympats where comedy was concerned. We laughed at the same things. It didn’t take long for my journal to take a comedic turn before straying off into outright fiction. I finished Heuer five years later.

  1. How did you choose the genre you write in?

The characters decided it for me. They are bossy, incorrigible and I completely adore them. They were impossible to ignore.

  1. Where do you get your ideas?

I put a foot out the door and live day to day. You wouldn’t believe the kind of trouble you can get into at the grocery store.

  1. Do you ever experience writer’s block?

Absolutely, but it’s more likely because another story or character is nagging at me. My first teacher called this popcorn writing, where you just push away from the current project and go on a tangent with a wild horse scene. It’s exciting and informs the other projects.

  1. Do you work with an outline, or just write?

I mull for about a year, and then churn out the first draft during NaNoWriMo in November. I don’t plot per

I do on occasion take walks through cemeteries.
I do on occasion take walks through cemeteries.

se, but I do know where I’m going before I begin. This is also where some of those popcorn scenes find a home. After the first draft is complete, I return to the previous project in line to revise and refine. It’s a whole system that works for me. You see why I had to go on hiatus?

  1. Is there any particular author or book that influenced you in any way either growing up or as an adult?

Absolutely everything Kurt Vonnegut ever wrote. From him and Dr. Seuss, I learned the value of having outrageous character names. My current fiction includes a hysteric named Sigrid Bork. I love her.

  1. Can you tell us about your challenges in getting your first book published?

I worried a lot about having one book followed by writer’s block to shut me down for good. So I decided to

Exteme excitement resulting in blurred vision.
Exteme excitement resulting in blurred vision.

get some manuscripts down—four to be precise—so that I’d have a body of work to play with when pitching to agents and publishers. The last four years were dedicated to pure creation without pressure to produce to a contract. It was sensational. During that time, I plugged into Twitter pitch parties on the recommendation of a writer friend, and that’s when things really started to happen. I queried, synopsized, wrote dozens of tag lines and met hundreds of amazing people who got me to Solstice Publishing. Now I have to learn about and engage in—boots first—marketing, which is very challenging because of the way I was raised (see question one). I’m enjoying Twitter parties and blogging. Frankly, I didn’t know I had it in me. A great surprise.

  1. If you had to go back and do it all over, is there any aspect of your novel or getting it published that you would change?

Nope. It was all organic. I tripped, I fell, I studied, and I applied. I got better.

  1. How do you market your work? What avenues have you found to work best for your genre?

It’s early in, so stats aren’t there, but I will direct a lot of applause to the writing groups I belong to—The Booklin 7, Writers Community of Durham Region, and amazing teachers at Writescape—for plugging me in with others dedicated to the same goals. Marketing is a learning curve and a steep one, so look to others engaged in the same activity; ask questions and try things on. Tweet, Tweet, Tweet. Blog, blog, blog, and follow your publisher and agent advice. Support other writers by reading their work, reviewing and attending their promotional events. If you want society to know about you, you must socialize.

  1. Have you written a book you love that you have not been able to get published?

I love them all, but can only dedicate my energies to one at a time. The others? Their day will come.

  1. Can you tell us about your upcoming book?

Heuer Lost and Found is adult, unapologetic and cognizant with a hint of dark humor. At 237 pages, it is a

Everything is sentient; everything is a potential character--at least where I'm coming from.
Everything is sentient; everything is a potential character–at least where I’m coming from.

compact study that rocks ’n’ rolls with the help of an erudite Latin speaking rat and a wise-cracking floor lamp with ulterior motives. They’re off beat and badly needed to help my protagonists: a dead, unrepentant cooze hound lawyer, and his very much alive boozy lady undertaker who he used to know back in the Eighties.

  1. Is anything in your book based on real life experiences or purely all imagination?

I think all fiction is informed by real life experiences, but I have yet to meet sentient rats or floor lamps. (laughs) The funeral home in Heuer is actually a composite of four different establishments, none of which survives today. As to the characters, some guy buddies insist that they are Heuer, but they’re not. There’s actually a little of me in him, but I guess it’s to be expected if I’m the one behind the keyboard.

  1. What was your favorite chapter (or part) to write and why?

SPOILER: The very end, because it’s where the Kleenex box comes out. When that happened, I knew I’d got it right.

  1. How did you come up with the title?

From the short story. Heuer actually made it into three separate shorts before becoming a full-fledged novel character.

  1. What project are you working on now?

    POOR UNDERTAKER is the fourth in the series "Unapologetic Lives"
    POOR UNDERTAKER is the fourth in the series “Unapologetic Lives”

Poor Undertaker is next in the series, which tracks the ups and downs of the Weibigand Brothers funeral establishment. Its every bit as much a joy as the first, second and so on, because I see this remarkable building go through all its incantations. At one point, it’s actually bought up and is not a funeral parlor any more.

  1. Will you have a new book coming out soon?

We’re at least a year away, I think. Scooter Nation is next, but I’d like to give it another go over before setting it free.

  1. Are there certain characters you would like to go back to, or is there a theme or idea you’d love to work with?

Absolutely. My series is non sequential, so the character that dies in one is born again in the next. They’re

SCOOTER NATION is the second in the series and is definitely more Gonzo in nature.
SCOOTER NATION is the second in the series and is definitely more Gonzo in nature.

never far away. There are a number of themes I return to, but some of my favorites include: the negative impacts of nostalgia; the problem with prying; insular people coming out into the light; finding kindness in peculiar places; and letting go of that thing you need so that you can keep it forever.

  1. What has been the toughest criticism given to you as an author? What has been the best compliment?

I’m an upbeat person, so if I’m criticized, I turn it into a plus by learning something from it. The best compliment I ever had came from a teacher who said my voice was “strong and unusual”. That really made my day.

  1. Do you have any advice to give to aspiring writers?

Get it all down before trying to make sense of it. It’s a journey and often a very long one. Enjoy every leg of it knowing that there’s more just ahead.

  1. Is there anything that you would like to say to your readers and fans?

Observe, listen, and do not ignore the excellence to be found on HBO, Netflix, Showcase, etc. This is your university.

Fin.

Advance Review of Heuer Lost and Found

No stranger to this blog, author Bernard Foong (A Harem Boy’s Saga I, II, and III) had a look, and in advance of Heuer’s debut April 23rd, here’s what he had to say:

5 star review:

Author A. B. Funkhauser strikes a macabre cord with her book Heuer Lost and Found”.

Written from

Bernard Foong is an international best selling author.
Bernard Foong is an international best selling author.

the perspective of an undertaker, she gives her readers a ringside seat at the Weibigand Mortuary where Enid, a middle aged woman with a taste for scotch, arrives on a Monday morning still in a stupor from the night before. Initially, the reader learns a bit about Enid and the history of the mortuary, its original owners and their heirs who continue to operate the family owned business, along with all of its eccentric employees. Early in the day, a call is received and there after a not so typical day in the life of a mortuary begins. Heuer, a well known middle aged attorney has been found dead in his apartment, where he laid for several days. The story now moves between present day and flash backs to a time when Heuer, Enid and others in the story are intertwined in one way or another. Heuer appears as a ghostly spectre to enchant us with his own take on his past, and his current impressions of what is being said and done as his body is prepared for burial. I for one like this book. I found it to have a similar feel to the HBO series “Six Feet Under”.

Ms. Funkhauser is a wizard with words and did a fine job of weaving this story of Greek, German and English speaking families that bounced back and forth throughout the entire book.

Hooray! And thank you, Bernard Foong.

Drop by #1lineWed for more Heuer and some excellent one liners from incredible authors. 🙂