The Authors Frederick CrookMy friend the scientist could talk for hours with future guy Frederick Crook. Dark themes, distant places, bad guys and star ships, he goes places we dare to follow, if only for the measure of hope he offers: ‘when there’s nothing to lose, there’s everything to give.’ I like that and so might you. Hello, Frederick Crook.


AuthorPic250300Frederick was born in Chicago in 1970 and now lives in Villa Park with his wife, Rae and their three miniature dachshunds. He began by writing fictional works all through high school, earned an Associate Degree of Applied Science in Electronics in 1994 and the Bachelor of Science in Technical Management from DeVry University in 2005.

In 2009, Frederick began writing his first novel, The Dregs of Exodus, which was self-published in late 2010. This was followed up with another novel, The Pirates of Exodus in 2012.

Throughout that year and early 2013, he continued writing and published four short stories in eBook form for Kindle and Nook. All of these stories share the same premise, but all are independent from one another, though the short eBook, Campanelli: The Ping Tom Affair and his third novel, published by Solstice Publishing, Campanelli: Sentinel, share the same main characters.

Minuteman Merlin was released for the Kindle by Solstice Publishing, March 1st of 2015.

He loves writing and enjoys meeting and talking to readers at book signing events.



It is 2110 and migration to the colony planet, Alethea, has depleted Earth of billions of people. As a result, migration has been declared illegal by all world governments. Human trafficking becomes highly profitable for organized crime and their influence reaches beyond the Earth’s atmosphere. Many starships returning from Alethea are diverted from the scrapping process and secretly refurbished, allowing the population to shrink further.

Frank Campanelli is a blind Chicago Police detective who depends on his fully functional bio-electronic implants to see and do his job.  After assisting on a botched infiltration of a top human trafficking network, he and his partner, Marcus Williams, are transferred into the CPD’s Organized Crime Division to head the newly formed Sentinel group and bring down the Ignatola family business.

Cover art by Arvin Candelaria & Velvet Lyght of “Stories by CL”.


Nebraska, 2121. A widower by the name of Merlin lives in his converted Minuteman-3 missile silo with his Black Lab, Chief. Suffering from stomach cancer, Minuteman Merlin is under the care of Doctor Larry Hammonds. On this post-Great Exodus Earth, the cure has left for the stars along with the vast majority of Mankind, so the doctor must treat him with the long-outdated methods of chemotherapy and radiation.

In the small town where he receives this medical treatment and trades goods, Merlin confronts a child abuser. The situation goes horribly wrong, resulting in the death of the victim’s father and the destruction of Doctor Hammond’s office. To make amends, he opens his home, giving the physician a place to practice medicine and the boy a place to live.

A man with nothing left to lose has everything left to give.

Cover by Arvin Candelaria & Velvet Lyght.



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Proustian Questionnaire Image BIG

What are your thoughts on muses and do you have one?

I’ve never had one specific muse. I am inspired mostly by the old men of science fiction. Heinlein, Asimov, Asimovand Clarke.  I’ve also been influenced by Stephen King and Dean Koontz. The ideas that came to me after I wrote my first novel, The Dregs of Exodus seem to just occur to me. “Dregs” was an interesting scenario about a dystopian future given the right circumstances. I’ve been working backwards for the most part, writing about the experiences of other characters in other times and locations.
Characters have a great capacity to love, yet they’re starved. Why do you think this happens in fiction and in real life?

Well, that depends on the characters, of course and the nature of the story. Starved enough, I suppose, you have a villain on your hands.
Without giving spoilers, would you say you’re a “happy ending” writer?

Not with everything, that’s for sure. There are stories that I’ve written with indisputably positive endings. The rest tend to end on a mixture that I feel makes for a realistic outcome.
What would you like to be remembered for?

I want readers to remember me as an author of dystopian sci-fi stories that did not rely on a disaster to create them. I think many people are turned off by dystopian adventures because of the massive deaths that go along with a 2012 or a Deep Impact scenario. I wanted my work to have a positive back story: The vast majority of Mankind is making a new home on the colony planet, Alethea.
If you could dine with any historical figure living or dead, who would it be and why?


I’d have to say Franklin Delano Roosevelt. I’d like to know what it was like to be pulling the strings behind
the scenes of the world’s biggest conflict.
Past, present or future? Where does your mind dwell?

I’m in the past for the most part. I really enjoyed the music of the ‘70’s and ‘80’s, and I really enjoyed the way of life back then quite a bit more than these days. All the gadgets that we live with on a daily basis are intrusive in many ways and not necessarily helpful. The reliability of something like the provider of our internet, TV and phone is often subpar because they try to stuff too much capability into it. In the ‘80’s, I had my music on LP’s and cassettes, 40-ish channels on the cable television, and we had a landline phone. It was so quiet and pleasant back then.
What informs your writing most?

I have to have music running, especially lately. My mind is like an old tube-amplified AM radio. It drifts without any outside influences. I can’t even begin to list what I listen to, but you can bet it’s from the ‘70’s or ‘80’s. I like some new stuff, don’t get me wrong, but in a world where a Tom Petty rip-off wins a Grammy for the best song of the year it’s hard to find stuff that I like.
Growing up in the Seventies, school kids were encouraged to think globally and act locally. Have you ever flirted with this philosophy?

In the ‘70’s, I was attending a Catholic school in Cicero that, fortunately, no longer exists. Thought was not encouraged in any form, let alone actions derived from such behavior. While I tend to mind my own business when it comes to most things, I do recycle and think I do a lot to minimalize my negative impact on the Earth, though I think she’s a lot tougher than us and will be glad when we’re off her back.
Guilty pleasures: we all have them. What is yours?

Pretzels in white chocolate are awesome. A Maker’s Mark cigar with its tip soaked in its namesake is bliss. Sneaking a beer before noon is as cool as it sounds.
Your greatest victory?

I hope I haven’t experienced it yet, though the day I left a mind-numbing office job a few years ago without being jailed for assault has to be it. I lost the job but I regained my true self and no one had to get hurt. Setting myself free that day felt better than achieving my degrees.
Tell us about the one that got away. Person, place or thing.

Actually, anything that I’ve gone for and failed at has turned out for the better. I’ve tried for that automobile that I knew I couldn’t afford and was pissed off when the financing companies denied me, but looking back at it, I know it would have ruined me. I’ve tried for that house that I knew I couldn’t swing and was shot down by the mortgage companies. I’m happy about that, too. I’ve pursued some women in my time and I can’t say that there are any that I regret not catching. There’s a saying that I like to keep in mind about such things in life. I don’t know who said it and I can’t even remember when I heard it, but it’s this: “Never pursue a woman or money. Both will leave you in the dust.”

What are some of the overriding themes in your work? Do you have a favorite?

I think that readers should understand that things that change our world are not always for the better. There is a negative aspect to everything we achieve, no matter how small. For instance, the “Great Exodus” that I feature in all of my works is a beneficial event for most of Mankind, except for the people that remain on Earth. Things will happen in our reality that may seem all good for us, but the experience will always produce some sort of negative cost. Most of the time, the bad side of something is a trade that we can live with, but sometimes it’s not. It’s as important to not be naïve as it is to not be jaded.
Who do you admire and why?

I admire men and women of the arts that have become internationally recognized and are genuinely happy. I think Stephen King, George Lucas and Steven Spielberg are prime examples of that. There are musicians that put that feeing across as well. Now, perhaps these are merely facades of contentment, but who is to say other than they?
Are writers fully formed works of art or works in progress?

I don’t think anyone is a fully formed work. We’re all works in progress because we as people are always changing as we get older and experience the world. It’s important to keep evolving and working toward our goals, changing things when we find the need. If we don’t keep changing, then our art will be stagnate and forgettable.

Thank you Frederick Crook for you insights. Be sure and check out F.C.’s YouTube channel. He has a je ne sais quoi for book trailers!

TOMORROW: Baseball aficionade. writer and all round New Yorker Ralph Peluso

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  1. I, too, grew up reading the sci-fi greats – Azimov, Heinlein, and Clarke. Then in my twenties I moved on to King and Koontz, so my reading interests paralled yours, it seems. I’ve since gone away from science fiction and fantasy/horror, both in reading and my writing, but I still admire those authors and remember how compelling their stories were, and I still am an avid fan of sci-fi in films, especially those dealing with space-travel premises. Your story dealing with those left behind after a mass exodus from Earth sounds intriguing, especially the part about the “old-fashioned” doctor!


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